Why do you feel that the current Hong Kong dramas can t catch up?

There is no longer any soil for Hong Kong to contend.

The comedies of the 90s were particularly good-looking, and many film and television dramas such as "Everything Wins Better" and "Difficult Brothers" laughed while watching, and my stomach cramped when I laughed. I haven't seen it in the last few years.

The new generation is not as powerful as the previous one! It is equal to Hua Chenyu who can't compare to Jay Chou.

One generation is not as good as the next.

It's good to look at the era twice.

Now as soon as I see a Hong Kong drama, I immediately adjust the stage, and there is nothing to look forward to.

It's uncomfortable to watch, the person is not good-looking, the plot is awkward, I can't laugh if I want to, I can't cry if I want to, and it's completely broken.

Now Zhang Weijian is playing "Big Handsome Guy", although you can guess the end in the first episode. But it's still quite chasing. The current Hong Kong dramas may not have the ability to innovate, and the whole story is the same.

To be honest, it would be good if Hong Kong actors could have more new faces.

The key is that the ones I like to watch are many years ago, I don't like modern Hong Kong dramas and family dramas, and the others are petty.

Most of the actors in Hong Kong TVB still implement a salary system, and the economy determines the speed of development, which is also applicable to Hong Kong dramas, especially the huge income gap between Hong Kong TV drama actors and the mainland entertainment industry forces actors with a certain mass base to enter the mainland to seek better development. Another Hong Kong TV series is mostly professional dramas and life dramas, and the themes have been filmed for many years, and new breakthroughs need to be sought.

Hong Kong dramas are the heyday of my generation, and I have witnessed too many classic Hong Kong dramas and Hong Kong actors. In childhood, I especially admired the heroic characters in film and television dramas. And among our friends, we often imitate the classic bridges.

However, with the rapid development of the mainland economy, all walks of life have undergone earth-shaking changes, and it is at this stage of development that the market has vigorously developed the entertainment economy, so that the mainland's film and television dramas have also developed rapidly, and all kinds of film and television themes have also been filmed one after another. Therefore, the audience is more inclined to mainland film and television dramas. Compared with Hong Kong film and television, it is not that the film and television dramas produced are not good, but that there is no support from the digital economy for the understanding of the audience, and that Hong Kong film and television people are still supported by the elderly, and all the new actors are still being tempered, I believe that Hong Kong film and television will get better and better.

First of all, in the previous era, the mainland's cultural industry was just in its infancy, and it was difficult for film and television dramas to attract the audience's attention. Hong Kong dramas showed the civilization of modern industry and commerce, which was lacking in the closed mainland at that time, so people flocked to Hong Kong dramas. However, in recent years, the mainland TV drama industry has developed rapidly, and all kinds of excellent TV dramas have emerged in an endless stream, and people are not so keen on Hong Kong dramas.

Secondly, the reason why Hong Kong dramas are so popular not only depends on a good script, but also on Hong Kong actors with excellent acting skills. TVB training is relatively strict, and actors are paid relatively low, so many Hong Kong actors choose to come to the mainland for development. This has led to a shortage of actors in Hong Kong dramas.

In addition, the script routines of Hong Kong dramas are aging and lack novelty, and the audience can guess the ending by watching the beginning, so naturally few people want to watch it, and now the quality of Hong Kong dramas has declined significantly. Overall, Hong Kong dramas are not as popular as they used to be.

A Hong Kong drama, all of which are familiar faces of everyone, just which actors have left a deep impression when we chase Hong Kong dramas, the more skillful TV drama production made the traffic of Hong Kong dramas infinitely amplified at that time, but the life guarantee of the actors and the current level of the mainland has gone to the gap, and the talents have been lost here, and now the style of Hong Kong dramas still exists, we can still see that feeling when we watch Hong Kong dramas, but there is no such exciting moment, because the plot is always so old-fashioned, but the audience's aesthetics are developing. On the contrary, the TV series on the mainland are closer to our life and imagination, and without innovation, it is difficult to see the hits! I really like a lot of Hong Kong dramas before, which actors, Guan Yonghe, Ouyang, etc., I'm afraid it's hard to forget if I remember it for a lifetime, I was seduced by you, it seems that I want to brush it once.

The current Hong Kong dramas are not as good as before, they used to talk about foreign science fiction and Hong Kong shootout films, but now Hong Kong dramas are slowly declining because of the influence of the mainland. And the actors are getting old, so they can only slowly retire from the stage, and now it is the post-00s world, it can be said that the plot of a film is not very good now, as long as there is a traffic Xiaosheng as the protagonist, the ratings are good. Of course, another reason may be that mainland films are also slowly developing, while Hong Kong dramas can see that there is no innovation, we can see that a good Hong Kong film will be developed into a second and third part.

Do you remember the Hong Kong movies you watched when you were a child, and the TVB and radio TV dramas you followed? "The Legend of the Condor Heroes", "Intolerable Love", "Ten Thousand Waters and Dry Mountains are Always Love", "Peerless Double Pride", "The Legend of the Deer and Ding" and so on. It always brings back a lot of memories when I think about it, but why has people's preferences shifted from Hong Kong to the mainland today?

Why do people no longer favor Hong Kong film and television dramas? I think the reason why there is such a phenomenon is inseparable from the current market environment, we all know that Hong Kong's film and television development in the last century was unprecedentedly prosperous, so why can Hong Kong film and television develop rapidly? At that time, most of China's mainland was still in a state of inspirational food and clothing, so the degree of economic and cultural development of Hong Kong at that time was incomparable to that of China's mainland, and the huge gap between the two caused a large number of relevant talents to pour into the Hong Kong market, and these external factors provided convenient conditions for the development of Hong Kong's film and television.

Because it has become a paid channel, it will not be broadcast without additional payment. In the past, Hong Kong and Taiwan dramas had a very glorious period, Hong Kong dramas such as Thousands of Rivers, Thousands of Mountains, Always Love, The Great Era, Sister Tuo Gun Series, Genesis and other dramas have been popular in the mainland, and even the author of Zhen Huan's biography said that he conceived "The Legend of Zhen Huan", a palace fighting drama, was inspired and influenced by TVB's "Golden Branches".

Characteristics of Hong Kong dramas

Taiwan's idol dramas have also deeply influenced a generation of mainlanders, such as "The Prince Becomes a Frog", "Next Stop Happiness" and other dramas make many girls yearn for a domineering president to fall in love with themselves, due to the rise of the mainland market, many Hong Kong and Taiwan behind-the-scenes personnel and stars have gone north to develop, after all, the mainland has a broader development prospect, and can provide better and higher salaries.

Therefore, due to the loss of talents and the transfer of capital, Hong Kong and Taiwan dramas have gradually declined, and there are no high-quality Hong Kong and Taiwan dramas now, and TV stations will not introduce some bland Hong Kong and Taiwan dramas to broadcast in consideration of the problem of ratings, which has caused that Hong Kong and Taiwan dramas rarely appear in mainland TV dramas now.

In addition, the introduction of Hong Kong and Taiwan dramas to be broadcast on Shangxing Satellite TV will be subject to stricter scrutiny, and the time will be longer, which will increase the time cost, and now Hong Kong's TVB will cooperate with the three major **** in the mainland, so that resources can be better allocated and dramas can be broadcast faster, such as the Apostle Walker, the Blind Barrister and other dramas in recent years are the cooperation dramas between TVB and the mainland, and they have also received a good response.

Because it has become a paid channel, it will not be broadcast without additional payment. In the past, Hong Kong and Taiwan dramas had a very glorious period, Hong Kong dramas such as Thousands of Rivers, Thousands of Mountains, Always Love, The Great Era, Sister Tuo Gun Series, Genesis and other dramas have been popular in the mainland, and even the author of Zhen Huan's biography said that he conceived "The Legend of Zhen Huan", a palace fighting drama, was inspired and influenced by TVB's "Golden Branches".

Characteristics of Hong Kong dramas

Taiwan's idol dramas have also deeply influenced a generation of mainlanders, such as "The Prince Becomes a Frog", "Next Stop Happiness" and other dramas make many girls yearn for a domineering president to fall in love with themselves, due to the rise of the mainland market, many Hong Kong and Taiwan behind-the-scenes personnel and stars have gone north to develop, after all, the mainland has a broader development prospect, and can provide better and higher salaries.

Therefore, due to the loss of talents and the transfer of capital, Hong Kong and Taiwan dramas have gradually declined, and there are no high-quality Hong Kong and Taiwan dramas now, and TV stations will not introduce some bland Hong Kong and Taiwan dramas to broadcast in consideration of the problem of ratings, which has caused that Hong Kong and Taiwan dramas rarely appear in mainland TV dramas now.

In addition, the introduction of Hong Kong and Taiwan dramas to be broadcast on Shangxing Satellite TV will be subject to stricter scrutiny, and the time will be longer, which will increase the time cost, and now Hong Kong's TVB will cooperate with the three major **** in the mainland, so that resources can be better allocated and dramas can be broadcast faster, such as the Apostle Walker, the Blind Barrister and other dramas in recent years are the cooperation dramas between TVB and the mainland, and they have also received a good response.

CausesExtended MaterialsHong Kong TV dramas are referred to as Hong Kong dramas, which are mainly filmed by two local TV stations in Hong Kong, Hong Kong Television Broadcasting**** and Asia Television.

In recent years, ** has developed rapidly, and other film companies and media groups in Hong Kong have also begun to shoot TV dramas, forming a new TV drama force. In the early years, Hong Kong dramas mainly had a large audience in Hong Kong and Guangdong, and their influence began to spread in the 80s, so that they had a profound impact on the lives of Chinese people around the world.

Resources.

It depends on the landlord's personal opinion, everyone likes Hong Kong dramas with different factors, in fact, many people in the mainland like Hong Kong dramas, I think there are several reasons. 1.Actor's skills.

Some people say that TVB actresses are not very good-looking, although I don't agree with it, but I think their temperament should be the main reason for attracting the audience, not their appearance. Relatively speaking, mainland dramas, let's just talk about idol dramas, if they don't sound good, they can be used as the protagonist to play by a good-looking person, regardless of their character and temperament. Although Hong Kong actors are not as beautiful as them (in fact, I think they are quite good), they have an aura as soon as they come on the stage.

Let's talk about acting. Taking idol dramas as an example, Hong Kong actors, isn't that Xiaosheng Hua Dan in his thirties? You see Lin Feng Yang Yi, he entered TVB at the age of 18, not from a beauty pageant, so he worked very hard, Yang Yi just started playing soy sauce, Lin Feng was once a Chinese host of TVB, more than ten years of struggle to have today, Ma Guoming is the same, more than twenty into TVB, now nearly forty.

But if you look at the mainland, a newcomer can play the leading role, and he will be praised as soon as he gets out of school, like Hong Kong people who have experienced ups and downs? But the salary they get is not known how many times that of TVB. Therefore, many TVB people went north.

Some people despise TVB for this, saying that looking down on our mainland is not taking our money, but who is not running around for money to support their families? Now those mainland rising stars are really unaccustomed to it, they have acted in a few dramas, and they have taken a lot of money to think that they are big names, and they have never played small roles. In contrast, I don't know if the landlord knows Chen Minzhi.

She's only been known in the streets of rage, and recently in the French Open. But does anyone know that it has been more than ten years since her debut, and I recently learned that she had made a cameo in the Gold Medal Iceman. The life of TVB people is really a history of struggle.

2.Screenwriter and executive producer credit. Needless to say, Li Tiansheng, Qi Qiyi, Mei Xiaoqing, Liu Jiahao, are all pillars.

Even if they are all old themes, criminal investigation, law, police, bandits, doctors, dramas, but they are exquisitely conceived and the actors are serious. The old themes in the mainland are swarmed and the quality is not high, which is inevitably boring. 3.

Work conscientiously and responsibly, and the quality of the works is high. There are a lot of works in the mainland, but many of them have to be pressed to the bottom of the box after being filmed and cannot be published. Moreover, TVB work is all live radio, which is very responsible, but many in the mainland are not like this, and I feel that this is already a big difference in work attitude.

1.The subject matter is realistic, down-to-earth, and closely linked to the pulse of the times, making it easy for people to substitute. Compared with idol dramas and period dramas, Hong Kong dramas are closer to letting people understand the people and things that happen in the city, and most of them have career lines and emotional lines.

In addition, the casting of Hong Kong dramas is actually still ornamental but not idolized, and most of the characters are a little more photogenic than the prototype characters, but they have not reached the level of stage performance casting with thick powder and heavy makeup. For example, police characters will choose people who are more photogenic than real police officers but are not stage stars, making people feel that they can "enter the house (referring to actors who have the credibility of the role but look comfortable)", such as Jackie Chan, Li Xiuxian, etc. For example, the role of the Black Astringent Club is also a person who is more suitable for the sense of the camera than the average gangster, but it is not far from the beauty of reality, Ekin Cheng's image of the Crazy Boy is still difficult to be surpassed, and it is also difficult for him to transform, and he has almost become a spokesperson after filming the Crazy Boy.

2.The psychological gravity is strong, and he knows how to capture the audience's interests. For example, people have the desire to snoop, want to know other people's secrets or survival weapons, ordinary people want to know how the world of the rich live, the police want to know the psychology of thieves, men want to know women's thoughts, women want to grasp men's weaknesses, etc., Hong Kong dramas will quote more scenes close to real life, which can satisfy most people's curiosity about the world they don't know but are interested in.

3.There is nothing superfluous, including the plot and dialogue, the pace is fast and not procrastinating, which is in line with the state of urban life. If the mainland's best dramas are still in court works, Hong Kong dramas have a good grasp of period dramas and the court, but they are more realistic.

There are also many good urban dramas in the mainland, but the general polarization is more obvious, one is that literature and art are highly pursued, and they lack the companionship effect of soap operas; The second is a traffic work that is boring and fictional to the point of talking about it all night, not to mention that it has no nutrients, and it is not good to insult the audience's IQ and taste.