Historical Script Social Life in the Song Dynasty The Happy Life of Song Yuanwai Urgent Urgent Urg

Isn't there Zhu Yuanzhang played by Chen Baoguo? But maybe not exactly historical. It is recommended to read the book, but to be honest, the "History of the Ming Dynasty" was made a mess by the Manchu Qing Dynasty, and it is completely untrustworthy. Look more at what the Ming Dynasty people themselves wrote. For example, "Ming Shilu".

The history of the Ming Dynasty is indeed very rubbish, the Ming record is okay, the content of those things in the Ming Dynasty is good, but the content is too general.

"Loyal Martyrs", a TV series on the theme of anti-Japanese in the Ming Dynasty.

Zhu Yuanzhang who watched Hu Jun's performance would look better.

The ** outside the establishment is generally a deputy officer, or a deputy position.

Later, it developed to the point that wealthy landlords and gentry could donate money to buy an official position as a foreigner, so "outsider" generally became synonymous with this kind of person.

(2012 Huanggang) Some scholars pointed out: "The southward shift of the economic center of gravity is a major event in China's historical development, and it is also the only great change in the economic geography pattern so far. "It is generally believed that the southward shift of China's economic center of gravity was completed in the Song and Song dynasties.

1. Daily income.

100 Wen and dozens of Wen are the common daily income of the lower class people in the countryside. However, there is generally not only one person in a family who has the ability to work and earn money, so it will generally be higher than 100 Wen.

2. Daily living level.

In terms of the living standards of residents, the Song people are different from modern people, only two meals a day, morning and evening, and the ** scholars are no exception. As far as the amount of grain consumed in a day is concerned, for the broad masses of the people with low consumption, the average standard should be raised for a comprehensive mix of men, women, and children.

3. Housing area.

Housing area is an important indicator of residents' living standards, the Song Dynasty society is relatively open, the size of the housing area, mainly depends on the size of financial resources and the size of the population.

The script and ** are very different.

The script can be adapted from**,**can also be adapted from the script, but the difference between the two is quite large, the difference between the script and ** lies in two points: 1, scene 2, character psychology and personality Simply (in fact, the above is the simplest haha) Writing** pays great attention to the rendering of the environment, which often takes up a lot of space, and the ancient dragon style ** is more like a script when describing the environment, "the waning moon is like a hook at night", and a few words explain the environment clearly. Because the rendering of too many environments has no effect on shooting, this is the most deleted place in the **adapted script, and the camera can be worth thousands of words with a shake.

In addition, **pays attention to the psychological description of the characters, ** in "he thinks, he thinks, he feels." It doesn't make any sense for the shooting either. The script focuses on depicting body language to express a person's psychology, such as feeling nervous, and the script is expressed with "trembling hands, sweat on the forehead and palms, unconscious shaking of legs, and twitching face".

The script is trimmed by **, and the character lines and so on must be determined; Some ** can also be written through the script, and the script and ** are not the same thing.

The script is mainly made up of lines and stage directions. Dialogues, monologues, and narrations are all spoken, and lyrics are often used in operas and operas. The stage direction in a script is a narrative text description written in the playwright's tone.

It includes the explanation of the time and place where the plot takes place, the description of the image characteristics, physical movements and inner activities of the characters in the play, the description of the scene and atmosphere, and the requirements for the scenery, lighting, sound effects, etc.

In the history of drama development, the appearance of the script is roughly at the time when the drama is formally formed and matured. Ancient Greek tragedy developed from the primitive Dionysian ritual to a complete performing art, which was fundamentally marked by the emergence of a number of tragic scripts; China's Song and Yuan opera texts and miscellaneous drama scripts are the most definite evidence of the maturity of Chinese drama; The maturity of Indian and Japanese classical theatre is also marked by a number of scripts that have been handed down from generation to generation. However, there are also some more mature forms of drama that are unscripted, such as some burlesque in ancient Greece and Rome, early improvisational comedy in Italy, some oral plays in Japanese Kabuki, song and dance dramas and burlesque skits in the Tang Dynasty in China, and modern pantomime.

The most important thing in the writing of a script is that it can be put on the stage for performance, and the theatrical text is not considered to be the completion of art, but can only be said to be half completed, and it is not until the stage performance (i.e., the "performance text") that the final artistic presentation is made. Among the literati of all dynasties, there were also people who wrote plays that were not suitable for stage performance, or even could not be performed at all. This type of theatrical text is called a desk play (also called a study play).

The more famous ones are Wilde's Salome and so on. A good script can have the dual value of being suitable for reading, and it may also create an outstanding stage performance.

An original script that can be performed on the stage still needs to be moderately modified to meet the actual needs of different stages and different performers each time, so the stage worker will revise a script that is different from the original work, with detailed notes and how a certain paragraph in the script should be performed, such a script is called a "teleprompter" or "performance book", "benchbook" (promptbook: ['pr mptb k]'prɑmpt,bʊk]）。

In addition, the script is a complete performance script, there is another simple stage performance script with only a short plot outline, and the actual dialogue and performance mostly rely on the actors to play on the spot, and this kind of script is called the "curtain table".

The script is mainly composed of character dialogue (or lyrics) and stage cues. Stage cues generally point out the tone of the character's speech, the action when speaking, or the character getting on and off the stage, pointing out the scene or other effect changes, etc.

You can look at the history book and draw one, it's not difficult.

I recommend you take a look at "Walking in the City of the Song Dynasty", which depicts the urban life of the Song Dynasty in great detail.

Sens Thinker of Anton

In fact, many of the songs of the Thinkers are in this style.

"The Blitzkrieg is Marching" is good, remember to adopt it.