Who is Bian Zhilin, Bian Zhilin s apprentice

Bian Zhilin. His ancestral home is Lishui, Jiangsu, and he was born in Haimen, Jiangsu Province in 1910. He graduated from the English Department of Peking University in 1933 and was a professor of the Department of Western Languages of Peking University (1949-1952). He was the first member of the Academic Degree Committee.

Member of the 1st and 2nd Foreign Literature Review Group; Vice President of the Chinese Shakespeare Research Association; He has served as a director of the Chinese Writers Association and is currently a consultant; He was a guest at Oxford, England (1947-1949). In the early years of the Anti-Japanese War, he visited Yan'an to engage in temporary teaching work, and visited the front of the Taihang Mountains and accompanied the army; After returning to the rear of Southwest University, he served as a lecturer, associate professor, and graded professor at Southwest Associated University in Kunming, and was demobilized in 1946 to serve at Nankai University in Tianjin for one year. After liberation, he went to the countryside many times to live and assist in rural work.

His main works include: "Ten Years of Poetry and Grass 1930-1939", "People and Poetry: Remembering the Old and Saying the New", "Mountains and Rivers", "** Fragments", "Shakespeare's Tragedy", "Four Kinds of Shakespeare's Tragedies", "Selected British Poetry and Twelve French Modern Poems".

Bian Zhilin once used the pen name Ji Ling, his ancestral home was Lishui, Jiangsu, and he was born in Haimen, Jiangsu Province in 1910 12 08.

He graduated from the English Department of Peking University in 1933 and was a professor of the Department of Western Languages of Peking University (1949-1952). He was the first member of the Academic Degree Committee.

Member of the 1st and 2nd Foreign Literature Review Group; Vice President of the Chinese Shakespeare Research Association; He has served as a director of the Chinese Writers Association and is currently a consultant; He was a guest at Oxford, England (1947-1949). In the early years of the Anti-Japanese War, he visited Yan'an to engage in temporary teaching work, and visited the front of the Taihang Mountains and accompanied the army; After returning to the rear of Southwest University, he served as a lecturer, associate professor, and graded professor at Southwest Associated University in Kunming, and was demobilized in 1946 to serve at Nankai University in Tianjin for one year. After liberation, he went to the countryside many times to live and assist in rural work.

His main works include: "Ten Years of Poetry and Grass 1930-1939", "People and Poetry: Remembering the Old and Saying the New", "Mountains and Rivers", "** Fragments", "Shakespeare's Tragedy", "Four Kinds of Shakespeare's Tragedies", "Selected British Poetry and Twelve French Modern Poems".

is a modern poet who wrote a famous poem "Broken Chapter": "You stand on the bridge and look at the scenery, and the people who look at the scenery look at you from upstairs." The bright moon decorates your windows, and you decorate other people's dreams. "He died on 2 December 2000.

A modern poet, good at making hazy poems and philosophical poems. "You look at the scenery on the bridge, the people who watch the scenery also look at you on the bridge, the bright moon decorates your window, you decorate other people's dreams. ”

A modern poet, good at making hazy poems and philosophical poems. "The bright moon decorates your windows, and you decorate other people's dreams. ”

He was a student of Xu Zhimo, and he was also a teacher and friend.

Bian Zhilin is a famous Chinese classical writer, and he has many apprentices, the most famous of which are Su Shi, Li Qingzhao, Liu Zongyuan, Huang Tingjian, Zhang Zhihe, Han Yu, etc. Bian Zhilin's apprentices were the most talented writers of the time, and their works were welcomed by many people, and their works also influenced many later generations of writers. Bian Zhilin's apprentices all have their own unique style, their works also have their own unique characteristics, their works also have their own unique literary value, and their works also have their own unique cultural value.

Bian Zhilin's apprentices were the most influential writers at that time, and their works also had their own unique literary value, their works also had their own unique cultural value, and their missing works also had their own unique literary value, and their works also had their own unique cultural value. Bian Zhilin's apprentices were the most influential writers at that time, and their works also had their own unique literary value, their works also had their own unique cultural value, their works also had their own unique literary value, and their works also had their own unique cultural value. Bian Zhilin's apprentices have made great contributions to the development of Chinese literature, and their works also have their own unique literary value, their works also have their own unique cultural value, their works also have their own unique cultural value, their works also have their own unique literary value, and their works also have their own unique literary value.

Bian (bian) Zhilin (born in 1910 in Tangjia Town, Haimen, Jiangsu, ancestral home in Lishui, Jiangsu, once used the pen name Ji Ling, poet (one of the "Three Poets of Han Garden"), literary critic, translator. In 1929, he studied at the English Department of Peking University and began to write poetry in 1930. In 1936, together with Li Guangtian and He Qifang, he published a collection of poems "Han Garden Collection", and was known as the "Three Poets of Han Garden".

During the Anti-Japanese War, he taught in various places and was a student of Xu Zhimo. It has made great contributions to China's cultural and educational undertakings. The main poetry collections also include "Three Autumn Collections", "Fish Eyes Collection", and "Ten Years of Poetry and Grass".

Most of his early poems express dissatisfaction with reality, depression and depression when he can't find a way out. His poems are subtle in imagination, simple in pen and ink, relatively obscure and difficult to store, and after the outbreak of the Anti-Japanese War, the poetic style has become open and clear. He is recognized as a representative poet of the Crescent School, an important poetic genre in the New Culture Movement.

Hello, the following is an evaluation of Bian Zhilin's beauty: Bian Zhilin is the history of modern Chinese poetry"The representative of the school, his poems are rich in meaning and have cold characteristics. The poet's brushstrokes extend to the universe, life, history, self, and society, and there is a philosophical thought hidden in the cold objectivity, and his poems and life are always shining with the light of wisdom, art and true feelings, and he is deeply influenced by Xu Zhimo's poetic style, focusing on the catharsis of his own feelings.

He is also good at borrowing from French symbolism and British and American modernist poetry, and absorbs the nutrition of ancient Chinese poetry, creating a new poetic realm and forming a unique artistic style of Bian poetry.

The poem "You stand on the bridge and look at the scenery, and the people who look at the scenery look at you upstairs" are from Bian Zhilin's hand.

1. Compilation of poems.

Ten Years of Poetry and Grass 1930-1939

Carved Insect Calendar 1930-1958

Mountains and rivers, **fragments".

Broken Chapters" II. Miscellaneous Essays.

Vicissitudes of Life 1936-1946

3. Reportage.

The 772nd Regiment is in the area of Taihang Mountain

4. Treatises. Impressions of Brecht's Play

5. Translations. Shakespeare's Tragedies in Four Kinds

Selected English Poems" Gide's "The Prodigal Son Comes Home" collection.

Ritun Streicher "Queen Victoria" and many more. 、

The shakuhachi elephant migratory bird brought the seeds of a different direction, and the three-masted ship carried a shakuhachi.

From the sunset, from the head of Haixi, Chang'an Pill brought Haixi guests.

Listening to the drunken shakuhachi downstairs in the middle of the night, I want to be a guest living in a lonely house.

Listening to the sound of geese, I was moved by nostalgia, and I was comforted by the shakuhachi next door.

The second dynasty is in the prosperity of Chang'an City.

Alone to take a bleak bamboo pipe ......

Why is there still a bleak ancient fragrance floating among the thousands of flowers of the red light in the year? ）

Return, return, return

Like a migratory bird, a foreign seed was brought in, and a three-masted ship carried a shakuhachi, which became the flowers and plants of the three islands.

Why is there still a bleak ancient fragrance floating among the thousands of flowers of the red light in the year? ）

Return, return, return

Do the Haicynian people want to bring back the sorrow of loss?

Out of chapter, you stand on the bridge and look at the scenery, and the people watching the scenery look at you from upstairs.

The bright moon decorates your windows, and you decorate other people's dreams.

Lonely country children are afraid of loneliness, and raise a grasshopper next to their pillows;

When he grew up and worked in the city, he bought a luminous watch.

When he was a child, he was often envious.

Grave grass is the home of the grasshopper;

Now he's been dead for three hours, and the night watch doesn't stop.

Where do I fantasize about the round treasure box (in Tianhe?) ）

I found a round treasure box containing a few pearls:

A sparkling mercury.

Covering the hue of the whole world, a golden lamp.

There was a feast, a fresh raindrop.

Contains your sigh ...... last night

Don't go to a watch shop.

Listen to your youth being eaten away, don't go to any antique shop.

Buy your grandfather's old furnishings.

Look at my round treasure box.

Went down the river with my boat.

And okay, although there are people in the cabin.

Forever in the arms of the blue sky, although your handshake.

It's the bridge! It's the bridge! But the bridge.

also in my round treasure box;

And my round treasure box is with you.

Or maybe they are.

It's a good one to hang on my ears.

Pearls – gemstones? - Star?

The man in green rings the doorbell familiarly.

and on the hearts of the occupants:

Is it a fish that swims across the Yellow Sea?

Is it a goose that flies over Siberia?

Look at the map," said the distant man.

He showed me where he was.

It's the little black dot next to the dotted line.

If that's a little bit golden, if my seat is at the top of Mount Tai, on a moonlit night, I want you to guess where you are.

Quasi is a lonely train station.

Yet I'm facing a history book.

Looking west at the Xianyang Ancient Road in the sunset, I waited for the sound of the hooves of a fast horse.

"Broken Chapter".

Cast "Wallgrass".

The rain is with me", "Changzhi Road Wide", "Clutch Notes".

In 1936, Bian Zhilin, He Qifang, and Li Guangtian published their poetry collection "Han Garden Collection".

Bian Zhilin was originally a poet of the Crescent School, and he had published "Three Autumn Grasses" before

Two collections of poems. He, He and Li were all college students at the time, and although they were young, they also experienced the Great Revolution.

Grief and disillusionment after defeat. Bian Zhilin said that at this time, "I was hesitant, I was depressed." For a while, I quietly wrote poetry.

In this mood, the poetry of Western modernism in the twenties of the twentieth century resonated with him. At this time, some of his poems were based on life in Beijing, such as "Sour Plum Soup".

A Few People" (writing about the people who sell rock sugar gourds and radishes), "Passing by House" (writing about the teahouse), etc. Others show sympathy for the poor, such as "Bitter Rain".

"Helpless" shows a feeling of loneliness and not knowing what to do. "A Monk" uses the description of monks to show that life is also a day when a monk hits a clock for a day. Even more gray is "Cast", it seems that people come to the world inexplicably.

There is also the spirit of not being willing to fall into the midst of hesitation and persevering in moving forward, such as "Long Distance". According to the characteristics of the Chinese language, Bian Zhilin's poems talk about the neatness of "ton" or "sound group", which has something in common with the poems of the Crescent School. But he learned more from the form of Western modernism, deliberately imitating the poems of Baudelaire, Eliot, Verlaine, etc.

Some poems are obscure, such as "The Organization of Distance", although the poet himself has made many annotations, it is still impossible for others to accurately explain the poet's original meaning; Even if you get through, you can't get the feeling of artistic beauty from it. But there are also some poems that are used well, such as the 1937 sonnet "Naughty", which uses various metaphors to express love, and is written lively and interesting, so that people can feel the uniqueness of the artistic technique when they remove the hazy fog.