Which poet did the drunkard refer to at the earliest, and who was the drunkard ?

The courtyard is a little deeper, the willows are piled up with smoke, and the curtains are not repeated. This sentence should be familiar to everyone, this sentence is skillfully used to overlap words, "courtyard" is deep, "curtains" are heavy, implying that the protagonist is alone, and there is a deep heart, a sense of resentment, which can be described as extremely ingenious. Moreover, among the characters we introduced earlier, the shadow of this sentence can also be seen in Li Qingzhao's words, which shows the great influence of this sentence.

This sentence comes from "Butterfly Loves Flowers, Courtyard is Deep and Deep", and its author is our theme character today - Ouyang Xiu (Ouyang Xiu, the word Yongshu, the number drunkard, the 61 layman, the Northern Song Dynasty politician, the writer, and ranked among the "Four Masters of Ancient Articles" and "Eight Masters of Tang and Song Dynasty Prose").

Speaking of Ouyang Xiu, we can't help but talk about his prose, and when we talk about prose, we can't fail to mention his famous story "The Story of the Drunken Man's Pavilion". "The Story of the Drunken Man's Pavilion" uses concise and easy language, deep emotion, and precise discussion to write Ouyang Xiu's contradictory mood of joy and sadness. And at this time, some people will ask that its joy can be seen everywhere in the article, where does its sadness come from?

Speaking of that time, Fan Zhongyan and others were slandered and resigned, and Ouyang Xiu was also enthusiastic, so he wrote a letter to intercede for them, but he never thought that he would be involved together and be demoted to Chuzhou to be the governor. After becoming a governor, although he was in a depressed mood, since ancient times, these literati and have been able to achieve great things, who doesn't do something. Ouyang Xiu thought about it over time, and he played the style of "lenient and simple without disturbing", which was to let the people develop themselves and form a good relationship with the people, and he also achieved very good political achievements at that time.

So he took his group of people to pretend freely, played and drunk with the people, and he was also immersed in the good mountains and rivers, so unhappy, which can be seen everywhere in his articles. But this happiness hides this grief, not only because of his own depreciation, but also because he watched the country's shortcomings not be eliminated, the country was depressed day by day, that kind of worry, that kind of helplessness. It seems to me that the mood of his nickname "drunkard" can be seen, in the article he said:

The drunkard's intention is not in the wine, but in the mountains and rivers. "In my opinion, this drunkenness is not only the mountains and rivers, but also the unspeakable, the helpless, the grief that has no way to save the country. It can be said that it is this kind of ambivalence of joy and sorrow that has created the famous story "The Story of the Drunkard Pavilion".

said some Ouyang Xiu's prose, at this time, let's talk about some of his words. Speaking of his words, he follows the old path of five pronouns, but he is also innovative, which is reflected in two aspects. The first is to increase the lyrical function of words, and further use words to express one's own life feelings.

The second is to change the aesthetic taste of the word, develop towards popularization, and echo Liu Yongci. Speaking of expressing his own feelings in life, his words mostly show his chic and expansive personality and optimistic attitude towards life, which also had a direct impact on Su Shi later. Speaking of his popularity, the expression of folk songs absorbed by his words, and when he was young, he also had a bit of a prodigal son, which also provided an experience for his popularization.

Ouyang Xiu (August 1, 1007, September 22, 1072), the word Yongshu, the name drunkard, the late number 61 layman, Han nationality, born in Mianzhou (now Mianyang, Sichuan), native of Yongfeng, Luling, Jizhou (now Yongfeng County, Ji'an City, Jiangxi Province), politician and writer of the Northern Song Dynasty.

Ouyang Xiu in the eighth year of the Tiansheng of Song Renzong (1030) to the Jinshi and the first, the three dynasties of Renzong, Yingzong, and Shenzong, the official to the Hanlin bachelor, the privy deputy envoy, and the governor of the political affairs. After his death, he was given the title of Taishi and the Duke of Chu, and was nicknamed "Wenzhong", so he was called Ouyang Wenzhong.

Ouyang Xiu's road to the imperial examination can be described as bumpy. In the first year of Tiansheng (1023) and the fourth year of Tiansheng (1026), he participated in the imperial examination twice and unexpectedly failed.

Ouyang Xiu was the first literary leader to create a generation of literary style in the literary history of the Song Dynasty, and was known as the "Eight Masters of the Tang and Song Dynasties" together with Han Yu, Liu Zongyuan, Su Shi, Su Xun, Su Zhe, Wang Anshi, and Zeng Gong, and together with Han Yu, Liu Zongyuan, and Su Shi, he was called the "Four Masters of Ancient Articles" by later generations. He led the Northern Song Dynasty Poetry and Literature Reform Movement, inheriting and developing Han Yu's ancient literary theory. The high achievement of his prose creation is complemented by his correct theory of ancient literature, thus creating a generation of literary style.

While Ouyang Xiu changed the style of writing, he also innovated the style of poetry and words. In terms of historiography, he also has high achievements, he has majored in "New Tang Dynasty Book", and authored "New Five Dynasties History". There is "Ouyang Wenzhong Collection" handed down.

After his death, he was called Wenzhong, and he was given to the Taishi and the Duke of Chu.

Ouyang Xiu is one of the eight essayists of the Tang and Song dynasties, also known as the eight masters of ancient literature of the Tang and Song dynasties, (Han Yu of the Tang Dynasty, Liu Zongyuan and Su Shi, Su Xun, Su Zhe, Wang Anshi, Zeng Gong, and Ouyang Xiu of the Song Dynasty). The wave of innovation in ancient literature set off by them has given a new look to the development of poetry and literature.

Four famous pavilions: Aiwan Pavilion (Changsha, Hunan), Drunken Weng Pavilion (Chuxian County, Anhui), Taoran Pavilion (Beijing), Huxin Pavilion (West Lake, Hangzhou).

Anhui Chuxian drunken man pavilion.

Located in the southwest of Chuzhou City, Anhui Province, Langya Mountain foothills, is one of the famous monuments in Anhui Province, the Song Dynasty great essayist Ouyang Xiu wrote the hand-me-down work "Drunken Man Pavilion" heart is this pavilion. The drunken man pavilion is small and unique, with the characteristics of the Jiangnan pavilion. It clings to the steep mountain wall, and the cornices protrude in the air.

Although it has been repeatedly robbed for hundreds of years, it has been rebuilt many times, and it will never be forgotten. After the liberation, the people's first listed the drunken Weng Pavilion as a provincial key cultural relics protection unit, and renovated many times.

1) Ouyang Xiu and the Drunkard Pavilion - Lang Evil Mountain.

Our trip to Chuzhou was entirely for the purpose of paying homage to Ouyang Xiu's Drunkard Pavilion. Ou Gong went straight to the point in "The Story of the Drunkard Pavilion" and expressed his heart directly: "All the mountains around Chuchu are also."

Its southwest peaks, the forest ravines are particularly beautiful. "Turned us into a daze; And the high theory that "the drunkard's intention is not in the wine, but in the mountains and rivers" makes our admiration for the drunkard pavilion continue to rise.

Chuzhou is located in the east of Anhui Province, 48 kilometers away from Nanjing, the ancient capital of the Six Dynasties in the east, and 130 kilometers away from Hefei, the provincial capital in the west. Langya Mountain was called Motuo Ridge in ancient times, according to legend, Sima Pei, the king of Langya in the Western Jin Dynasty, led the army to attack Wu and stationed here, so the descendants changed its name to "Langya Mountain". Langya Mountain is not very high, but it is quiet and beautiful, and it is beautiful in all seasons.

The ravines in the mountains are deep, the forests are lush, the flowers and plants are all over the field, the birds are singing endlessly, the Langya elm pavilion is like a cover, the drunken elm is unique to the whole country, the Langya stream, the glass marsh, the meandering water flow and the stream is murmuring; Let the springs, Maoying springs, crape myrtle springs and other mountain springs be sweet, and the caves and caves such as Guiyun Cave, Xuehong Cave, Chongxi Cave, and Taoyuan Cave are magical. There are also ancient buildings such as Langya Temple in Tang Dynasty, Drunken Weng Pavilion and Fengle Pavilion in Song Dynasty, as well as hundreds of cliff inscriptions since Tang and Song Dynasty, among which Wu Daozi painted "Guanyin (i.e. Guanyin) Bodhisattva" stone statue in Tang Dynasty and Su Dongpo book in Song Dynasty "Drunken Weng Pavilion Record", "Fengle Pavilion Record" inscription, which is regarded as a rare treasure by people. The ancients called it the "Eight Scenic Spots in Eastern Anhui" with famous mountains, famous temples, famous pavilions, famous springs, famous texts, famous monuments, famous caves, and famous forests, and the beautiful Langya Mountain has always enjoyed the reputation of "no other mountain after Penglai".

The scenery of Langya Mountain is elegant and handsome, and it is cultural.

Monk Zhixian. The Legend of the Drunken Man's Pavilion is an essay written by the Northern Song Dynasty writer Ouyang Xiu. In the fifth year of Song Renzong's Qingli Qi debate (1045), Fan Zhongyan, the governor of the political affairs, and others were slandered and resigned, and Ouyang Xiu wrote a letter to defend them, and was demoted to Chuzhou to be the governor of Chuzhou for two years.

After taking office, he was depressed in his heart, but he was still able to play the style of "being lenient and simple and not disturbing", and achieved some political achievements. "The Legend of the Drunkard Pavilion" was written during this period. The article describes the deep and beautiful natural scenery of the four seasons in Chuzhou, the peaceful and quiet life of the people of Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink.

The whole text runs through the word "music", which contains more complex and tortuous content. One hints at the feelings of a feudal local governor who "enjoys with the people", and the other hides unspeakable bitterness behind the love of the landscape. At the age of forty, he called himself a "drunkard", and he often traveled, coupled with his various performances of "drinking less and getting drunk" and "being depressed", all show that Ouyang Xiu is using the joy of mountains and rivers to relieve the boredom of living in the house.

The author is drunk in two places: one is intoxicated by the beautiful scenery of the mountains and rivers, and the other is intoxicated with the joy of the people.

The city of Chuzhou is surrounded by mountains. Among the peaks in the southwest of it, the woods and valleys are particularly beautiful, and from a distance, the wooded and deep and beautiful is Langyu Mountain. Walking along the mountain road for six or seven miles, you can gradually hear the sound of gurgling water (and there is a spring) rushing down from the two mountains, which is the brewing spring.

The mountain is looping, the road also follows the curve, and there is a pavilion with four corners up, like a bird spreading its wings and standing high above the spring, this is the drunken man's pavilion. Who is the one who built the pavilion? It is a monk in the mountains.

Who named it? It was Taishou who called this pavilion by his own nickname. Taishou and his guests came here to drink, and they got drunk after very little drinking, and they were the oldest, so they nicknamed themselves "drunkards".

The taste of the drunkard is not in the wine, but in the water and mountains. The pleasure of appreciating the mountains and rivers is appreciated in the heart and pinned on the drink. When the sun came out, the fog in the trees dispersed, and the clouds of smoke gathered, and the valley caverns became dim; The scene of alternating light and dark, judging the slag is the scenery of the morning and evening in the mountains.

In the spring, the wild flowers bloom and give off a quiet fragrance, (in the summer) the beautiful trees are lush and form a thick shade, (in the autumn) the autumn breeze is crisp and the frost is white, and (in the winter) the water falls and the stones are revealed. Ascending the mountain in the morning and returning in the evening, the scenery of the four seasons is different, and the joy is endless. People carrying things on their backs are singing on the road, people walking are resting under trees, people in front shouting, people in the back answering, old people and children, coming and going, endlessly, this is Chuzhou people traveling.

Come close to the stream to fish, the stream is deep and the fish are fat, use the spring water to make wine, the spring water is sweet and the wine is clear and mellow, the game and wild vegetables, all the dishes are laid out in front of the mess, this is too shou to entertain the guests. The fun of drinking at the banquet is not in the **, the pot thrower wins, the chess player wins, the wine glass and the wine chip are intricately intertwined, some people stand up to make a bright face or sit loudly, and all the guests are very happy. There was an old-faced, gray-haired, drunken man sitting in the middle of the crowd, and that was a drunken Taishou.

Soon, the sunset hung on the west mountain, and people and shadows were scattered all over the place, and Taishou returned to Chun Chong's house while the other guests followed. The trees are leafy, the birds are chirping, the visitors are gone, and the birds are rejoicing. But the birds know the happiness of the mountains and forests, but they do not know the happiness of the people; People are happy to play with Taishou, but they don't know that Taishou enjoys their (tourists') fun.

Glossary. Poet.

Paraphrase. Refers to a person who bears the name of a poem and is older. Later, it was also an honorific title for poets.

Examples of poems. Tang Hanyu's poem "The Snow Queen Sends Cui Twenty-six Cheng Gong": "The poet is haggard and desolate, and the jade is engraved with a ring."

1] Jin Yuanhao asked the poem "Wind and Rain Fan in the Mountain Village": "I always make a new impression of the poet, and the straight teaching brush is also spiritual." "The famous poet, scholar, literary and Lu Xun scholar A Yuan (that is, Chen Zhongyuan) "Sina Grassroots Famous Borui Blog in the latest issue of the cheap name is still Mengli Liekou occupies a heavy thanks" poem:

Dare to say that in the middle of the night, under the light, thousands of clouds and a few poets. ”[2]

Examples. The Strange Status Quo Witnessed in Twenty Years" Chapter 9: "That group of famous people who fought for the party got acquainted with two newspaper writers, and got some poems to publish in the newspaper every day, hoping to gain a reputation as a poet.

3] "Flower City", No. 3, 1981: "And her white-haired poet Li Lao Wei was already sitting on a small bench at the entrance of the cave. "The chain is out of order.

Who was Ouyang Xiu who built the pavilion? It is a monk in the mountains. Who named it?

It was Taishou who named it by his own name. Taishou and his guests came here to drink, and they got drunk after very little drinking, and they were the oldest, so they named themselves "Drunkards". The meaning of a drunkard is not to drink, but to enjoy the scenery of the mountains and rivers.

Who is Taishou? It's Ouyang Xiu from Luling County.

Ouyang Xiu himself!! Taishou and guests come to drink here, drink less (zhé) drunk, and the year is the highest, so he calls himself "drunkard."

It was Ouyang Xiu, and the purpose of his writing was to say that he liked to live in seclusion.

The author is Ouyang Xiu of the Northern Song Dynasty.

Heavenly Saint Jinshi. The official pavilion was surveyed, and the Yiling was derogated because of his straightforward speech. Qingli Zhong served as a counselor, supported Fan Zhongyan, demanded political reform, and was slandered to know Chuzhou.

He was a bachelor of the Hanlin Dynasty, a deputy privy envoy, and a governor of the council. When Wang Anshi implemented the new law, he criticized the green seedling law.

Zhen Wenzhong. He advocated that the article should be "enlightened" and practical, expressed dissatisfaction with the beautiful and sinister style of writing since the early Song Dynasty, and actively cultivated the backwards, which is the north.

Leader of the Song Guwen Movement. The prose is reasonable, lyrical and euphemistic, and is one of the "Eight Masters of the Tang and Song Dynasties"; The style of poetry is similar to that of prose, and the language is fluent.

Correct. Its words are graceful and beautiful, inheriting the aftermath of the Southern Tang Dynasty. He co-edited the "New Tang Dynasty Book" with Song Qi and wrote the "History of the New Five Dynasties". I also like to collect gold and stone texts and compile them.

It is the "Collection of Ancient Records", which has a great influence on the study of gold and stone in the Song Dynasty. There is "Ouyang Wenzhong Collection".

Ouyang Xiu was the leader of the Northern Song Dynasty poetry and literary reform movement. His literary achievements are the highest in prose, and the most influential. He inherited the Hanyu Ancient Literature Movement.

In the theory of prose, the idea of writing is clear.

The Drunken Weng Pavilion is located in the middle of Langya Mountain, next to the Langya Ancient Road, and is the only place to pass through the Langya Temple. According to the record of "Langya Mountain Chronicles", in the sixth year of Qingli in the Northern Song Dynasty (1046), Ouyang Xiu was demoted to Chuzhou Taishou, feeling nostalgic for the times and sending affection for the landscape. The monk Zhixian in the mountains built a pavilion for him to drink and write poems, Ouyang Xiu called himself "Drunkard", and wrote the masterpiece "Drunkard Pavilion" with this name pavilion.