How is the background of the emergence and development of Chinese contemporary art different from th

1.Background comparison:

Western contemporary art got rid of modern art, the 20th century wars were frequent, human beings suffered unprecedented large-scale wars, so it gave birth to the humanistic philosophy of the meaning of existence, coupled with the large-scale expansion of industrial civilization, completely changed people's living conditions, so the birth of modern art schools and post-modern art schools after World War II, contemporary Western art basically belongs to the category of postmodern art. (Contemporary art here is aimed at more advanced artistic trends, not at the art market.) ）

The background of the birth of Chinese contemporary art is that in the mid-to-late 20th century, after the end of the war, China experienced the baptism of the Cultural Revolution, suffered unprecedented destruction of human nature, coupled with the barrenness of education, and then experienced the baptism of market economy, and the Westernization boom brought about by the reform and opening up in the 80s.

2。Development Comparison:

Western contemporary art is mostly based on local traditional art, at the end of the 19th century, the exchange between the East and the West opened a window to the East, so that the artist absorbed a large number of Oriental art language, and successfully combined this language with some of the active philosophical trends at that time, it can be said that modern art is the result of a cultural collision, which is manifested in the form of the integration of Oriental morphemes in the Western context. This kind of importation was gradually internalized and integrated into the unique language of Western contemporary art.

Objectively, many forms of expression of Chinese contemporary art are mainly imported, including oil painting, which has a short history in China and is still very imperfect. After the baptism of the Cultural Revolution, society has long had a devastating attitude towards serious art, so the oriental context of Chinese art exists in name only, basically not constituting a cultural integration, but describing some things in China through the eyes of Westerners.

From the perspective of development, Western art is sustainable and sustainable, while Chinese contemporary art is not sustainably developed, and it is difficult to say that it is sustainable.

How is the background of the emergence and development of Chinese contemporary art different from that of Western contemporary art?Help...1.Background: Western contemporary art is detached from modern art, and in the 20th century, wars were frequent, and mankind suffered on an unprecedented scale.

ChinaContemporary artRapid development and a hundred flowers blooming.

In China, contemporary art has developed to the point where it can completely go hand in hand with contemporary art in any region, and each artist and each artwork in it is more relevant to the international art concept and creation situation as a whole. The evaluation must comply with the so-called "right legislation".

In contemporary art, no matter what nationality the author belongs to or where he or she is creating, as an individual (or group) artist, his work must be in opposition to other art within the scope of contemporary art that can be reached by the entire human message. The so-called opposition is relative independence, and independence is the manifestation of differences.

In the Chinese contemporary art world, most critics have over-amplified the power of the art market, and most critics and artists have reached some kind of connection, and criticism is swayed by interests, so that most critics' articles have no ideology and impartiality, and art criticism has become art praise, which has become a way to seek profits.

This makes it impossible to properly look at and understand contemporary art. More and more journalists are explaining the same vocabulary when reporting on art, and they don't see fresh ideas and insights, let alone unique criticism or commentary.

Nowadays, the influence of Chinese contemporary art in the international business market is increasing, and both the form of works and the language of art have been significantly improved, which has to be said to be a great progress in the commerciality of Chinese contemporary art.

Western art was brought and pioneered by the GreeksDue to cultural differences, China and the West also have their own characteristics in artistic expression. From painting as an example, the East is splashed with ink and freehand, emphasizing a kind of artistic conception, while the West has a distinct sense of reality and the simplicity of vision and perception, emphasizing realism.

The earliest works of art by Westerners date back to the late Paleolithic period, between 30,000 and 10,000 years ago. The most outstanding original paintings are found in dozens of caves in the southern part of France and northern Spain, the most famous of which are the Lascaux cave paintings in France and the Altamira cave paintings in Spain.

The liberal democracy of ancient Greece created architecture, sculptures and paintings with democratic ideas, among which many of the beautiful and elegant carved images that have survived in the world, such as "The Discus Thrower" and "Venus de Milos", are particularly charming.

The Renaissance, a specific historical period in Europe, refers to an ideological and cultural movement that arose in Italian cities at the end of the thirteenth century, and later spread to Western European countries, and flourished in Europe in the 16th century, bringing a period of scientific and artistic revolution, opening the prelude to modern European history, and is considered to be the boundary between the Middle Ages and modern times.

First, "modern art" is the dominant art form in the West since the 20th century. Since the beginning of the 20th century, as Western society has entered the modern period, modern art has emerged that is different from classical art and modern art, and its prominent feature is that the art form is no longer dominated by realistic style, but reflects the concept and formal language of the artist's personality, and many art schools have been formed, and a period is dominated by a certain art school. For example, we are more familiar with Cubism, Futurism, Surrealism, Abstractionism, Pop Art, Photorealism, and so on.

Of course, no matter what kind of art form, what it reflects and expresses is the social psychological characteristics brought about by modern social changes, and it is the artist's exploration of artistic expression. The positive results have enriched people's aesthetic experience and opened up the space for visual expression of art. The problem is that because of the lack of common artistic standards and excessive individuality, the good and the bad in art are uneven, and some are detached from the public and go to extremes.

Second, in the process of modernization, "modern art" with its own cultural connotation related to the characteristics of its own social development has emerged, which reflects the process of social modernization in terms of content and embodies the modern spirit in art form. Due to the fact that the developed countries of the West have taken the lead in the process of modernization, the influence of Western "modern art" on the world is considerable, but this does not mean that the art of various countries is a copy of the West. In the 100 years of development of Chinese art in the 20th century, it has its own distinct cultural "modernity".

"Contemporary art" refers to today's art in terms of time, and mainly refers to art with a modern spirit and a modern language in terms of connotation. The reason why the term "contemporary art" is commonly used in exhibitions today is because the term "modern art" is easily confused with the existing "modernist art", and at the same time, "contemporary art" embodies not only "modernity", but also the "contemporaneity" of the artist based on the feelings of today's social life.

The question is too big to write a monograph of 200,000 words. Provide you with a few ideas: 1. Find the difference from the function; 2. Find differences in expression; 3. In terms of creative motivation; 4；social impact.

There are too many, and there will be an inheritance relationship between them. From the point of view of the "fundamental difference", it may be a false proposition

In the Renaissance, works praising human nature led by Leonardo da Vinci appeared, but from the late 17th century, the impressionists of Cézanne, Monet, Sisley and others advocated natural beauty, and later Picasso and others began to modernist, abstract as the theme, and more individual.

1. The concept of Chinese art is confused.

There are two serious generalizations in the domestic art world.

The most serious confusion is to mistakenly refer to Zeng Fanzhi, Liu Xiaodong, and F4 commercial oil paintings as contemporary art, which only imitates the early modern art more than 100 years ago, and is still a few decades earlier than the abstract art of the glorious era of modern art. This most serious mistake was misled by some critics.

Art dealers and art speculators continued to use this misdirection to hype up China's modern art, and some of the oil paintings were sold at sky-high prices, and were used by international speculators to launder money and spree Chinese cash. Because the oil paintings of F4 and others excessively scandalized the image of Chinese politics and culture, they were contemptuously called traitor paintings by some people engaged in traditional art. II

Critics have grossly misled the art world.

Another confusion is to mistakenly refer to pop art, performance art, conceptual art, and installation art as contemporary art, and pop, performance, concept, and installation are only forms of postmodern art, but they do not belong to the category of contemporary art. Almost all domestic critics have made this grave mistake.

Of course, these two erroneous ideas also constitute the two core mainstreams of the Chinese art world, the commercial mainstream and the academic mainstream. The mainstream of commerce is dominated by the sky-high commodity oil paintings of modern art, that is, the commercial oil paintings of Zeng Fanzhi F4.

Academic mainstream in the category of postmodern art in the category of pop art, performance art, conceptual art, installation art, that is, Katayama eats, 798 self-harm and self-abuse, these cult-like behaviors have been touted by critics to the sky, but these so-called academics are very backward postmodern thoughts, which arose in the 50s of the last century and ended in the 80s of the last century, and the so-called academic mainstream of postmodern art in China lags behind the process of human art for about 50 years. III

Three common misconceptions about contemporary art.

Contemporary art does not seem to have much to do with China, and there is a huge misunderstanding of contemporary art in Chinese academic circles, which is to misunderstand modern art.

European modernism and traditionalism are very different in terms of thinking, and the way of artistic expression is also very different. Literary and artistic trends, art forms, characters, inner expressions, painting methods, expression methods, and use of materials are all different. European modernism is a collective term for certain schools of modern art developed in Western countries from the early 20th century—Fauvism, Cubism, Futurism, Dadaism, Expressionism, Surrealism, Abstractionism, Pop Art, and so on.

There are a considerable number of works with blurry, distorted, and even absurd and bizarre pictures, which are incredible, and the idealistic artistic interest and decadent ideas are relatively strong; Of course, it is more about embodying the rebellious character of the painter through creation, emphasizing his own value, expressing the subjective soul of the artist, and also creating a lot of artistic expression methods and new materials worthy of our reference. Its characteristics are: 1. Symbolic.

2. Absurdity. 3. Stream of consciousness. Masterpieces of European Modernism:

Painting Relief", Tatlin's "Jazz on Broadway", Mondrian's "Card Player", Van Doesburg's "Composition 99", Lysitsky's "Advertising Painting of Trekhgoraoe Beer", Rodchenko's "Portrait of an Italian Woman", Pevsner's "Evolution", Triptych, Mondrian's European traditionalism is also absent, the Renaissance is a tradition, and modernism is also a tradition today. Traditional painting generally uses perspective, light and shade, three-dimensional, proportion, structure, anatomy and other concepts as the direction of painting, emphasizing the use of color and following realism. Mainly oil paintings, there are figure paintings, landscape paintings, genre paintings, still lifes...

Figure painting is the most, focusing on the relationship between characters, proportion, perspective, and color, and the ideological connotation is mainly based on people. Its characteristics are: 1. Pay attention to the dignity and value of "people".

2. Depth spatial relationship constructed by perspective method. 3. Pay attention to the "sense of sculpture" in painting.