What instruments do you think are suitable for intonation and rhythm?

An electronic keyboard, of course.

The sound of the keyboard is very accurate, as long as you press the key of the song score, the song will play out. In terms of rhythm, it is the strength of the electronic organ, it has more than 100 suits of rhythm, and each rhythm also has 16 levels of fast and slow level, which can be fast or slow, very flexible. I don't think there's anything like an electronic keyboard.

I think the piano is better, the fixed pitch of the instrument assists metronome practice, sings along, and the listening in the college entrance examination is all piano listening.

Electronic organ, electronic organ is a very superior good instrument, a good electronic organ is no different from the piano. Its 88 keys are 81 keys, which can be divided into 81 keys. In my opinion, the electronic piano is excellent and the piano, and the electronic organ is determined accurately and accurately from the factory.

However, the piano also needs to be tuned by a tuner, and if the tuner is not professional, the sound will be inaccurate.

Hulusi, gourd silk blowing is simpler than flute, as long as you breathe normally. In addition, the sound hole of the gourd silk is easier to press, and you can practice fingering more.

Personally, I recommend the harmonica, which has a 24-hole polyphonic harmonica and a 10-hole blues harmonica, and beginners are recommended to start with a 24-hole polyphonic harmonica. The harmonica is also relatively simple, 135 three notes are blowing, 2467 four notes are inhaling, as long as the basic scale is practiced well, it is also very easy to get started.

The harmonica is a fixed-pitch instrument, and it is small and lightweight, making it very convenient to carry around, which is very suitable for your requirements. It is recommended to buy a C-tuned harmonica, and it is even better if you can buy a chromatic harmonica, so that it is easy to practice various tunes.

In terms of rhythm, I feel that the drum kit is the most suitable, and the pitch should be better for the piano, but there must be a tuner who has a hard technique.

Intonation and rhythm are innate, the so-called talents, and they are not something that can be acquired by training. Of course, some people have talents that you need to explore, and some people are introverts, and these hidden potentials are not easy to show.

Whistles. It's the best way to work on pitch and rhythm, and the most important thing is that you don't have to spend a penny.

You can buy an accented harmonica and play it more if you don't have to. Establish a comprehensive sense of musicality in the mind of natural scales.

Electronic organ, the world's standard pitch, with its own rhythm.

Affirming the piano, the advantage is that the tone is accurate, and the disadvantage is that the tone is more rigid.

Rhythm....Percussion, pitch....Equal-tempered instruments such as keyboards or guitars. The method of professional point....Ear training.

There are no musical instruments such as the erhu violin, and many erhu students have super good pitch.

Of course, my cello bore the brunt.

I also agree with the electronic keyboard, but to brand the various rhythmic types of standard pitch. That's his strength, in fact, I think synthesizers are better haha.

Can emmmm say Guzheng? According to the sound of music, I doubt life, and I also test my hearing.

You can learn percussion instruments that require a strong sense of rhythm, such as drum kits, box drums, and tanggu drums, as well as dulcimer.

Intonation: The pitch produced in singing and playing musical instruments, which can match the pitch of a certain rhythm, is called pitch. Some musical instruments have intonation requirements when they are manufactured or tuned.

During singing and instrument playing, the intonation is always resolved through the control of the singer and the performer. The acquisition of intonation depends on a keen sense of hearing, excellent musical instruments, exquisite technique and a suitable performance environment.

Rhythm; As the name suggests, it is the accuracy of the human body's grasp of rhythm, which is an intuition for people to capture, feel, and express the rhythmic beauty of the rhythm of the music, such as rhyme, rhyme, interest, and taste.

Difference: Pitch, as long as it refers to the pitch of singing, string instruments, and wind instruments. Rhythm is your sensitivity to rhythm. The sense of rhythm is the beat.

Intonation is the accuracy of the pitch concept! Rhythm is the control of the timing of each note! ** The three major elements that make up you have to figure out: melody, rhythm, and harmony!

Yes, the sense of rhythm is trained. No matter how complex the rhythm is, it is also derived from the basic rhythmic changes. What you need to do is:

Forget about rhythm

Find a score you like (or a rhythmic exercise sheet in the textbook).

Turn on the metronome, play against the score (set the metronome rhythm slower to follow the rhythm of the metronome), and practice, gradually increasing the tempo.

If you insist on practicing for 2 hours a day. After a week, you realize that you have an idea of the beat, and by this time, you already have a sense of rhythm.

Of course, if you want, you can check it outKnowledge of music theory in rhythm and beat。This part is very small, just a few pagesIt will be available in no time。After reading it, it will help you better understand the more complex rhythms.

You're asking if people with a poor sense of rhythm can learn an instrument. I've already told you how to do it, so, of course, you can learn. The above method is suitable for all instruments.

Ear training practice method 1, scale practice Beginners should first sing the C major scale, learn to model the height of the fixed tone, and then use the scale exercises of various major and minor scales to carry out stable training of the debugging feeling, cultivate a stable debugging feeling, and sing the scale well is of great significance to the cultivation of a good melody and musicality. .

2.Ear Training Rhythm Practice Methods The rhythm forms in ** are very diverse, and the rhythm composition is ever-changing, but its basic forms are not very complicated to classify. If you have mastered the basic rhythmic patterns, go from simple to simple.

3.Precautions for sight-singing practice 1. When sight-singing, a relaxed and natural voice is the best, and when encountering a higher sound, such as F2

Rhythm and intonation are the elements of judging performance, and they are also the basis for the performer to create a second creation, feel and express the best. It's like coloring a picture, you have to have a basic composition, because only when you have the most basic composition and the most primitive lines can you talk about adding color. In the exams related to **, intonation and rhythm are the two basic qualities that candidates must be examined.

So, how do we practice pitch and rhythm?

Let's start with the training of intonation. Usually, children who play the piano have a fixed pitch very well, so they can usually do model singing exercises while playing the scale, so that the child can form an overall pitch concept, and establish the concept of the standard height pitch ladder, so that in the future, when measuring and looking for this pitch, there is a frame of reference in mind, and then it is easy to listen to the sound and find the sound. And this is the framework learning that I have been advocating – the whole concept must be established first, and not to listen piecemeal with different kinds of harmony, and the more you listen, the more chaotic it becomes, and eventually it backfires.

After listening to a single tone, you can continue to listen to the intervals, and even combine the music theory knowledge of intervals, not only to hear the pitch with your ears, but also to use mental arithmetic skills to help deduce the intervals (to learn to integrate the advantages of your own cultural courses). Of course, on the question of being able to deduce another treble as long as you hear the bass, I just point out an idea, if you want to learn this major accurately, you can ask a professional teacher of music theory or ear training to do classroom training. At present, children are still in the initial stage of listening, and the first thing is to practice with the piano at home.

There is a premise here: you must ask a piano tuner to calibrate the piano at home and give the child a good pitch demonstration.

Next, it's time to do rhythm training.

Beginners don't have a specific concept of rhythm, in other words, they don't have a standard "scale" in mind. Without it, young people would not be able to control the changing rhythm. Therefore, at the beginning of learning the piano, we must let the children use the most accurate and precise beat measuring instrument - the beat machine, through this fixed beat instrument, to fix and train the child's inner sense of beat

Start with the basics of one note per beat, then move on to two notes per beat, and then move on to complex beats such as dots and triplets. If you keep training like this, the problem of rhythm is easy to solve.

Good methods can make people progress faster and more solidly, and good parents can make children's future full of infinite possibilities.

How is your child's recent learning?

In the process of learning piano, intonation and rhythm are two very important technical requirements.

Pitch mainly affects the construction of a correct sound concept, while rhythm mainly improves one's perception.

A person with a good rhythm is destined to learn ** easily, because rhythm is the soul of **, and pitch can be understood in this way.

Intonation is the skeleton of **.

Together, they build the most basic ** composition.

From a professional point of view, there are special sight-singing books that can directly train the pitch.

But since this is a major, it needs to be guided by a professional teacher.

Otherwise, how can an inaccurate speaker make you sing accurately?

Therefore, this kind of professional training must be professional, and there are only a few amateur certificates after a few years of study.

With amateur exams.

This is completely unacceptable. Be professional, so that you can walk more easily in the amateur road.

As long as you do it, it will improve your pitch a lot.

And then the rhythm part you talked about, in fact, many times it is cultivated completely inadvertently.

Of course, there are also specialized rhythm exercises.

The most basic rhythm is the rhythm.

Let the child learn to listen to any ** to rhythm. You can twist your love as much as you want.

When you get in rhythm, your body will naturally begin to develop a sense of rhythm.

This sense of rhythm is much easier than if you had trained it systematically. And it's cheap and convenient.

At the same time, you will have a special metronome in the middle of your piano, and you can also use your ears to listen to the beat of the metronome.

If your piano rhythm is played accurately every time, this is also good for rhythm training.

After all this training, if you feel that your progress is still not enough.

More specialized training is also possible.

On percussion, here it is clear that this is a major, and it is not something that can be learned casually.

But there is a premise for this. Your pace will progress quickly. Because it's mostly rhythmic, it's straightforward for your tempo boost.

And the piano is the king of musical instruments after all, although there is everything.

But you still need to progress on a specific content gradually.

If you can use a metronome and a piano, you can play all the piano content while singing.

To put it simply, this process needs to be exactly as required. ）

You can also ignore other professional methods and slowly and honestly learn piano step by step.

In the end, you will find that you have improved.

Pitch is a truly amazing difference between a performance and a fuzzy amateur mess. When a ** family really masters his tone, every note can be enriched with ** expression. This is an important part of how multiple a**rs interpret the same score in different ways, and each excels in their own way.

This is perhaps why autotune has angered so many serious ** home: the change in pitch is not a mistake in the playing; They are manifestations. If you clean up those "bugs" and quantify everything to the "right" tone, then you're left with a dry robot**.

Gimmicks like auto-adjusting news may be fine, but that's far from expressive. So, the first home: don't be so embarrassed if your teacher tells you your tone is off.

This doesn't necessarily mean praying for your ideals.