Can you tell us about any vocal skills that are easy to learn?

I think the easiest way is to speak and sing with the natural feeling of yawning. Another way is to sing with a smile on your mouth. Pouting and pulling the chin make the mouth form a vertical oval, and the throat is easy to tighten.

As a vocal music teacher, I tell everyone that when singing, keep your breath in the dantian as much as possible, that is, keep the circle of your waist as much as possible to expand outward, and don't let the airflow drain quickly, otherwise others will feel that you are lacking in qi and sound very tired. The way to do this is to inhale the air and try to keep the airflow in your mouth without a little obstruction and let it leak out slowly.

In fact, singing is like releasing oneself, singing weak notes still need to have mask resonance, and the quality and timbre of the voice are required to be the same as when singing strong notes. When singing the high notes, the voice is loud and bright in the mask, and when singing the low notes, it should also have this effect, but it should be much softer. Be careful when singing high notes and don't open your mouth wide.

When singing a high note with abdominal breathing, the upper abdomen should be slightly outward.

If there are children who want to learn vocal music, I will tell you that there are three essentials of bel canto, followed by "relaxation", the whole body is relaxed, including abdominal muscles, chest, larynx, mouth, face, hands, feet, and heart are all relaxed. Loose gives people a feeling of openness, freedom, and maneuver, and the most important thing to do is to enter the scene of the song physically and mentally.

When singing, the larynx flutters to cause voice fluctuations, and it is necessary to use the rapid expansion and adduction of the abdominal muscles to cause the fluctuation of the voice very elastically, so it is necessary to practice using the abdominal muscles to expand and contract to breathe quickly.

I think I try to prevent the sound of touching my throat as much as possible. Sing with a smile, from the treble to the bass, each note has a place and support, keep it, and don't use your voice too hard. Singing the high note hits up all at once, and when going down, try to connect it according to that position, and the position remains the same, so it is good to release your nature.

Our vocal teacher teaches you to sing standing when you sing, and don't be afraid to be quiet! I know a lot of people who want to keep their voices up when they sing in the middle vocal area. Don't be like this, the sound should be beautiful, the position should be high, and the sound quality should be high. It's hard to keep the position the same because the diaphragm is always lazy.

When you start singing in the low and middle vocal areas, you should first think about the position of the treble voice, and sing according to this voice position, and you can pass smoothly. Because the position of the sound is always in the mask resonance. When singing transitions, don't push too hard, but sing softly and smoothly.

Tell everyone not to be too hard when singing the bass, to be simple, to knock it out like a small hammer; When singing high notes, it is as if there is a small bell in it, especially a lyric soprano. Sing in**hum in**. You want the position, don't try it.

Vocal skills are relatively unintuitive, sometimes really rely on their own comprehension, the teacher used to say that the diaphragm is expanded, the chest cavity is opened, the palate is raised, and the voice goes to the head cavity, if it is a national singing method, it is slightly close to the nasal cavity for pronunciation.

1. Every singer must fully understand and use the method of breath vocalization and breath control (that is, the breathing method of diaphragm), because in the whole vocal function series, singing breathing is the most important part and the foundation of the entire singing building, so the importance of breathing must be clear and pay attention to the basic skills of singing breathing.

2. Open the throat and stabilize the larynx is the core of the basic skills training of singing, which is one of the keys to the smooth development of singers' vocal skills.

3. To properly use the resonance of singing, to make the sound spread far, full of theater, and mellow, beautiful and beautiful, this is a subject that needs to be specially trained and difficult for beginners to master. Because resonance training is often inseparable from other basic vocal requirements, singers are required to resonate the sound at the resonance point of the high head cavity above the nasopharyngeal cavity through the conversion of vowels, stabilizing the larynx, opening the mouth, adjusting the breath, etc., so as to increase the volume, expand the vocal range, beautify the timbre, unify the vocal area, and make the sound of the high, medium and low vocal areas coordinated, seamless, and free and flexible.

4. The correct pronunciation should be combined with the correct articulation and pronunciation. Through the practice of combining words and voices, the flexible movement ability of the lips, teeth and tongue is improved, so that it can express the song and emotions and content more perfectly and vividly.

5. When singing and vocalizing, we should also pay attention to the training of pitch and rhythm, and gradually master the comprehensive singing and vocal skills such as lian, pause, strong and weak through vocal exercises, so as to enrich the means of expression of songs and enhance the ability to sing songs.

6. In every practice, we must maintain a correct singing posture, which is the premise of entering a good singing state.

7. Before practicing voice and singing, you must get rid of all distracting thoughts, stabilize your emotions, have a very good psychological state, have a good desire to sing, and enter the singing state with confidence and relaxation, otherwise you will not be able to sing well.

1 Correct breathing. Bel Canto emphasizes that breathing is the basis of singing, and requires "using the breath to support the voice", affirms the chest and abdomen breathing method, and puts forward the idea of adjusting the breathing state to adjust the singing state.

2 Accurate attack. It is believed that bel canto can only achieve a relaxed, soft, bright and mellow sound if it has a good attack. To achieve a good attack, it is necessary to breathe correctly, have a stable larynx, concentrate your mind, be mentally prepared, and actively close your vocal cords.

The famous vocalist Garcia summed up the essentials of attack concretely: the tongue is flat and accurately sung to the pitch, smooth and not slipping.

3 Sound coherence. Bel canto emphasizes maintaining the consistency of sound quality, the position of the sound remains unchanged, the connection between tones is smooth and even, and the volume crescendo and decreasing are controlled freely.

4 Flexibility of sound. In the 18th century, it was more advocating flowery techniques and complex ornamental singing, so bel canto paid attention to training the flexibility of the voice, developing the vocal range, opening the throat, and exercising the control ability of the voice.

5 Vocal areas and resonance. The sound zone is a complex technical problem, and many experts have their own theoretical views on it. However, no matter how the vocal area is divided, Bel Canto always insists on unifying the vocal area in teaching, and believes that the vocal area is the key to teaching, and the vocal area and resonance complement each other.

In order to achieve a uniform and penetrating timbre, the position of the resonance must be relatively stable and accurate.

6 Speak words and language, and sing with good language habits. Bel canto requires that the pronunciation of each vowel in the language be clear and accurate, and that the vowel transitions in singing be mellow and fluent, so that the principles of legato can be truly reflected in the pronunciation and language.

Due to the singing method and style of "bel canto", it was quickly adopted and accepted by vocal performance and vocal music teaching in European countries, and in its development, it gradually expanded from regional to international, forming a vocal school with singing style, vocal technology, aesthetic principles and teaching theory.

The skills of vocal music lie in the daily conversation training, listening training and the accumulation of music theory knowledge.

Daily listening training is very important, in fact, it is like a language, you need to listen to it often to understand. When practicing vocal music, you can choose a song and find the chords used in the song by listening, so as to exercise your vocal listening.

Among the vocal skills, listening is very important, and only by being able to understand Han Kaiwei can you accumulate some ** skills.

When you reach a certain level of listening, you can start learning music theory.

Through the study of music theory, we can know which chord combinations are more beautiful and beautiful, and with our better listening, we can easily reach a higher vocal level.

1. To learn vocal music well, we should first pay attention to the practice of basic skills. The practice of the basics of singing technique is often boring, but it is very important. Whether the basic skills are solid or not is related to the success or failure of vocal learning, as the saying goes:

Only when the roots are deep can the leaves grow", this is very reasonable. In a sense, basic skills are the key to success in learning vocal music. We advocate strengthening the training of basic skills.

It is necessary to correctly establish the overall concept of vocal music and the internal relationship between various singing techniques, and assiduously practice the basic skills of vocal art, so as to take the first step in vocal learning.

2. To learn vocal music well, it is necessary to pay attention to vocal practiceVocal practice is different from instrumental practice. Instrumental music can be practiced for several hours on end; Vocal practice, on the other hand, has its own unique regularity. Some young people, with their physical strength, really want to make a breakthrough in vocal art in a relatively short period of time, which will never be effective.

3. Generally speaking, beginners should not practice for too long, usually twice a day, about half an hour each time, and in this half-hour practice, it is necessary to insert a break of about five minutes. In principle, it is necessary to shorten the time and repeat the time, so as not to over-fatigue the vocal cords and lose the good timbre.

4. In addition, when performing vocal exercises, it is necessary to carefully distinguish the correctness of vocalization, and use more brains to experience the feeling of vocalization, so as to consolidate the correct vocalization technique. At the same time, it should also be noted that the piano should not be accompanied by chords, which is conducive to identifying the degree of intonation during vocalization.

5. To learn vocal music well, we should pay attention to improving the literacy of the best aspects. Vocal music is an art of expressing feelings in ** sexual language. Therefore, improving the literacy is also a very important aspect of learning vocal music.

Therefore, we advocate that in the process of learning vocal music, we can choose some musical instruments, which can be selected according to personal conditions as a sub-course, which can help us enhance some of the best sense of syllables, pitch, rhythm, and rhyme. Sense is extremely important for vocal music, and sense is the soul of vocal art. Therefore, enhancing the quality of the voice is also an important aspect of learning vocal music.

6. To learn vocal music well, you must be good at absorbing the nourishment of art. "Learn from others' strengths and make up for your own shortcomings" For those who learn vocal music, it is very beneficial to observe the singing of others and fully explore the strengths of others, which can be used as a reference for learning vocal music for themselves. Of course, another tendency to extremes should also be avoided, that is, blind obedience, which should be clearly pointed out here

Imitating others indiscriminately without relying on the objective conditions of one's own voice will inevitably lead to the evil consequences of toddlers. We must make reasonable decisions based on many factors, so as to absorb the nutrients that are beneficial to our voice learning, which is a more scientific attitude. On the other hand, as a vocal art, it is by no means isolated, which involves poetry, literature and ** categories.

Aesthetically, it is much more extensive. Therefore, we should extensively absorb nourishment from the field of art to lay the foundation for creating a beautiful artistic conception in future singing art performances.