Song National Conductor Gesture 5, Song National Conductor Gesture

Command Method**:

Beat 8), strong beat, weak beat is basically the first beat from top to bottom, slightly from the inside to the outside, the second beat back. In the practice of conducting, in addition to the clear movements, concentration and fullness of the spirit, usually because of the need to take care of the fluency of singing, the process of drawing the beat is often more round and linear.

Beat 8), Downbeat, Downbeat, Downbeat:

After the first downbeat of the downbeat, the ** action bounces up from the inside to facilitate the connection to the second beat to direct the action, but be careful not to cross the palms or forearms.

In the second beat, the beating action of the weak beat is carried out outward (slightly diagonally downward), the amplitude should not be too large, and the reflex action bounces upwards along the trend. The third beat of the weak beat follows the natural downward trend of the second beat reflex, and the third beat is struck downward, and the third beat reflex action bounces up from the inside up.

Beat 8) is a kind of double beat, and its periodic law of strength and weakness is: strong beat, weak beat, sub-strong beat, weak beat.

For the first downbeat, keep an appropriate distance between the two hands, make a downward slapping motion, and the reflex action will naturally bounce upwards along the slapping action, taking care not to tilt too much to the outside.

The reflex of the first beat actually becomes a preparatory action for the second beat. In the second beat of the weak beat, the command action is on the inside of the first beat command action, the amplitude of the beat action is correspondingly reduced, and the two hands cannot be crossed during the reflection, and at most the palms of the two hands overlap slightly.

The third beat is a downbeat, in which the slap action is performed outwards (slightly diagonally downwards) and the reflex action bounces upwards. The fourth beat is a weak beat, and the reflex of the third beat naturally falls downward, and the fourth and fourth beats are made downward, and the reflex action bounces up from the inside.

1. The body is upright and upright, the feet stand firm, the shoulders are relaxed, and the legs are slightly separated, giving people a sense of stability and achieving a harmonious beauty.

2. The commanding actions should be moderate, not excessively exaggerated, and the redundant actions should be minimized, so as to be accurate and concise. Usually the right hand grasps the beat, and the left hand prompts various expressions, which has both division of labor and cooperation.

3. The conductor should be good at mobilizing the enthusiasm of each chorus member and excavating the greatest potential of the actors, and should be unique in the processing and performance of the work, so as to reflect the highest artistic conception of the performance.

4. The conductor's beat has bright beat and dark beat, the open beat is the beat that can be seen by the eye, and the dark beat is the beat that is "hidden" in the heart, this "hidden" beat is based on your feeling and mental rhythm, so that the "point" is in place, so that the chorus members can not only understand the intention of the open beat, but also understand the beat, rhythm and emotion in your dark beat.

5. The conductor must have desk work and the ability to analyze the work, such as the structure of the song, the key, the tonality, the changes and contrasts between paragraphs, and the connotation of the work, rhythm, speed, strength, strength, speed, slowness, etc., must be well understood. Don't "go over and over and pick every sentence", so that the actor can no longer arouse the freshness of the work. That's how you rehearse and fail.

Beat means that there are 4 beats per measure.

4 steps: 1. Hand from the top right to the bottom left.

2. From the bottom left to the bottom right.

3. Move from the bottom right to the top left.

4. Return from the top left to the upper right hand: one shot down, two beats left, three beats right, four beats on the left hand: one beat down, two beats have three beats, four beats up.

It's good to just play around, and others don't understand

1. Start. "Singing the Motherland" is a two-beat type, with the starting beat on the second beat, the first beat as the preparatory beat, and the first measure as the weak starting measure. At the beginning of the chorus, the first beat should be played in the air (cue beat, the chorus does not sing), that is, the hands should be from the top down to the lowest point, and the starting time should start from the lowest point, at this time it is the second beat.

Take care to raise your hands clearly and firmly to give a clear cue to the choir.

2. During the march of the song, the movements of the hands and arms should be appropriately prompted according to the strength, weakness, speed, slowness, legato and staccato of the beat, which should be reflected in the light, heavy, slow, urgent, soft, steady, decisive and amplitude of the movements of the hands and arms.

3. Of course, all this must be based on the accuracy of the action beat, and it should be noted that in the whole march of the piece, we should always adhere to the urgent principle that the shape and round strong beat movements are carried out consistently from top to bottom, and the weak beat is carried out consistently from bottom to top.

4. End. The end of the piece of music often leaves a deep impression, and it is necessary to conduct the end of the piece well, so that the whole work can be fully expressed. When directing the closing phrase, the movements should be decisive and precise, so that the full emotion runs through to the last note.

The closing note of "Singing the Motherland" is extended to three and a half beats, and when the conductor sings this note, he should focus on the foundation of the previous beat, with the left hand not falling down and reversing, the palm side of the hand to the upper right, and the arm raised upward, making a "support" gesture, and conducting the chorus's extended note. The right hand directs the choir to sing the last three beats, and then quickly and violently retracts (both hands are retracted to the upper part of the chest at the same time) before the last half beat (empty beat), and the piece ends forcefully.

01 Crazy radio style.

The movements of this move are simple and rough, suitable for rookie conductors with no conducting experience at all, similar to the arm movement in the warm-up.

Are you serious? I couldn't help but laugh out barbell-like ......

02 Shoot the ball.

The left and right hands of this move are always symmetrical, which is suitable for Xiaobai to command with uncoordinated left and right hands.

If you're a basketball player, you'll be able to play as a conductor and singer.

03 Dance Style.

The dancing style is suitable for conducting when singing lyrical songs, or for suppressing the "suppressed" part of the song first.

The next time I sing "Green Flowers in the Army", I will dance and fan and fly into the sky.

04 Swimming.

This gesture is straight up and straight down domineering and exposed, suitable for conductors with stiff hands and feet, and suitable for majestic songs.

With the kung fu of "Yellow River Cantata", the conductor was able to swim from Hukou to Bohai Bay.

05 Sprinkle beans.

This is the most common command posture in the troops, which is suitable for most military songs and for most amateur commanders.

I saw the commander grab a handful of beans and scatter them into the air, and the recruits were stunned for a while......06 One-handed.

One-handed conducting is suitable for conducting a single voice and is rarely used.

It can also be used when the commander has an injury to one of his hands, so keep this exclusive secret away.

07 Drumming pose.

When doing this action, the commander clenched his fists all the time, and his whole body stiffened.

It's like beating a drum in front of the yamen to avenge your grievances.

08 Knock on the door.

Knock on the door is suitable for alternating between different voices.

The little rabbit obediently opens the door....

09 There is a word pattern in the mind.

While conducting the conductor, his mouth has been fragmented, maybe he is singing along, or he may be saying something.

Conductor: I'm saying, the conductors up front are stupid.

10 Passionate.

In this move, the commander is like a chicken blood, and the command range is large.

Generally, after three minutes, the arm is unbearably sore.

11 Draw a circle.

This is also a common pose, where the conductor draws large and small circles with both hands.

Follow my left hand and right hand in slow motion Right hand left hand slow motion replay 12 Lean Forward Pose.

This move requires the commander to have good physical coordination, and occasionally unconsciously present it when fully engaged.

Recruits standing in the front row: Squad leader, it's almost time to kiss me!

As we all know, the language of the choir mainly depends on the mouth of the team, and the language of the conductor mainly depends on the conductor. Hand. For the choral conductor, it is not just the unconscious movement of the hand, but the premise of the coordination of the language including the fingers, wrists, palms, forearms, and upper arms is completed together.

For choral conductors, the gestural language in motion requires a certain sense of control and an appropriate sense of floating, so that the choral conductor's fingers make different movements, which means that there will be different representational connotations. In the process of the development of choral singing, through the experience of previous generations of choral conductors, the standardized basic hand movements have gradually been formed.