Chorus conductor don t do it When the chorus ends, does the conductor leave the stage first

That's too professional to ask, hehe.

The starting shot is not accurate, and the competition does not need to be deliberately arranged.,You can think of a student below who can understand it at a glance.。。

This song is the easiest to sing in unison, just grow the momentum... If you sing in the second turn, you only need to give a clear gesture when you sing in turn, and the rest is the same. It is not recommended to sing in three turns, the conductor may not be able to take care of it, and students are easy to sing in strings, and the effect cannot be achieved.

Generally, you don't close the shot.,Just press it with your left hand.。。。

2 4 Just go back the way you came from top to bottom (with your hands outward). Commanding "Yellow River" should be strong, just like watching the army pull the military song to command.

In addition, when conducting a chorus, body language is very important, gestures are not necessarily standardized, and expressions must be good, because the people below are looking at you.

In addition, this chorus should highlight the accent, that is, the note at the beginning of each bar, and it will sound very imposing when the strength and weakness are clear.

Some can be avoided, but the Yellow River chorus is still needed, and wisdom is needed to drive the spirit.

1.Nod your head and signal the person playing the accompanist to start.

2 Four two beats, the left hand and the right hand take turns to command, 'the wind is in the (left hand) roar (right hand), the horse is in the (left) bark (right).

3. Catch (close) at the top of the head in a circle

I don't think I understand how to teach it, ask the ** teacher.

o(∩_o...

Summary. After the singing, the conductor first turns around and stands on the left hand side of the choir, prompts the members with his right hand, and bows to the audience with the members. 6. The conductor and chorus members withdrew from the stage together.

After the singing, the conductor first turned around and stood on the left hand side of the choir's roll, reminded the members with his right hand, and smiled with the members and bowed to the audience. 6. The conductor and chorus members withdrew from the stage together.

Conductor's curtain call pose.

Just bow and don't have to do anything.

1 3 Read the bowing posture step by step, turn around after singing, stretch out your right hand to represent the leader of all the players, and the palm of your hand is slimmed upward, and then the time of the bow yourself is turned to face down, and the choir behind you bows together when bowing.

2 3 Command to stand steadily, relax the body controllably, stand with the shoulders hanging and stand blindly, the feet apart, the back image is stretched and tall, and it feels comfortable and natural; Facial expressions are rich and natural; The eyes are bright and open.

3 3 The conductor's hands contain a rich language of choral art, and every movement of the conductor expresses a certain intention. The hand is the master of the choral conductor, and Shihong wants to return to the world.

First, the conductor is the leader of collective singing. Choral singing (a chorus in which many people sing two or more different tunes at the same time in several voices) is a collective artistic activity with a high degree of unity of action. When many people sing together, they should sing in unison, in the same rhythm, in the same strength, in the same mood, and in an organic whole.

It can't be done without a unified leadership. Second, the conductor is the organizer and trainer of collective singing. If an army does not train regularly in peacetime, it will be very difficult to improve its combat effectiveness. Similarly, if a choir does not train consistently, it is difficult to improve its expressiveness.

Who will be responsible for the training of the choir? The main thing is to command. Because he had to always develop the habit of working closely with his members, he had to always pay attention to developing the performance of the choir; He is not only the leader of the team when singing, but also the leader of the group work in ordinary times, and his every move should have a good impact on the team members and win everyone's trust and love.

Third, the conductor is the creator of the art of collective singing. The chorus has rich expressiveness, pays attention to the harmony and coordination of the overall voice, and requires the timbre of each voice to be correspondingly unified, the volume to be balanced accordingly, and the appearance of each voice part to be hierarchical. In addition, there are strict requirements for the pitch, rhythm, dynamics, and speed of each voice.

To direct and lead the choir to sing, it is necessary not only to achieve the same tone and neat beat, but also to recreate the song and sing the artistic life of the song. The task of a conductor is not only to beat the beat (beating the beat is a means for the conductor to create art), but the main thing is that he should have a deep understanding of the work, have the ability to analyze the work, make full use of the voices of the members, and make a song full of real feelings and artistic brilliance. Therefore, it is the task of the conductor to fully cooperate with the team members so that a song can be reproduced as a living art through his understanding and creation.

More: In short, the key to the level of a choir is the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the musical talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor.

When you have a conductor, you need a conductor because there are too many people in the chorus, and if there is no one to conduct it, it is difficult for everyone to sing in unison.

In the chorus, there should be a conductor because it is divided into high and low voices. So it needs to be carried out in command. Better coordination.

There must be a conductor in the chorus. Because the key to the level of a choir lies in the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the best talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor, and it is the most important link that cannot be ignored.

Why is there a conductor when I am in the Grand Hall? Because there are a lot of people in Dahe Factory, only one person who commands each region knows what they should sing and how to start, so that the cooperation will be better and the effect will be more beautiful.

One of the reasons why there should be a conductor in a chorus is that one of the reasons that can guide everyone is to say the pronunciation standard and follow the same rhythm.

Well, because of the after-sales of the chorus, there are too many people, and if there is no one wisdom at this time, then it is possible that there will be a situation where there is a single voice, or it is difficult to reconcile the mouths, and in such a situation, there needs to be a conductor, so there is a wisdom garden in front, so that he can be heard when singing, so that so many people can sing it in unison.

Why is there a conductor in the chorus? Because the number of people in the chorus is relatively large, if there is no conductor, the singing will be very chaotic and unified, so there must be a conductor, and the songs of the chorus have chorus and sea divisions, so there must be a conductor.

When the chorus is held, there must be a conductor, because there are so many people participating in the chorus, so the conductor needs to help, unify the tonality, unify the rhythm, and the chorus will be more uniform and harmonious.

The chorus must have a conductor, because the conductor has to control the tempo of the song and unify the chorus.

Because when the chorus is in full swing, it is necessary to unify and standardize it to avoid everyone's mess. It takes one person to agree to command, and one person to take the lead. Lead everyone to control the rhythm of the singing, fast and slow.

The basic principles of directing actions are "provincial", "accurate", and "beautiful". The province is to save the command action, according to the needs of the work, design the command action, the size of the action should be moderate, neither excessive exaggeration, but also can not be non-expressive, pay attention to the speed, strength of the contrast, pay attention to the tone of the work. "Accurate" refers to the conductor's foreshadowing movements, that is, various starting and closing styles.

It is required to be clean and accurate. "Beauty" means that conductors should be beautiful and generous in performing arts. It is necessary to achieve the unity of the inner and the outer.

Everything starts from the inner feelings expressed by **, grasps the accurate schema, and designs each action.

4. What are the conditions for a command?

Standard Answer: 1. Strong organizational skills, leadership skills and noble personality.

2. Have a strong ability to read music. For a commander, this is the most basic skill.

3. Master scientific vocal music knowledge, have strong fan singing ability, and master the training method of combining voice and words.

4. Have a keen sense of hearing.

5. Strong expression skills (including language and movement skills).

6. Have a strong ** memory and high appreciation ability.

7. Have a strong sense of rhythm and proficient command skills.

8. Train the choir members with patience and perseverance and rich choral training methods.

5. What kind of tasks and roles does the commander shoulder?

Why conduct in the chorus? Because there are more people in the chorus, the conductor's words will be given. The entire singing troupe Zhang Dong played an effective role.

The key to the level of a choir is the conductor. Each choir member has a certain ability to sing, but it is scattered; To tap the best talents of each team member, to unify them, to create a high level of choral art, this is the role of a choral conductor.

There must be a conductor in the chorus, because the level of the choir is not the same, and whether the choir sings well or not plays a decisive role.

There is a conductor in the chorus, mainly because the conductor can unify their pronunciation and make the chorus more neat and magnificent.

I think it can play a good role in synchronization, and the chorus sung in this way is very good, and there must be a conductor during the chorus. Because the key to the level of a choir lies in the conductor.

In the chorus, because the beat must be unified, it is better to have a conductor who sings according to the beat of the conductor in front.

With a conductor in the chorus, it can make the lead singing, part-part singing, and harmonic singing more coordinated, so that there will be no phenomenon such as rushing to sing.

The conductor is the leader of the choral organization and the soul of the choral crowd. With a conductor, the chorus can be made better.

Because the chorus needs to sing along with the rehearsal, otherwise they will each sing their own songs, and the voice will be completely untidy, so if someone plays the rehearsal, everyone can sing in unison when they look at the conductor's rehearsal.

In order to reduce the expressiveness of the performers to the work, the method of no conductor is adopted in order to better show the excitement of the work.

There are many people, and the conductor can make everyone sing in unison, more expressive, and loud voice.

Because there are too many chorusmen, there is a conductor, and everyone can at least unify the beat and tone when they are conducted.

When singing the chorus, obey the conductor, there is a key and order, the chorus is tight, the chorus is very beautiful, and the sweet singing voice touches people's hearts.

There are strong and weak beats for songs in two beats, strong, weak, and weak beats in three beats, and strong, weak, sub-strong, and weak beats in four beats. When hitting the beat, the strong beat is downward, the second strong is outward, and the weak beat is up and inward, so that the beat will feel that the action is smooth and natural, and the conductor has no fixed mode, and the action tends to be more perfect and smooth with the emotional investment of the conductor.

The beat points of the above three schemas are all on the same horizontal line, and when learning, learn soft and smooth gestures first, and then add sharp and agile movements to highlight the beat, which is just right.

The conductor should stand steady, the body is controlled, the mountain is relaxed, the shoulders are down, the feet are apart, the back image is stretched and tall, and the socks feel comfortable and natural; Facial expressions are rich and natural; The eyes are bright and expressive. The conductor's hands contain a rich language of choral art, and each movement expresses a certain intention. The hand is the main tool of the choral conductor.

The tapping action is the most important basic action for the conductor to carry out the command activity.

The basic posture of the hand can be broadly divided into:

1. Common posture The fingers are naturally bent, the palms are downward, and the shape is like the feeling of being placed on a volleyball. The point of hitting is located at the metacarpophalangeal joint of the middle finger, and the wrist must be stable when hitting the racket, and it must not swing up and down. The palm of the right hand is always facing downward, front and down; The palm of the left hand can also be facing the medial, medial, and medial and upper sides, except for very special needs, the palm should not be facing forward.

2. Holding an empty fist means that it is strong and has the middle force of the cover, and it is often used when it is strong.

3. Pinch the thumb and index finger lightly to indicate weakness, and it is often used when the shooting is weak.

4. The palm of the hand is naturally extended, indicating softness and lyricism.

5. The palm of the left hand is slightly tense inward and inward, indicating strong and powerful. Gradually raising the arm upwards indicates a crescendo. The command line is done by the hand, the forearm attaches to the movement of the hand, and the upper arm follows the movement of the lower arm.

When the hand is retracted towards **, the lower arm is retracted, and the upper arm gradually approaches the body; As the hands move forward to the side, the arms gradually move away from the sides. The basic posture of the conductor must be practiced frequently in combination with the tapping action, which is an indispensable homework for the conductor. Be meticulous and strict.

Conductors should pursue command actions that are beneficial to the expression of the ideological content of the work and beautiful, generous, relaxed and accurate "shooting points". In the process of choral conducting, it is very important to maintain a good basic posture of choral conducting, and the movement of the hands is the most important means of conducting.

The basic actions and requirements of the conductor: the actions of the conductor should be accurate, concise, beautiful and generous, easy to understand, and expressive

1) When standing, the upper body should be straight, the feet should be slightly separated, slightly into a T-shape, the left foot can be slightly forward, to stand firmly and beautifully, and avoid large swaying of the body during the command process.

2) Facial expressions should be rich, eyes should be expressive, good at using eyes and facial expressions to inspire the choir, express the content of the work in a coordinated manner, and the ears will have a strong ability to distinguish the pitch, and correct the inaccurate pronunciation of the singing in time.

3) When commanding, the arms should be raised to the chest, not too high or too low, under normal circumstances, it should be mastered at the top and eyebrows, and the lower part should not be lower than the waist This range of motion, when waving the arms, it should be natural and powerful, stretch and generous; Do not straighten the fingers, keep the palms of the hands naturally arched, avoid the palms of the hands parallel to the upward or downward direction, and pay attention to the center of the movement is the wrist.

The movements of the hands should be symmetrical, and the direction of the beat and the direction of the beat should be clear and not ambiguous. Generally speaking, the movements of both hands are the same but the direction of swinging is opposite, the right hand is to master the speed and beat, and the left hand is to grasp the expression, strength, etc., and the movements should be flexible and expressive.