Whose sentence is the grass snake gray line in Dream of Red Mansions?

Grass snake gray line, Fu vein thousands of miles", from the annotations of Yan Zhai and others, and not only written once, but written many times, sometimes the expression changes slightly - written as "grass snake gray line, thousands of miles away", "Fu Hou Wen" and so on. In a word, this is a basic and overall artistic technique used by Cao Xueqin when writing **.

So it shouldn't be a judgment for a specific person.

The grass snake gray line refers to the foreshadowing of nothingness, not the judgment of a certain person.

People are talking"Red"When foreshadowing, it is generally described as "grass snake gray line, a thousand veins".

It is said that its foreshadowing is vague and complicated, and it is not clear whether this sentence has a source.

It is also a non-judgment, and when commenting on "Dream of Red Mansions", Yan Zhai expressed his writing technique, the so-called grass snake gray line, and the veins are thousands of miles.

Fat Yan Zhai said that Cao Xueqin wrote "Red" grass gray snake line, and the veins are thousands of miles.

It's not a judgment, it's a comment on the writing method of "Dream of Red Mansions". "The gray line of the grass snake, the veins are thousands of miles", which means that the foreshadowing will be reflected in the text for a long time. This is one of the most distinctive ways of writing in Dream of Red Mansions.

Moreover, many red research results are also speculated based on such a "grass snake gray line, thousands of miles of veins".

The meaning of the grass snake gray line is foreshadowing, not judgment.

To put it bluntly, it is an ambush pen.

Such as: the moon is rare, the clouds are easy to disperse, and the ending of the volcanic line Qingwen.

The Dream of Red Mansions Twelve Songs and the Twelve Hairpins Fate Ending, even if it is proven.

There are also a lot of secret words.

Jia Amnesty and Jia Zheng are ——— involved in politics.

Jia Yuanchun, Jia Yingchun, Jia Tanchun. Jia Xichun ——— should have sighed. In the end, the family is ruined, everyone is gone, and everyone is rushing.

Jia is not fake, Bai Yu is Tang Jin as a horse——— homophony, inverted reading, spelling.

Golden Horse Full of people riding horses.

The church is home. White Jade Emperor a little more.

Jia is not Jia.

Connected This family is a branch of the Qing royal family, the royal relatives and relatives. But he is not surnamed Jia. Jia is Cao upside down.

"Grass snake gray line, veins thousands of miles away" belongs to the method of ambush pen, ambush pen makes the ** interlocking, echoing before and after. In "Dream of Red Mansions", Mr. Cao simply used the foreshadowing. The article has been "added and deleted five times, and reviewed for ten years", which is really full of love, every word is beautiful, every word cannot be reduced and not a word needs to be added, and all that is left is the essence.

There is a lot of foreshadowing arranged in the text. For example, the judgment of each of the twelve hairpins in Jinling hints at the fate and ending of each of them.

Another example is the time when Grandma Liu visited the Grand View Garden, Grandma Liu's grandson Ban'er and Wang Xifeng's daughter Sister Qiao exchanged grapefruit and Buddha's hands, which seems to be a game between children, but in fact, it also implies that Sister Qiao was almost sold into the land of fireworks by her uncle after losing power in Jiafu, and finally fortunately Grandma Liu rescued her, and finally married Ban'er.

There are many hints like this in the text, so it is called "grass snake gray line, floating veins for thousands of miles".

It means that Cao Xueqin's "Dream of Red Mansions" has subtle foreshadowing everywhere, indicating the development of the plot in the future.

It's foreshadowing.

Clues are buried in the previous text, and the subsequent plot development will be linked to the clues here.

That is to say, the sentence here may be the end of a certain mission.

What is wealth? Infant parents violated.

Spread his eyes and hang the slanting light, and the Xiangjiang River passed away.

Famous comments: This one is about Shi Xiangyun.

Before the verdict, "draw a few wisps of flying clouds, a bay of passing water". "Feiyun" knows the "slanting light" in the word "slanting" and the word "cloud" in the word "passing water" according to the ruler, and the word "Xiangjiang" in the word "Xiangjiang" is hidden.

Xiangyun is the girl of the Shi family, that is, the granddaughter of Shi Taijun. Soon after she was born, she lost the love of her parents, became an orphan, and grew up with her aunt and uncle. When she came to the Grand View Garden, it was her happiest moment, when she was talking and laughing, lively and naughty; But when she had to go home, her mood suddenly fell cold, and she repeatedly asked Baoyu to remind Jia's mother to pick her up often, and she shed tears in her sorrow, which shows that life at home is very unhappy.

How did such a fit and cheerful daughter end? "Spreading her eyes and slanting light", that is, her married life is like a beautiful sunset, which is lost in an instant.

The water is gone", which may indicate her early death or early widowhood, or her fate is awkward. "Because of the unicorn and the white-headed double star", it was written that she picked up a golden unicorn lost by Baoyu, which happened to be a pair with her original golden unicorn. Judging from the words "double star" in retrospect, this must be a hint of her future married life.

So who is her spouse? Is it Baoyu? It seems to be, but it's not.

Some researchers deduced that she may have married a person named Wei Ruolan (the name of "Wei Ruolan" appeared once in the funeral procession when the 14th Tomb Cong returned to Qin Keqing's funeral). Maybe Baoyu later gave the golden unicorn to Wei Ruolan (just like giving the attacking sweat towel to Jiang Yuhan), but it is unknown.

Because the full picture of Cao Xueqin's book is no longer available, the above speculation is just speculation.

There is also a Qing note that there is a sequel to the story that after the defeat of the Jia family, Baoyu fell several times, and finally married Shi Xiangyun. This may be derived from "because of the unicorn and the white-headed double star", and it is a topic to talk about.

The verdict of the characters in Dream of Red Mansions is that the author Cao Xueqin tells the reader the fate of the main characters in the book in a very implicit way. Such as: Lin Daiyu and Xue Baochai's judgment:

It's a pity to stop the morality, and it's pitiful; The jade belt hangs in the forest, and the golden hairpin is buried in the snow. "Jade belt" is upside down is "with (Dai) jade", hanging in the forest, that is, "Lin Daiyu", the golden hairpin is buried in the snow, that is, the treasure hairpin in the snow, alluding to "Xue (snow) Baochai", it is said that the jade belt hanging in the forest implies that Lin Daiyu hanged himself, and buried in the snow alludes to the fact that Baochai died on a snowy day, and he was alone, because the ancient hairpin was usually single, and the hairpin was double, alluding to Xue Baochai failed to be with Baoyu and died alone. Because Cao Xueqin only wrote the first 80 chapters of the book, many characters have not finished writing, and many people think that the fate of the characters in the last 40 episodes written by Gao He does not conform to Cao Xueqin's original intention, so they study the judgment and want to find clues about the fate of the characters set by Cao Xueqin.

Through the judgment, you can predict the fate of the people in it in the future! It is a foreshadowing planted by the author, and it is also a hint.

The study of the verdict of Dream of Red Mansions has two meanings:

The first is that Dream of Red Mansions is now a fragment, and the judgment is precisely the foreshadowing of the fate of the characters and the development and ending of the story, which is similar to the writing characteristics of Dream of Red Mansions, and the writing of Mr. Cao Xueqin's "Grass Snake Gray Line Thousands of Miles of Veins" is determined.

The second is the literary value, which is extremely literary and worthy of study.

In the fifth episode of Dream of Red Mansions, Baoyu only read two more sub-books (Qingwen and Raider), one sub-book (Xiangling), and twelve people in the main book. If there is a judgment of the mandarin duck, it should be placed in another book, most likely after the attack. As for why Cao Gong didn't write it, it is the cleverness of the Dream of Red Mansions, the grass snake gray line, stretching for thousands of miles.

But if it's all revealed above, it's not interesting.

Another question: What is upstairs? Can't make it up yourself?

Mandarin ducks and Ping'er are my favorite characters, and the verdict of Dream of Red Mansions, I think it refers to the twelve judgments in the hands of the police illusion that Jia Baoyu saw, that is, the judgments of the twelve hairpins of Jinling. Therefore, there are no mandarin ducks.

Actually, there should be, but Baoyu didn't finish reading it, and only watched three people.

There is it in the fifth chapter of Dream of Red Mansions. I watched Qingwen's first, then the attacker, and finally Xiangling.

After reading Xiangling's plate. That's the following paragraph:

Baoyu was still puzzled when he saw it. I went to the "main book" of the song to look at it, and I saw that there were two dead trees painted on the first page, and a jade belt was hanging on the wood; There was another pile of snow, and a golden hairpin fell from the snow. There are also four sayings:

It's a pity to stop the morality, and it's pitiful; The jade belt hangs in the forest, and the golden hairpin is buried in the snow.

Further down is the canon. Therefore, the twelve hairpins of Jinling only read three people in the second book.

A grass snake gray line, a thousand miles of ambush is a method of ambush writing, it helps ** interlocking, the above content immediately follows the following content, giving readers a comprehensive presentation effect, helping the article to be easy to understand, with a story. It can be understood as an ambush clue for the previous paragraph of the article, or it can be understood as a hint from the above to the following. It has the advantage of being subtle and subtle, making the article tightly structured and compact, so that the reader will not have a sense of abrupt suspicion when reading the following content.

Second, the use of foreshadowing should be noted:

1) If you mention the gun at the beginning, then in the second or third paragraph, you should mention the gun, and it should not be a failure, and it should not be a failure.

2) The foreshadowing should be skillful, and it should not be deliberate and revealing. Foreshadowing is generally so that others can't easily perceive it, and it must be done like the wind on the water, and it is naturally written.

3) Volts and should not be close to the front and back. If the foreshadowing is too close to the front and back, it will make the article look dull and boring to read.

There is not a single nonsense in the previous content, and every sentence is likely to be the fate of a person. For example, the name of the drama ordered at the birthday banquet is likely to be the fate of a certain person. And everyone's ending is likely to be foreshadowed in some of the previous words.

The fifth is the fate of the twelve hairpins in Jinling, which you should know, I suggest you take a look at the Dream of Red Mansions fat batch, many fat batches can wake you up.

Such as: the moon is rare, the clouds are easy to disperse, and the ending of the volcanic line Qingwen.

The Dream of Red Mansions Twelve Songs and the Twelve Hairpins Fate Ending, even if it is proven.

Fans who study Dream of Red Mansions are analyzing the fate of the characters, figuring out the author's original intention, and deducing the knot of the last 40 times.

The game always starts with the sentences in the book, because Cao Gong depicts the fate of each character in the book with beautiful poems and paintings, as well as riddle-like mysteries. And this is also the broader imagination space of our hobby that we have no chance to see.

Recently, however, when I looked at the almost worn out Dream of Red Mansions again, I couldn't help but ask myself, what was the purpose of Cao Gong's writing of the verdict for so many (almost all the main characters)?

As far as a huge book is concerned, the storyline in it has ups and downs, and the fate of the characters in it is also impressive, but a master like Cao Gong, who writes brilliantly and grinds a book for ten years, I am afraid that he will not know that he has to leave the so-called "button" when writing a book, but he arranged the fate of everyone at the beginning of the book. This probably doesn't go with the common sense of creation. If it is to leave a foreshadowing for the reader and attract the reader, it is a bit far-fetched, because without these sentences, the reader may be more provoking the fate of the characters and more attracted by the plot.

On the other hand, what is the role of these judgments now, as I said at the beginning, it is not difficult for us to conclude that they have played a great, if not indispensable, role in our better study and deduction of this unfinished tome. In this case, can we say that the purpose and function of the judgment is to give the reader a basic, but generally ambiguous, understanding of the final outcome of the book? If this is the case, then it begs another question, that is, since Cao Gong has completed the whole of Dream of Red Mansions, why is it necessary to use the judgment?

Think about it, if we really had a complete book of Dream of Red Mansions, then we read the verdict, and in the end everyone ended up with the same ending as described earlier, how would we feel? Is this what it means to "take care of the before and after"? I don't think Cao Gong would have used such pediatric writing techniques.

Therefore, if the appearance of the judgment, especially the appearance of the opening chapter, does not conform to the common sense of creation, then there is a reason for it after all. Perhaps Cao Gong originally wanted to give the reader an unfinished ending, or perhaps for some reason (political or otherwise) to delete the ending, but he couldn't give up ten years of hard work, so he added the sentence to the front of the book, so that in a sense, the so-called "integrity" of the original book was maintained, and the "unfinished" (should not be finished) masterpiece was explained in another way.

The above is my whimsy, please correct it!