Literature on The True Story of Ah Q 30

The True Story of Ah Q is a novella created by Lu Xun**, **Set in rural China before and after the Xinhai Revolution, it depicts the story of Ah Q, a wandering farmer in Weizhuang, who "can really do it" when he does his work, but he has nothing, and even his name and surname are forgotten. The ** criticized the social characteristics of Chinese society at that time, such as the burial of Hu Xianjian, conservative, vulgar, and corruption, and effectively revealed the life scene of the old Chinese people and their pathologies in dire straits.

Ah Q himself is a very humble and poor character, but he doesn't take other people seriously, even the rich and powerful Zhao Taiye in his hometown, he also thinks, "My son will be much wider in the future." And because he has been to the city, even the people in the city look down on him, and he ridicules the defects of others, and then causes pride in them.

Self-deception is a manifestation that Ah Q often uses to comfort himself so that he can gain psychological satisfaction. For example, when he was beaten by others, he could imagine that he was beaten by his "son", thinking that the whole world was not decent and had no ethics, so he turned defeat into victory according to his own wishes, and was satisfied.

The True Story of Ah Q is Lu Xun's masterpiece, and it is also one of the greatest chapters in modern Chinese literature.

The True Story of Ah Q depicts a peasant Ah Q who lived before and after the Xinhai Revolution. In the old Chinese rural town of Weizhuang, Ah Q was very poor, so he had to live in the Tugu Temple, and could only make a living by working part-time jobs. He had a low social status and even lost his surname.

The work is set in Weizhuang, a rural town that was closed before and after the Xinhai Revolution, and portrays Ah Q, a typical backward peasant who has been severely harmed physically and mentally.

Homeless, landless, and unemployed, he sold his labor to make a living, and was brutally oppressed and exploited. But he could not face up to his miserable position, but he was self-absorbed with the "method of spiritual victory".

Ah Q went from blind self-esteem and arrogance to pathetic self-contempt, which is a typical character in a semi-feudal and semi-colonial social environment. Ah Q's class status determined that he welcomed the revolution, but he did not understand the revolution, his understanding was confused, and his spirit was numb, and as a result, he was shot and shown to the public by the feudal landlord class, who had usurped the fruits of the revolution.

Ah Q represents the Chinese at that time. Whether it is from the ideology of the characters in the text, or the letter 'q', which is shaped like a pigtailed person, it is revealed that Lu Xun alludes to the real person - Chinese. The article mercilessly satirizes the self-anesthetic, self-satisfied, self-liberation, and submissive mentality of the Chinese at that time, as well as an inferior nature of the Chinese nation since ancient times, including selfishness, bullying the soft and fearing the hard, and spiritual victory.

When it comes to pointing out these shortcomings for the Chinese, Lu Xun can be said to be merciless. But if the reader takes a closer look at the Chinese, he will find that the Ah Q mentality he describes has not disappeared in today's society, which also surprises me. Unlike other writers, Lu Xun pays more attention to reflecting the ugliness of society and human nature, and he tries to make people understand his ideas through a method that makes readers feel disgusted.

Zhou Shuren (September 25, 1881, October 19, 1936), formerly known as Zhou Zhangshou (changed to Zhou Shuren in 1898), pen name Lu Xun, the word Yushan, Yuting, later renamed Yucai. He was an important Chinese writer in the 20th century, a leader of the New Culture Movement, and a supporter of the left-wing Cultural Movement. The People's Republic of China is evaluated as a modern writer, thinker, and revolutionary.