What was the reason for the literary boom after the founding of the People s Republic of China? sim

The first is that the country has settled down.

The second is that everyone is hopeful and motivated to create a new life.

Moreover, at that time, the political restrictions of literature were relatively wide, and it belonged to the initial stage of management.

Chinese culture emphasizes self-cultivation, which is the improvement of one's own personal morality and self-cultivation. As for the reasons for the formation, in fact, there were many ideas in the pre-Qin period, but later, because the emperor followed Confucianism and Taoism, it was like determining the direction, and it has been developing like that, that is, the later Confucian culture, the golden mean. There is also the reason for the emergence of Chinese culture, that is, the origin of those ideas can be found in the Book of Changes, because the Book of Changes is the first of all the classics, and the origin of China's original culture can be found in the specific Chinese culture, which is broad and profound, and go to see the best ones.

w. More than 10 users have adopted TA back. 2011-10-13Focus on the geographical environment: deep inland, isolated, abundant and self-sufficient. A culture of optimism, contemplation, and group consciousness has been formed.

Chinese literature has a long history, as early as ancient times, although writing has not yet been produced, oral literature such as myths, legends and folk songs has been circulated among the people. The documents and materials preserved in the ancient classics show that the mythological stories such as "Kuafu's Day", "Nuwa Mending the Sky", and "Burning Dayu to Control the Water" shine with the brilliance of the wisdom of the Chinese nation's civilization.

The development of prose has generally gone through the following stages: First, the pre-Qin period. The Book of Shang is the first collection of essays.

During the Spring and Autumn Period and the Warring States Period, a hundred schools of thought contended and produced the prose of Zhuzi. "Zuo Chuan" and "Warring States Policy" are representatives of pre-Qin historical prose. "To the Warring States Period and the Literary Preparation of Later Generations" Zhang Xuecheng "Literature and History Tongyi.

Poetry on the Teachings. The second is the Han Dynasty and the Han Dynasty. The prose was further developed, and the "Records of the Historians" is "the swan song of the historians, the rhyme of the separation", representing the highest achievement of the prose of the two Han Dynasty.

The third is the period of the Wei, Jin, Southern and Northern Dynasties, the articles in this issue pay more attention to the sound rhythm, forming a style of punli, and "Notes on the Water Classic" and "Luoyang Jialanji" are extraordinary. Fourth, the Tang and Song dynasties. Han Yu and Liu Zongyuan led the ancient literature movement in the Tang Dynasty, "the decline of the eight generations of literature".

During the Northern Song Dynasty, Ouyang Xiu advocated ancient literature, and Su's father and son responded to each other, and ancient literature gradually occupied the literary world. The fifth is the Yuan, Ming and Qing dynasties. Basically, it inherited and developed the spirit of the Tang and Song Dynasty ancient literary movements.

In the Ming Dynasty, there was a retro faction of the seven sons before and after, the Tang and Song factions that opposed the retro, the public security faction that advocated sexual spirituality, and the prose masters such as Gui Youguang appeared, and the Tongcheng faction had the greatest influence in the Qing Dynasty.

The literary controversy of the 1950s was an important supporting event in the history of Chinese literature, mainly around the controversy over the direction and content of literary creation. The main points of contention include the following:1

The relationship between "literature and art serve the people" and "artistic freedom": In this controversy, *** put forward the slogan "literature and art serve the people", emphasizing that literature and art should serve the people and opposing the view of "artistic freedom". On the other hand, some literary artists advocate artistic freedom, believing that literature and art should be cultivated and should pursue artistry and individuality.

2.The debate between realism and romanticism: In this controversy, *** put forward the direction of "people-centered" literary and artistic creation, advocating that literature and art should reflect real life and emphasize realism.

Some literary artists advocated romanticism, believing that literature and art should pursue imagination and artistry. 3.The Role and Methods of Literary Criticism:

In this controversy, *** put forward the "mass line" method of literary criticism, advocating that literary criticism should be close to the masses and oppose expertism. However, some literary artists believe that expertism has its necessity and that literary criticism should be professional and in-depth. This literary controversy had a profound impact on the development of literature and art in China, promoted the transformation of realism and the mass development of literature and art, and also triggered the thinking and exploration of artistic freedom and professionalism among literary and artistic artists.

The author's resonance with the reader.

In the 30s of the 20th century, the three main literary schools in the Chinese literary circle were: left-wing literature, Beijing literature, and Shanghai literature.

In the first half of the 20th century, China's left-wing literary trend was not only the dominant ideology of the times, but also a part of the world's left-wing literature. The main initiators were Lu Xun, Shen Duan, Lu Shixian, Feng Naichao, etc., and the Chinese left-wing literature of this period closely linked itself with the fate of the oppressed people in the motherland and the oppressed people in the world. The people's nature and cosmopolitan nature are the two distinctive characteristics of China's left-wing ideology.

The Beijing School was a unique literary school in the 30s, and its main members were Ba Jin, Wai Ming, Shen Congwen, Li Jianwu, Zhu Guangqian, etc. It is called the "Beijing School" because its author carried out literary activities in Beijing and Tianjin at that time. Most of his works have been published in Beijing and Tianjin publications, and his artistic style is more consistent in nature.

The main publications are "Literary Magazine", "Literary Quarterly", "Ta Kung Pao Literature and Art", and the basic characteristics of the "Beijing School" are that they focus on life, but keep a distance from political struggles, and emphasize the unique character of art. Their thinking is to emphasize the ontological concept of literature embodied in "pure literary taste", and the aesthetic consciousness with "harmony", "moderation" and "appropriateness" as the basic principles. Shen Congwen was the first writer of the Beijing School.

Make ** poetic, scattered culture, realism and romanticism.

After the founding of the People's Republic of China, China's literature was in a transitional period of continuous exploration, but the writers still made certain achievements on the whole through unremitting efforts. However, with the proliferation of "leftist" ideology, the style and art form of literary works are restricted, and there are few creative and individual works.

1.With the founding of the People's Republic of China, society tended to be stable.

2.With the formulation of correct economic policies, the level of productive forces and the people's living standards have been gradually raised.

3.The principle of "letting a hundred flowers bloom and a hundred schools of thought contend" has enhanced the creative enthusiasm of literary and art workers and stimulated their enthusiasm for creation.