How to get started with landscape painting?

You can break down a painting and focus on a certain part, such as a tree, a rock, or a peak, and then combine it into a single piece.

Copy first, then sketch, pay attention to the use of pen and ink, pay attention to the elimination of the three pseudo-artistic components, the brushes of landscape painting are all proportional, pay attention to the momentum and changes of the comparison.

Let's start with the mustard seed garden painting

At the beginning, it is necessary to go from easy to difficult, from simple to complex, step by step, first with some simple compositions, and then with experience, then with complex.

First learn the tree method, stone method, water mouth, cloud method, through copying more practice of various methods, after proficiency can be small.

Going to nature, observing and refining life is an indispensable compulsory course for landscape painters. Because copying only solves the problem of brushwork and technique, and only sketching can learn how to refine and summarize the real landscape of nature into the image of the landscape on the picture.

Learn how to draw those famous paintings first, and then paint them yourself after learning well, which is very different from each other.

Go sketching, go to various beautiful spots to study where those classic beauty are, and grasp the key points of the attractions.

Those who study landscape painting should seriously study the landscape paintings of the famous Chinese masters of the past dynasties, study their artistic paths, study their unique contributions, and absorb all the good things that can be absorbed. Otherwise, I have no bottom in my heart and lack confidence.

Those who study painting are required to carefully study the original work, memorize its brushwork, and chapter method by heart, and then copy the original work by heart.

Honestly learn all kinds of brushwork and ink techniques to lay a solid foundation. We must not be too ambitious, and if we learn to write freehand landscapes from the beginning, and pursue the so-called taste of brush and ink, we will go astray. Second, it is necessary to "go from near to far" and first learn the works of a certain modern artist according to one's own preferences.

If you like it, you can be interested. It is easy to accept if the times are close.

Once you have mastered the basic skills of landscape painting, you should go to nature to sketch the scene, and nature is a rich textbook.

It is necessary to copy the excellent works of the ancients. What is the purpose of copying? It is undoubtedly to learn the exquisite painting skills of the ancients: such as brush and ink skills, chapter skills, and the basic techniques of dotting and dyeing. It's a lonely process, and it's a long-term one.

Mountain stone is one of the most basic scenery in landscape painting, and the painting of mountain stone starts from painting stones, and gradually transitions to painting mountains.

When painting mountain stones, first of all, we should pay attention to the strength and turning of the lines, not too round, otherwise they will become pebbles; Secondly, it is necessary to pay attention to the change of light and heavy ups and downs of the pen, and the thickness of the line.

1 Use a dry pen and ink to outline the shape of the stone and rub it.

2. Use light ochre color to dig from the bottom and start to paint the mountain stone, and you can dye it at the same time.

Step 1: Outline the line. Draw the pine leaves in the foreground, the outline book should be smooth, and the lines should be slightly delicate; When painting pine needles, the ink color should be varied, and the shape of the crown should be intact and not scattered.

When painting the limbs of the state and the mountains in the scene, it is necessary to pay attention to grasp the density of some miscellaneous trees and the change of ink color between the mountains and rocks. When drawing distant mountains, waterfalls, and houses in the vista, you should also pay attention to the playfulness of the brushwork. Hook clouds in the white space between the far and middle shots to better separate the two.

3. Dye the mountain stone with stone blue and stone green respectively, the top of the mountain stone is blue, and after drying, the moss is dotted, and then the grass between the mountains and rocks is drawn with medium ink.

1. The first stage: use a pen, dip the mountain horse pen in light ink, and outline the branches of the two trees in the foreground in the center. The outline of the foreground mountain stone is outlined with a mountain horse pen dipped in thick ink, and it is slightly darkened; And dry the pen with a broken edge, and the tip of the pen is pointed upwards with moss.

The moss dots are erect and represent the grass moss coming out of the snow. Because the snowflakes are very light and accumulate slowly, the residual grass on the ground, as long as the snow is not deep, may emerge in the spring.

2. The second stage: dyeing ink: dip the long flow brush into light ink and slightly stain the trunk of the tree in the foreground, so that there can be a light ink color scale between the original thick ink brushstrokes and the white snow and lead, so as not to cause too strong contrast.

A long-flowing pen is dipped in light ink to dye the rocks and gentle slopes in the foreground. Everything is left blank in the snow-covered areas above and more light-receiving areas, and only darker areas.

The third stage: coloring, inscription, sealing, with a long flow of pen to adjust the cyan, garcinia cambogia and stone green, for a very light bright green, dyeing the whole picture of the snow mountain in the shade, with the direction of the pen and the original pen, occasionally also in the special light to add a few strokes, so that the snow color appears more rich and varied. As mentioned in the introductory text of this image, snow has no color, but it reflects a variety of colors depending on the surrounding environment.

If you paint wind and rain, you can first use ink to dye a few wide and narrow rain lines, and then add a blurred scene where there is ink, the trees are tilting and the water waves are agitated, and the feeling of wind and rain is naturally fierce. As for painting snow scenes, it all depends on the foil of rendering. Due to the white color of the snow, the sky and water are darker in contrast.

Therefore, when painting the water and sky in the snow scene, you should dye it with ink.

1.Start by drawing a close-up with heavy ink. The close-up area should not be too large, but this is the heaviest part of the painting. Start with a horizontal front.

Rub, according to the structure of the mountain stone in the "abdominal manuscript", the pen should have heavy and light, sick and slow, lifting and pressing, wide and narrow, horizontal and vertical.

In order to express the texture of the rock, the wax belt needs to be rubbed horizontally, vertically, obliquely and so on. This is the basic skill of painting mountain stones.

After the first stroke is "rubbed", a "face" of the mountain stone can be formed, and this piece can be formed by gently sweeping it with the tip of the side pen.

The "contour line" of the stone, that is, the structural line, does not have to be deliberately outlined with a center. It would seem very real, don't do it.

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2.The middle ground is the focus of the whole painting. The ink is slightly lighter than in the close-up. The picture below is that after the flat "rubbing" out of a stroke, the knot line is being "swept" with the side tip of the side. Since it is not outlined with a center, the structural line formed is particularly subtle and forced.

Really, it will form an unexpected special effect, which is a wonderful hand, and it seems to be natural.

Draw the general outline of the mountain from left to right, use all your strength, brush and brush the color, be sure to make the color of the place darker, and draw the shape of the mountain up and down in the back, and then paint it with lighter strength, forming a relationship with the color just now.

After drawing, rub it with a paper towel and draw the light color in the same way. After drawing, gently rub with a paper towel. Draw a few tree trunks in and out of the mountain, and if you want the leaves to be richer, draw the changes in the size and shape of the leaves.

When you're done, paint it black, add some smaller branches to it, finish the painting in the same way, and make some messy lines in the nearby sand, and use them as other plant parts.

The basic steps of landscape painting: After a long period of summarizing, observing, generalizing, rounding and inducting, Chinese landscape painting can be roughly divided into several processes: outline, rubbing, dotting moss, and coloring.

1. Outline:

The outline of the pen can be used side, can also be used in the center, with the pen should have a virtual and real and light and heavy changes, generally first draw a near scene and then draw a long view, with a slightly dry ink, large stones and small stones to match evenly, scattered and scattered. The stone should not be too square or too round.

2. Method:

It refers to the cracks that break the skin after being frozen, and in landscape paintings, it refers to the sense of volume and texture of mountains and rocks, peaks, and various vein textures.

3. Rubbing and dyeing:

Generally, when painting landscape paintings, sometimes the brush and the rubbing are carried out at the same time, which is mainly because the author uses the pen to draw the method well, and the brush is slightly dry while the wipe step is completed.

The main purpose of rubbing is to increase the hazy feeling of the mountains and rocks, so as to achieve a more realistic representation object in the picture. Dyeing is a very important step in landscape painting, which can make the picture light and dark, the main and secondary clear, and at the same time make the texture of the mountain stone richer.

4. Point moss:

This step is the finishing touch in landscape painting, and traditional landscape painting is inseparable from this step. The function of the moss is mainly to make the front and back layers between the mountains and rocks more distinct, and it can also be used as a grove and a small tree. The whole painting can be brought to life and more vibrant immediately with a little moss.

5. Coloring:

The colors are generally based on light green landscapes, small green landscapes, green landscapes and golden landscapes.