Freehand landscape painting, freehand landscape painting master s work

The works of famous freehand landscape painters are as follows:

As a traditional Chinese painting art, the art of Chinese painting has attracted collectors at home and abroad with its unique style of ink painting. In contemporary times, with the gradual emergence of some new techniques and new ideas in the field of Chinese painting, it not only enriches Chinese painting, but also adds the charm and balance of Chinese painting art.

In today's art collection market, the popularity of Chinese painting works is much higher than that of other art works, and Chinese painting has become the most intensive field of sky-high art prices in China in recent years. Today, the author will take you into Yicong.com**, enjoy several freehand landscape works created by Lin Dekun, a famous contemporary Chinese painter, and appreciate the magnificent style of his works.

For many collectors of Chinese painting landscapes, the atmospheric freehand landscapes can not only make people have a visual impact, but also make people broad-minded and get artistic edification. Relatively speaking, although some small-scale landscape creations do not have such a strong visual effect, they give people the tranquil beauty of landscapes.

The freehand landscape paintings painted by the painter Lin Dekun are diverse in style, integrated with nature, complement each other, and are naturally and simply reflected"The benevolent person enjoys the mountain, and the musician loves water"'s Chinese plots, his works are all permeated with a strong one"Mountains are virtues, and water is oranges for sex"The spirit of Chinese humanities, as well as thick artistic precipitation. The depiction of movement and stillness makes people feel the ingenuity of nature, and it is an excellent choice for the collection of Chinese landscape paintings.

Looking at Mr. Lin Dekun's works, the verdant mountains are hearty and vigorous, and the whole picture is like a layer of light mist, full of ancient charm, and the layout is very ingenious, filled with a kind of refreshing air that moistens people's hearts. His style of painting with contemplative brushstrokes shows his heartfelt love for natural landscapes.

Looking at his paintings can not only produce a sense of reality and intimacy, but also perceive the inner spirit and temperament of brush and ink. Attentive viewers will taste Shen Zhou's old arrival, Shi Tao's boldness, Huang Binhong's thickness, and Fu Baoshi's freedom and ease.

There are many freehand characters in Chinese painting, and today I will introduce one, named Xue Jing, who graduated from Northwest University for Nationalities and studied under Li Baofeng and Chen Yuming. In 2017, he graduated from the Advanced Research Class of Chen Yuming's Freehand Figure Creation at the China National Academy of Painting, and is now a member of the Chinese Artists Association and a painter in Chen Yuming's "Ink Home" studio.

In the painting "She Huo", she uses the form of ink and the combination of figures to organically integrate the popular local stilt fire paintings with the special landform environment of the Loess Plateau and the horses and donkeys in the environment, making the work more modern, mysterious and artistically expressive.

Through freehand expression and highly contagious expression, people can truly feel that the painter's sensitivity and painting are derived from real life, and the creation is vivid and simple, which fully reflects Xue Jing's sensitivity to watching fire and her care for non-ordinary working people, and her paintings reveal the pursuit of free and open folk spirit.

Chinese Painting Freehand Figure Works:

Feng Yuan, a famous Chinese painter, is the vice chairman of the China Federation of Literary and Art Circles, the vice chairman of the Chinese Artists Association, and the honorary dean of the Academy of Fine Arts of Tsinghua University. Many of his paintings have been purchased by art museums and collectors at home and abroad, and he is a well-deserved master of Chinese painting in today's freehand figure painting world. Feng Yuan, originally from Wuxi, Jiangsu, was born in Shanghai in 1952 and loved painting since childhood.

In 1980, he graduated from the postgraduate class of Chinese painting at Zhejiang Academy of Fine Arts. Since 1987, he has served as the director of academic affairs and vice president of the China Academy of Art, and has been awarded the honorary titles of outstanding teacher and expert with outstanding contributions to the country, and enjoys the first special allowance. He then served as the Director General of the Department of Art Education, Science and Technology, the Director of the Department of Art, and the Director of the National Art Museum of China.

Feng Yuan's Chinese painting is based on realism, figurative and realistic style, and more. The figures in the works are strict and expressive, the painting style pursues simplicity and vigor, and the brushwork is astringent and vigorous. He prefers the creation of historical themes and is good at creating a huge scene of organization.

Pay attention to the ideological connotation of the work, and strive to convey the portrayal of the grand spirit, but also pay attention to the novelty and delicacy of the art form and language.

He also paints simple and abstract paintings, with the intention of being eclectic.

Li Shinan, originally from Shaoxing, Zhejiang, was born in Shanghai in 1940. He has studied under He Haixia and Shi Lu. He is a member of the Chinese Artists Association, a national first-class artist, and a representative painter of contemporary freehand figure painting.

Zhai has been used: Banbi Zhai, Yiye Lu, Bo Lu, Wu Zhu Zhai, Yangshan Hall, Luchi Mountain House, Double Persimmon Cottage. In 1962, he studied landscape painting under Mr. He Haixia, and in 1971, he studied under Shi Lu.

He is the most representative painter of contemporary freehand figure painting.

How to draw flowers: The brush tone is thick and the vermilion is dipped in the petals of the red spot, and the stamens are painted with blank space between the five petals. There are many stamens, one pistil is higher than the corolla, the stamens are hooked with thick white powder (or ink), and the stamens are dipped in yellow with thick white powder.

The white flowers are shaped with light ink and thirsty brushes, dyed with juice green at the root of the petals, and dyed with white powder.

Since ancient times, people have enjoyed painting of flowers and birds. Flower and bird painting depicts various flowers, plants, birds, animals, insects and other themes in nature, and has its unique and diverse forms of expression. Flowers are the main subjects of expression in flower and bird painting.

Flowers attract people with their beautiful shapes, bright colors and lively gestures, and the painter conveys their feelings through brushstrokes and colors.

Peony flower, perennial root herb. The stems are clustered, pinnate compound leaves, the leaflets are usually 3-lobed, oblong or lanceolate, and the veins are reddish. The flowers are solitary at the top of the stem, the peduncle is long, and the flower color is white, pink, rose and other colors.

There are two ways to draw flowers, one is the line filling method: white flowers are mostly used this method. The petals are hooked with light ink according to the flower-shaped structure, the root of the petals is dyed with light juice green (or light vermilion), the petals are dyed with white powder, and the stamens are dotted when they are not dry.

The second is the boneless method: the pen tone white powder plus eosin (dark flowers with eosin dipped in rouge), the tip of the pen dipped in rouge, according to the flower shape from the center of the flower to the abduction, while it is not dry, use the rouge color dot jacquard stamen and the dark part between the petals to increase the level.