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Farewell My Concubine, this is a very classic play, and it will have some different versions in history, maybe his TV series version of the movie version and the drama version are different, so the drama version of Farewell My Concubine has his unique and profound meaning, it is not overestimated, it is a very good drama. <>
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It is indeed overrated. First of all, this drama is not original, secondly, its authenticity also needs to be examined, and most importantly, it is not expressive enough. <>
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It's not overrated at all, it must have its reasons for being popular, and it has been living for so long because the ideas and content disseminated in this drama have rendered us and made us feel. <>
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Farewell My Concubine", I don't think it's overrated. It has a certain historical background in it. This historical context will make people have a strong emotional resonance. Let people make assumptions. And sensual. <>
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"Farewell My Concubine" is a very classic, and it is very artistic, I don't think it is overrated, but he does have a high status, because his level is very high. <>
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is not overrated, this film with the theme of Peking Opera gives me the feeling that it is lively and lonely, rich but bleak. History and the present, truth and falsehood, good and evil, love and hate, are entangled and entangled, and the world is disputed. It is a Peking Opera that leaves a deep impression on people. <>
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Very classic, no overestimation, I have to admit that I didn't understand it when I first watched Farewell My Concubine, I simply thought it was very moving, and then I cried when I understood the realistic version of "Farewell My Concubine", I always thought that there were only boys in the world, boys like girls, girls like boys, but the truth is that boys like boys, different people here have different understandings, I think, Xiaodouzi has hatred in his heart, everyone abandoned him, no one cared about him, no one loved him. He burned his jacket, which also showed his stubbornness, if his mother did not love him, then he did not want what she brought him, the love and shame that she brought him. This stubbornness is also manifested in his relationship with Xiao Lou, he can't share Xiao Lou with others, he can't be limited to the husband and wife in the play with him, he can't accept Ju Xian, this stubbornness is also the embodiment of his "from the beginning".
This film made me reacquaint myself with Chen Kaige, he is really talented. Even if it's just the opening paragraph, the use of light, the atmosphere created by the background, a few simple lines of dialogue, and a few actions, but it buries a lot of foreshadowing for the future, leaving suspense to attract the audience to continue to look down. The simpler it seems, the more effort it takes, and no one succeeds easily.
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It's not overrated at all, because I think "Farewell My Concubine" is a very classic work, and I think it can be passed on forever, because the values it spreads are very correct.
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For example, after making some decisions, even if I try harder, I will choose to compromise, because nothing will change, so it is better to accept it, and this is when I choose to compromise.
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"Farewell My Concubine".It is Mei Lanfang's masterpiece.
Mei Lanfang (October 22, 1894, August 8, 1961), known as Lan, also known as Heming.
Milk name skirt sister, the word Wanhua, alias the owner of Yuxuan, stage name Lan Fang, was born in Beijing in the twentieth year of Guangxu in the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu.
Master of Chinese Peking Opera Performing Arts.
Artistic features
Mei Lanfang's singing voice is mellow and fluent, and her feelings are rich and subtle. Because his voice is high, wide and clear, mellow and sweet and crisp, his timbre is extremely pure and full, and the singer never takes his breath, always maintains a calm and calm bearing, and never discourages his voice.
His singing voice is basically from the traditional singing method, but he does not copy the tradition, but uses his own way of moistening the cavity and the law of the cavity to turn it into a calm and subtle Mei Pai.
Charming singing, beautiful melody, smooth and fluent.
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Anita Mui
Farewell My Concubine is one of the classic operas of the Mei School performed by Peking Opera master Mei Lanfang. This play is a "Jiuli Mountain", also known as "Chu Han Zheng", "Dead Wujiang", and "Ambush on All Sides". In 1918, it was premiered by Yang Xiaolou and Shang Xiaoyun in Beijing.
On February 15, 1922, Yang Xiaolou cooperated with Mei Lanfang. Qi Rushan and Wu Zhenxiu revised "Chu Han Zheng" and renamed it "Farewell My Concubine".
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It has a good role in cultural communication, and the Peking Opera elements in it are a great feature, the plot is good, and it is attractive.
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I really don't know about this, sorry, I can't help you.
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In fact, it is the joys and sorrows of two Peking Opera people who have been in love with each other for half a century, a human tragedy. It mainly shows the perception of traditional culture, human thinking and survival methods.
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There are a thousand Hamlets in the eyes of a thousand spectators"Everyone will have a different understanding of the work, everyone has their own opinion on everything, and a thousand people may have a thousand different opinions. Maybe I think that a drama person is serious and persistent, and so is the character of the character, I remember that line is: Saying good is a lifetime, and it is not good for a year, a month, a day, or an hour.
Cheng Dieyi loves drama and her brother, but then everything changed.
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Cheng Dieyi, played by Leslie Cheung, often plays a girl in the Peking Opera "Farewell My Concubine". Over time, he developed a misplaced sense of his identity.
Duan Xiaolou (played by Zhang Fengyi), the male protagonist who played Xiang Yu in "Farewell My Concubine", did not notice the wonderful psychological changes of his senior brother. Indifferent, I ran to play on my own.
Until Duan Xiaolou got married, his wife Qiu Ju (played by Gong Li) accidentally discovered that Cheng Dieyi's hostility towards her was not as simple as imagined...
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If you don't understand it, forget it, the IQ doesn't match.
According to their age, Juxian should not be Dieyi's mother, Juxian just has maternal love for him because of sympathy for Dieyi sometimes.
At the end of the movie, Dieyi sang: I am a man, not a woman. In a trance, he was out of the play. >>>More
Farewell My Concubine] must be Chen Kaige's pinnacle work, because [Farewell My Concubine] is so successful that it has won many international awards, and Chen Kaige's other works cannot be compared with [Farewell My Concubine].
Zhang Fengyi went from an invincible little bully to a middle-aged man who was submissive, and his performance was very layered. Moreover, Zhang Fengyi has studied Peking Opera, and he has the kind of Jianghu and ruffian spirit of the red horns of Peking Opera in the past, and he is not lacking in shrewdness and sophistication. There is a period when Xiaolou is clear about Cheng Dieyi's feelings for him, but he repeatedly avoids it, and reluctantly explains it with brotherly love. >>>More
Through the description of Cheng Dieyi's persistent pursuit of national art, the film projects the evolution of history and culture in the great era, and shows a turbulent picture of life. The film contains profound cultural connotations, magnificent momentum, strong feelings, delicate plot ups and downs, and the whole story has far-reaching implications.