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No, you don't have to fix the strings with your fingers.
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...It may be that the strength of the hand is not enough, and the arm should be raised outward when shaking the fingers. Press your thumb against your index finger.
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Lean the base of your palm (that is, the part that connects to your wrist) against the board, and pay attention: if you use the force of your arm, you will get tired immediately, and you need to use the force of your wrist, you may not be able to experience it for a while, just feel it more, let the thumb nail.
If the front is in contact with the strings, you can have a clear timbre, and you can also try to see the suspension, which can make the fingers strong and weak.
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It may be that the hand shape is not right, you have to lower your wrist and practice slowly, it will be fine.
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Guzheng finger shaking is one of the most important techniques in guzheng playing, and the correct method of finger shaking can help the player perform the search and play more fluently**. Here's the right way to shake your fingers:
1.Keep your fingers relaxed and don't overexert yourself, otherwise it is easy to cause finger fatigue and hand discomfort.
2.When shaking your fingers, your wrist should be held steady and meditated, not shaking.
3.Shake your fingers with moderate force, not too light or too heavy.
4.The speed of the finger shake should match the rhythm of **, not too fast or too slow.
5.When shaking your fingers, keep your fingers in a curvature and don't overbend or over-straighten.
6.When shaking your fingers, try to avoid dust and avoid lifting your fingers, and try to keep the contact area of your fingers on the zither.
7.When practicing finger shaking, you can start at a slow speed and gradually increase the speed until you master the correct finger shaking.
In short, the correct method of shaking the fingers of the guzheng requires practice and patience, and only with continuous practice can you master the correct technique.
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Hello, I have helped you find the result; In addition to the feeling of pinching and pinching the fingertips, the guzheng finger shake also has the following points: 1Wrist movements:
Guzheng playing requires wrist movements, and through the rotation and flexible movement of the wrist, the fingernails and fingertips can be played more accurately. 2.Finger force control:
Guzheng performance requires mastering the control of finger force imitation rolling, and through practice, the finger force can be more uniform and the playing can be more accurate. 3.Variations in fingering:
Guzheng performance requires mastering different fingering techniques, such as finger slides, string strumming, overtones, etc., and through practice, you can become more proficient in fingering and play more freely. 4.Grasp the sense of rhythm:
Guzheng performance needs to master a good sense of rhythm, and through practice, the sense of rhythm can be more accurate and the performance can be more emotional. To sum up, in addition to the feeling of pinching and pinching the fingertips, it is also necessary to master the skills of wrist movement, finger force control, fingering changes and the grasp of the sense of rhythm and calm.
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In addition to the feeling of pinching and pinching the fingertips, the guzheng finger shake also needs to master the following skills: 1Sense of Rhythm:
Guzheng finger shaking not only needs to be played according to the rhythm of the music, but also has a strong sense of rhythm, which can combine fingering and beats to make the performance more smooth and natural. 2.Hand type:
While shaking your fingers, you need to keep your hands in the right shape and match the scale chords of the zither in order to produce the correct notes. 3.Coordination of movements:
Guzheng finger shaking requires the coordination of the left and right hands, the left hand holds the clap and presses the strings, and the right hand shakes the fingers, and the two need good coordination to achieve the best effect. 4.Velocity Control:
Guzheng finger shaking needs to be frank and blind to produce different timbre and volume through the strength control of the fingers, and the corresponding dynamics need to be adjusted according to the requirements of the music during the performance process to show a more delicate sense of **.
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