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Anonymous users2024-02-111. Original text. Meng Cheng Ao.
The new home Mengchengkou, the ancient trees and the willows.
Who is coming? Empty sorrow in the past.
2. Notes. New home: New arrival. The meaning of these two sentences is that the new people who moved to live in Mengchengkou are sorry to see the declining willows but not the people who planted the willows in the past.
Comer: Later people.
Fu: Again. Empty: In vain.
Former people: people of the past. The meaning of these two sentences is, who are the people who have come to live here and remember us now? So why should I bemoan in vain about the former owner of this place?
3. Appreciation. This poem is the first poem in the "Rim River Collection". Gongchuan is located in the southwest of Lantian in present-day Shaanxi, and is a place with beautiful mountains and rivers. Mengcheng Pass is Mengchengkou, which is in the Gongchuan Scenic Area.
This little poem is written concisely and subtly, and it is intriguing. Wang Weixin recently moved to Mengchengkou, but it was a pity that there were only sparse ancient trees and withered willow trees. The word "decay" here does not just say "willow", but hints at a scene of decay and withering.
There is decline and prosperity, and why is it unbearable to witness from prosperity to decline? This reveals sad feelings.
Then the poet solves himself. I have settled here temporarily, and I don't know who will live thereafter, so why should I mourn? In the past, the grand scene of ancient trees towering to the sky and willows clinging to each other was originally owned by the predecessors, so why should I be sad for the predecessors?
Isn't that sentimental?
Wang Xizhi's "Orchid Pavilion Collection Preface" talks about the "joy in what you encounter" at the party, and the feeling of "love moves with things", that is, one joy and one sadness, thinking that "the future looks at the present, and the present looks at the past, sad husband!" Wang Wei lamented the destruction of the grand scene here, which contains the meaning of looking at the past and being sad about the past; And the "comer" will naturally have a sigh of the future. This is food for thought.
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Anonymous users2024-02-10Meng Chengao is introduced as follows:
Mengcheng Pass is the work of Wang Wei, a famous poet in the Tang Dynasty, the poems are concise and subtle, and the author reveals the author's sad emotions in the past by writing scenes, which is thought-provoking.
Original text] The new home Mengchengkou, the ancient wood is still decaying willow.
Who is coming? Empty sorrow in the past.
Translation] The new residence in Mengchengkou is a sigh that I only see the declining willows but not the people who planted the willows in the past.
Who are the people who have lived here since then and remembered the present? We don't have to bemoan in vain about the former owners here.
Note] Mengcheng Pass: It is one of the scenic spots of Gongchuan, with an ancient city wall. Ao, low-lying place.
New home: New arrival.
Comer: Later people.
Fu: Again. Empty: In vain.
Former people: people of the past.
Author] Wang Wei.
Dynasty] Tang. Author's biography].
Wang Wei: (701-761), whose name is Maha, was originally from Qi County, Taiyuan (now Shanxi), and his father moved to Puzhou (now Yongji, Shanxi). Jinshi and the first, Ren Dale Cheng, because of the incident, he was demoted to Jeju Sichang to join the army.
He was sent out of the fortress and returned to the court. Anshi Rebellion, trapped in the rebels, accepted a false position. Punished by demotion.
Its name is taken from the Vimalaya layman, whose heart is towards Buddhism. Although he is an official of the imperial court, he often lives in seclusion in Lantian and Chuanchuan, and lives a life of a layman who is also an official and a recluse. Versatile, good at writing and painting, poetry achievements are good at landscape poetry, meticulous depiction, full of Zen interest.
Su Shi said that "there are paintings in his poems" and "there are poems in his paintings", pointing out the characteristics and attainments of his poems and paintings. He is a representative of the Tang Dynasty landscape idyll.
His wife and daughter are comfortable, doing little things at home every day, and their daughter's work can also support their family, and they are very happy.
The Meng character of Meng Jiangnu is:
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