What should I do if the exam asks you to fill in the neck and jaw joints?

Then you should fill in according to the requirements, and you should fill in the track and field for two days.

The exam that makes you track and field United Russian Federation is the face.

On the day of the exam, the neck joint and jaw joint were not very good, I quickly put what I thought should be a direct joke, fill in this **You are still very good.

What should you do if you are the leader of the exam that makes you associated, this 2.3 million 300,000 cold salad, oh mom, just do it well anyway.

When we take the exam, we should first be told a poem, and then we will be asked to write a Jinglian or Hanlian for this poem, so we only need to memorize the poem in advance.

The exam asks you to fill in the neck joint and the jaw couplet, in this case, the jaw joint and the neck joint are to be filled in according to the context.

Exam, what should you do with Han Jinlian in track and field, I think it's no problem, so you can even contact Han Jing in track and field this one.

I don't know what to do when I am asked to fill in this kind of correlation in the exam, I think it is just to find some of our knowledge points.

Just according to his consciousness of the first and last couplets, and then imagine what to fill in.

I think you can fill it in, and you have to read the sentences before and after it according to the question to see which one you should fill in?

What should I do if the exam asks you to fill in the neck and jaw joints? I think you can fill it out according to the requirements.

In this case, it should generally be the content of the language or literature exam.

The jaw couplet refers to the second couplet (three or four couplets) of the poem. Neck couplet refers to the third couplet of the poem.

The poem is divided into four couplets: the first couplet, the jaw couplet, the neck couplet, and the tail couplet. The first couplet is the first and second sentences, the jaw couplet is the third, the fourth sentence is the fifth and sixth sentences, and the last couplet is the seventh and eighth sentences.

Lyric poetry is one of the basic forms of proximal poetry. It sprouted in the Southern Dynasty Qi Yongming and other new style poems such as Shen Yue, which paid attention to sound rhythm and duality, was stereotyped in the early Tang Dynasty and matured in the middle and late Tang Dynasty.

The jaw couplet refers to the second couplet (three or four couplets) of the poem. Neck couplet refers to the third couplet of the poem.

Source: 1, Song Yan Yu "Canglang Poetry: Poetic Style": "There are ancient laws ......There is the law of the present, there is the jaw couplet, there is the neck couplet, there is the beginning, and there is the end of the sentence. ”

2. Song Zengyu's "Analogy, Continuation of Golden Needle Poems, Quadruple": "The second couplet is the jaw couplet, and the third couplet is the neck couplet, which must be word for word. ”

The poem is divided into four couplets: the first couplet, the jaw couplet, the neck couplet, and the tail couplet.

1. The first couplet is the first and second sentences.

2. The jaw coupling is the third and fourth sentences.

3. The neck coupling is the fifth and sixth sentences.

4. The tail couplet is the seventh and eighth sentences.

The jaw couplet refers to the second couplet (three or four couplets) of the rhythmic poem, and the neck couplet refers to the third couplet (five and six couplets) of the rhythmic poem.

Rhythmic poems usually have eight lines per poem, and if they exceed eight lines, they are called rows or long rhythms. It is customary to call the first couplet, the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the tail couplet.

The upper sentence of each couplet is called the outgoing sentence, and the next sentence is called the couplet, and the two sentences constitute the couplet relationship; The relationship between the couplet of the preceding couplet and the outgoing sentence of the posterior couplet is called the adjacent sentence relationship.

The jaw couplet refers to the second couplet (three or four couplets) of the rhythmic poem.

Source:1Song Yan Yu "Canglang Poetry: Poetic Style": "There are ancient laws ......There is the law of the present, there is the jaw couplet, there is the neck couplet, there is the beginning, and there is the end of the sentence. ”

2.Song Zengyu's "Analogous Sayings, Continuation of Golden Needle Poems, Quadruple": "The second couplet is the jaw couplet, and the third couplet is the neck couplet, and the words must be correct. ”

3.Ming Hu Zhenheng's "Tang Yin Signature" Volume 3: "The law of seven words has a beginning, a success, a turn, and a ......Undertaking as a jaw couplet, or freehand, or writing scenes, or calligraphy, or citing evidence, to break the problem, such as the pearl of the dragon, hold but not take off. ”

The poem is divided into four couplets: the first couplet, the jaw couplet, the neck couplet, and the tail couplet.

The jaw couplet is the second couplet of the poem, that is, three or four sentences, which generally requires a battle.

1.The first couplet is the first and second sentences.

2.The jaw coupling is the third and fourth sentences.

3.The neck couplet is the fifth and sixth sentences.

4.The last couplet is the seventh and eighth sentences.

Appreciation and analysis of "Zheng Peng out of Hanse, return to the wild goose into Hutian", "The desert is lonely and the smoke is straight, the sun sets on the long river", "Xiao Guan is waiting to ride, and they are all protected in Yanran".

The poem is divided into four couplets: the first couplet, the jaw couplet, the neck couplet, and the tail couplet are the first, the second jaw couplet is the third, the fourth neck couplet is the fifth, and the sixth couplet is the seventh and eighth couplet.

Jaw refers to the chin.

The neck is at the bottom of the chin, so the jaw is in front.

The lawyer's quadruple is from the first to the last, from top to bottom.

If you don't understand, please ask.

It's the second and third lines of a poem.

"As soon as the jaw joint went to the Zitai Lianshuo Desert, he left the green mound alone to dusk. ”

Neck couplet" draws a picture to recognize the spring breeze surface, and the night moon soul is returned to the sky. ”

Using contrasting techniques, "going" and "staying", leaving the hometown that should not be left, and staying in the desert that should not be left; "Life" and "death", you can "know" when you are alive but you can't "know", and you can't return to your soul when you die. Through comparison, it contrasts the tragic fate of Zhaojun out of the plug.

"Turtle Although Shou" is a four-word poem, not a legal poem, and there is no jaw and neck couplet.

Lyric poetry is a type of near-body poetry. The rhythm is strict, hence the name. It originated in the Northern and Southern Dynasties and matured in the early Tang Dynasty. Eight sentences, four or five rhymes. The middle two must be opposed. Clause.

Two, four, six, and eight sentences rhyme, and the first sentence can be rhymed or not, usually flat.

It is divided into five words and seven words, referred to as five laws and seven laws. There are also occasional six laws. If there are more than 10 sentences in each poem, it is a rhythm. In the lyric poem, when two sentences match, it is called a "couplet".

The first couplet (1 and 2 sentences) of the five and seven laws is called the "first couplet", the second couplet (3 and 4 sentences) is called the "jaw couplet", the third couplet (5 and 6 sentences) is called the "neck couplet", and the fourth couplet (7 and 8 sentences) is called the "tail couplet".

Wang Ji's "Wild Hope" ancient poems are explained in conjunction with the neck.

The second couplet of the poem is the jaw couplet, and the third couplet is the neck couplet. Specifically, the poetry originated from the new style poems of Shen Yue and other new styles that paid attention to sound rhythm and duality during the Qi Yongming period of the Southern Dynasty, and began to appear in the early Tang Dynasty in the broad sense of the five laws, and the Shen Yan period and the Song Dynasty in the Wu and Zhou dynasties and the Song Dynasty stereotyped the narrow sense of the seven laws, which matured in the middle and late Tang dynasties.

Lyric poetry requires the number of words in the poem to be uniform, and each poem is five words and seven words respectively, referred to as five rules and seven laws. The usual lyric verses stipulate 8 verses per poem. If there are more than 8 sentences, that is, more than 10 sentences, it is called a row or a long law.

It is customary to call the first couplet (the first couplet), the second couplet is the jaw couplet, the third couplet is the neck couplet, and the fourth couplet is the final sentence (tail couplet). Every song.

The upper and lower sentences of the second and third couplets (i.e., the jaw couplet and the neck couplet) are used to be battle sentences.

The landlord's question is very difficult, and it is by no means a matter of words.

Lyric poems are generally divided into five-character poems and seven-character poems. The jaw couplet and the neck couplet refer to the first sentence in the lyric poem, as well as the first sentence.

Their common requirement is that the number of words is the same, the meaning of the words is the same, and the battle is evenly matched, which is often called the battle sentence.

How can we write these four couplets?

Since it is a couplet, you can start with the couplet to learn and practice. Proficiency in the various requirements of couplets is very helpful for writing couplet sentences.

Read more, read more, memorize more, some classic famous couplets, dual sentences, and battle sentences, as reserve materials and reference guidesFor example (Bright Moon Matsuma Shine == Clear Spring Stone Upstream.) The wild sky is low and the trees == Jiang Qingyue is close. Quanqingkan washes inkstone == Shanxiu can collect books.

The door covers the pear blossom and sees the moon in depth == the temple Tibetan pine leaves are far away and hears the bell. And so on).

In the battle sentence, the extensive reserve and flexible use of words4. The jaw couplet and neck couplet in the poem are the most difficult and wonderful places in the whole poem. Even though Mr. ***, a great contemporary writer, has countless poems in his life, he has only written about a dozen poems. There are only three or so most popular songs, such as "Seven Laws: The People's Liberation Army Occupies Nanjing", "Seven Laws".

The Long March", Seven Laws. Answer Friend". Among them, it is advisable to chase the poor bravely, and not to sell the name of the overlord.

It's a very famous neck couplet battle sentence. It can be seen that it is still very difficult to write a qualified rhythmic poem. Therefore, it is recommended that poetry lovers should start with quatrains, five-character quatrains, seven-character quatrains, with a higher degree of freedom, a wider choice of words, and a relatively low level of requirements.

5. I am also a lover of poetry, and this year I am not confused, the essays are all quatrains, and there are few poems. In my opinion, lyric poetry needs a relatively long and deep reserve of poetry in order to complete it well. Lyric poetry is also one of the most difficult forms of poetry to represent today.

If you want to write good poetry, there is no shortcut, except for talent, which is diligence and accumulation.

6. After a long time, the following is a seven-character poem written by me after the Spring Festival, inspired by the infection of the "Chinese Poetry Conference", which is very immature, for reference only, and has the right to throw bricks and lead jade. Learn together, progress together.

The Seven Laws. This life is ridiculous

Cold words are mixed with wine and drink in the Chinese New Year, and the grass hut is dim and the night is broken.

The thin horse will rush to the frost and snow road, and the lone eagle wants to break the water and clouds.

Poetry and books can be used as trekking poles, and pen and ink can be used as a boat to cross the sea.

The bright moon and breeze have never changed, and the slanting sun is not idle.

Analysis from the perspective of scenery and emotion: This poem is undoubtedly a masterpiece of "scene blending". "Sad Autumn" is a major theme of Chinese literary creation, in the history of Chinese literature, from the pre-Qin to the late Qing Dynasty, poets often use it to tell their feelings, write goodbye hatred, and send sorrowful thoughts, but it is rare to express the thoughts of worrying about the country through this poem.

It depicts the distant Beeppo, the distant boats, the desert and quiet wilderness, the vast and vast sky, and other bleak and lonely scenes, which convey the poet's melancholy and lonely emotions. "Mountain birds" refer to the powerful who only seek temporary joy and peace, and indulge in a situation of partial peace. "Jing Wu" refers to people of insight who see a crisis lurking behind the temporary prosperity and care about the fate of the country.

drizzle wet sails, sails wet and heavy; Birds fly into the rain and flutter their wings quickly. Although it is a scene, the words "late" and "heavy" are profound. The "deep" and "far" below deliberately render a misty and bleak landscape.

Four lines of poetry, forming an affectionate picture. From the state of the scenery, there is movement and stillness; There is stillness in the movement, and there is movement in the stillness: the sail comes and the bird goes to move, but the sail is still heavy and cannot enter, and the bird seems to be slow and does not flutter its wings, which shows the relative quietness; Haimen and Pushu are quiet, but Haimen seems to have waves rushing, and Pushu can see the mist of water, which shows relative movement.

Judging from the picture setting, sailing on the river, birds flying in the air, showing its vastness; The sea gate is deep, and the tree is far away, showing its prowessness. The whole picture is full of three-dimensionality, and all of them are shrouded in smoke and rain and twilight, and all of them are dyed with sorrow and farewell.

First couplet: the first two sentences.

Jaw couplet: the third and fourth sentences.

Neck couplet: the fifth and sixth sentences.

Tail couplet: Seventh and eighth sentences.

The first, jaw, neck, and tail couplets usually refer to the lyric poems.

Example] Yellow Crane Tower [崔颢].

In the past, people have taken the yellow crane to go, and the yellow crane tower is vacant here. - The first yellow crane is gone, and the white clouds are empty for thousands of years. - Jaw Lianqingchuan calendar Hanyang tree, grass and parrot island. - Where is the neck joint sunset township, and the Yanbo River makes people worried. — tail coupling.

Usually there are only eight sentences of the first couplet, the frontal couplet, the neck couplet and the tail couplet, so one or two sentences are the first couplet, three or four sentences are the jaw couplet, five or six sentences are the neck couplet, and seven or eight sentences are the tail couplet.