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Anthropomorphic calligraphy is not the same as hard-pen calligraphy.
Anthropomorphic calligraphy is more named, and hard pen calligraphy is more just entered the hall.
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It's different, the hard pen calligraphy is amazing, this calligraphy is really the same as the calligraphy.
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Your calligraphy and hard pen are the same, they are both a better way to write.
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Of course, this is different, and there is a big difference between the two.
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It should be different, because if you have a hard pen, it may be that the calligraphy will look more three-dimensional, so this is a different point.
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Calligraphy and a hard pen should not be the same thing. It can only be said that hard pen calligraphy is a type of calligraphy, but calligraphy still contains brushes, and there are also according to the font.
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I think women's calligraphy and hard pen are different, because each type of calligraphy has the style and characteristics of each type of calligraphy, so women's calligraphy and hard pen calligraphy are inherently different.
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One person calligraphy and hard pen calligraphy itself, is two kinds of calligraphy general, we choose hard pen calligraphy, such calligraphy is more suitable for our aesthetics.
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It still feels different, and it feels like the latter may be a little more decent.
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I think these two statements are definitely different.
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Anthropomorphic calligraphy and hard pen calligraphy are not the same, hard pen calligraphy is beautiful.
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Anthropomorphic calligraphy and hard pen are definitely not the same, and the way of writing is different.
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Anthropomorphic calligraphy and hard-pen calligraphy are two completely different concepts.
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Anthropomorphic calligraphy is not the same as a hard pen.
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His English calligraphy is different, I hope you can further verify it.
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The charm of Chinese calligraphy comes from the diligent collection and artistic practice of generations of calligraphy masters from ancient China to the present. Because the ancient Chinese calligraphy art originated from the understanding of the image and the condensation of art, the current calligraphy works can still make people appreciate the beauty and splendor of nature.
Chinese calligraphy has been inherited for thousands of years since its birth, and for thousands of years, countless literati and artists, emperors and generals, heroic knights, and ordinary people have lingered, wandered, indulged in, and fallen for it, which is the charm of Chinese calligraphy art. Someone once made such an analogy. The art of Chinese calligraphy is like a magic pillar, as long as you have the opportunity to get close to it, you will be sucked by it tightly.
When you climb up this magic pillar, no matter how hard you use your strength and all your tricks, it will always be difficult to reach the top.
Xiang Mu of the Ming Dynasty described the art of calligraphy in his "Calligraphy Yayan" in this way, he said: "It can follow the shape and posture, judge the situation and promote its prestige, each stroke becomes its shape, and each character is different from its body." ”
This unique charm of Chinese calligraphy attracts not only Orientals, but also Westerners. Fairbank Reischauer, an American who lives across the ocean and has little knowledge of the art of Chinese calligraphy, admires Chinese calligraphy in his book China: Tradition and Change:
Calligraphy is a great art in East Asia! ”
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Chinese calligraphy.
Art has a long history and a long history. It is both a unique art and a comprehensive art. It is no exaggeration to say that it is the oldest and most expansive space in Oriental art (it is surrounded by Japan, Korea in the east, Vietnam and Singapore in the south, and as far as some parts of the West), the most abundant and far-reaching art, and it is a treasure of Oriental culture and a broad and profound knowledge.
As a result, "the Japanese often proudly say that Easterners have more 'Ichimi' than Westerners." This 'one beauty' is not satisfied with the mere symbol of words, but also the sublime art of calligraphy."
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