The achievements and shortcomings of the predecessors on the costumes of the Red Mansion. Summative

Mother Jia is "warm" and "kind", and can tolerate the juniors and the poor Grandma Liu. When Daoist Zhang proposed, Jia's mother said: "Last time, a monk said that this child should not marry early in his life, and he will decide when he is older."

Now you can inquire about it, no matter if he is rich and rich, as long as he is worthy of his appearance, come and tell me. It's that the family is poor, but they just give him a few taels of silver. It's just that it's rare to have a good personality.

Secondly, Jia's mother is so witty and likes to joke. Of course, the most commendable thing is her art of balance at home. Jia's mother does not dislike the poor and loves the rich, and takes people not based on family background, but on appearance.

This smiling Miller Buddha is the real power core and spiritual pillar of Jiafu, and he is also the most qualified person to direct this play. She needs to be responsible for the long-term peace and stability of Jiafu, the so-called family and everything. Only by doing a good job of the balance of power below can she sit firmly on the Diaoyutai and play mahjong and listen to the play.

Out of this consideration, she unusually promoted Feng Lazi, who originally belonged to the third generation, but left the second generation of the leader of course, Mrs. Wang, idle. There is no other reason, Mrs. Wang is too strong, and Mrs. Xing is too weak. Feng Lazi is both Mrs. Xing's daughter-in-law and Mrs. Wang's niece, and promoting her not only gave Mrs. Xing a way to live, but also made Mrs. Wang lose the legitimacy of arguing on the basis of reason.

And although Feng Lazi is Mrs. Wang's niece, she is also the one who robbed her of power after all, so she doesn't have to worry that the two will conspire, and at the same time, because of her third-generation junior, she doesn't worry about her power. After all, Grandma Bao'er will be the natural terminator of Feng Lazi's power.

Forcing Mrs. Wang into the meditation hall was Jia Mu's biggest victory. But as Baoyu grows up, the problem comes. As Baoyu's biological mother, Mrs. Wang has an inalienable right to Bao'er's grandmother's choice.

The problem is that that seat has the energy to turn things around, and if it is allowed to be controlled by Madame Wang, it will undoubtedly upset the current balance of power in Jiafu. Jia's mother always "detained" Baoyu by her side, in addition to warning Mrs. Wang not to act rashly, but also to cultivate Baoyu's relationship with herself, so as to strive to give Baoyu a subtle influence in Bao'er's grandmother's choice. That's not all, Mother Jia arranged a number of personal maids such as Raider, Qingwen and Musk Yue by Baoyu's side in one go, there is no doubt that according to the rules of the time, there will be several aunts and grandmothers among these maids.

And these future aunts and grandmothers, who are by Baoyu's side day and night, how can they ignore the dispute between Bao'er and Grandma, which is related to their future net worth? It should be said that Jia Mu has built a luxurious team and made all preparations.

The costumes in Dream of Red Mansions are described in great detail, full of details and metaphors. The depiction of his costumes reflects the hierarchical system and etiquette norms of the feudal society of the Qing Dynasty, as well as the author's concern and criticism of social reality. In "Dream of Red Mansions", there are strict rules and standards for the dress of male and female characters.

Men wear white robes, black trousers, black boots, ties, hats, gloves and other details must conform to the etiquette norms to show their status. For women, there are three types of dress, daily dress, and formal ceremonial dress.

The dowry is usually a fine satin garment, jewelry, rich in color and pattern; The daily clothing is mainly plain and elegant, mostly satin and silk; Formal ceremonial garments were more elaborate, decorated with gold and silver embroidery and precious stones, indicating the wealth and status of the owner. In terms of depiction details, there are many hints and metaphors, such as Daiyu and Baochai's pearl and emerald ornaments reflecting their identity and status, and the "one twine" in Jia's mother's description, which was lost due to illness, also reflects the injustice and cruelty of feudal society.

Through the study of the depiction of costumes in Dream of Red Mansions, we can understand the etiquette norms and hierarchical system of feudal society in the Qing Dynasty, which reflects the serious class differentiation and unfairness of society, and also provides reference and inspiration for our social development today.

The language and art achievements of "Dream of Red Mansions" represent the highest peak of China's classical language arts. Its basic features are:

1) Rustic and natural. This is the basic style of language art in Dream of the Red Chamber. For example, Liu Xianglian said to Jia Baoyu: "In your Qidong Mansion, except for the two stone lions, I am afraid that even the cats and dogs are not clean (Chapter 66). ”

2) Philosophical. The language of philosophy, with its image, timelessness, metaphor, simile and other physical points, is extracted from life experience. This kind of language often explains abstract truths in the form of a simple idiom, so it has universal meaning and lasting vitality.

For example, "Although the outer shelf has not fallen, the inner sac has also come up" (Chapter 2), "Either the east wind overpowers the west wind, or the west wind overpowers the east wind" (Chapter 82), and so on. These philosophical sayings give people wisdom and enlightenment from life experience and struggle experience.

3) The use of the adaptation of proverbs. The use of proverbs is a linguistic tradition since the script, and the use of proverbs in "Water Margin" and "Golden Vase Plum" is relatively good. "Dream of Red Mansions" takes it to the next level, and the transformation it creates is more appropriate, more in line with the identity of the characters and the essence of things.

For example, "plucking a cold hair is thicker than our waist" (the sixth chapter, Grandma Liu's words), "Since there is today, why bother at the beginning" (the twenty-eighth Baoyu language) and so on.

4) Fun. **, the most interesting text, with Sister Feng the most, followed by the text of the love entanglement between Baoyu and Daiyu Baochai.

For example, the thirtieth episode of "Baochai borrowed a fan machine to double knock" is a typical text of this kind of interesting taste.

1) "Dream of Red Mansions" makes extensive use of poetry and music, and Yuan Xiaoqi adds elegant and gorgeous colors to the language of the work. In the first 80 episodes of "Dream of Red Mansions" alone, there are more than 100 poems, lyrics, songs, and fu. If you add the joint amount, wine order, lantern riddles, book enlightenment, famous post, verses, gifts, praises, etc., there are more than 160 places in total.

Of course, there are also vulgar ones, such as Xue Pan's wine that makes "daughter sad" and "daughter happy", but on the whole, Shen Huai, calling it "elegant" is not an exaggeration. "Dream of Red Mansions" uses poems and lyrics that are different from its previous classics, and also different from its later customs. Its features are:

It is not separated from the characters and stories. The poems and lyrics in Dream of Red Mansions are an integral part of character building and storyline development.

2) The skillful use of allusions in "Dream of Red Mansions" also adds great elegance to the language. For example, in the 37th "Occasional Begonia Society", Daiyu advocated: If you are a poet, you must "change the words of these 'sisters, uncles and sisters-in-law' first, so as to be good."

When Tanchun wanted to call himself by the alias of "Banana Guest", he only heard Daiyu shouting: "You guys brought him to stew dried meat to eat wine!" Everyone was puzzled, and Daiyu smiled:

Zhuangzi said 'banana leaves cover the deer', he calls himself 'banana guest', isn't it a deer? "Yaji! Fun!

There is also Baochai who uses the allusion of "bearing the guilt of Jing to satirize Baoyu and admit his mistake to Daiyu"; Daiyu used the words of "silver-like wax gun head" in "The Legend of the West Chamber" to ridicule Baoyu's "useless"; and so on, all elegant, expressive, and unforgettable.

3) The descriptive language of "Dream of Red Mansions" is also very elegant and gorgeous.

When Daiyu entered Jiafu, Sister Feng's self-respecting arrogance showed her high status in Jiafu, and it also showed from her dress that she was a more vain and vulgar person. Her attitude towards Baoyu shows that she can grasp the preferences of those in power (here Jia Mu) and can do what he likes. Her attitude towards Aunt Zhou shows that she is a little bullying and afraid of the hard.

She used the girls' wages to lend usury, which shows that she is a mercenary person. She also has a sincere friendship with You Shi and Qin Keqing, and she can better reflect the sincere side of her character to Ping'er. Her love for Jia Lian is sincere, although she is very jealous.

The disposition of Second Sister You illustrates her viciousness. The appointment of Jia Yun and Xiaohong and others reflects her discernment. At the funeral of Associate Keqing, it reflected her extraordinary ability to do things and her competitiveness.

Cao Xueqin embodies the multifaceted character of the character very vividly when creating the characters, there are good and bad, there are some advantages and disadvantages, you can look at the specifics, first watch it roughly three times, get the general story process thoroughly, and then carefully study the wonderful fragments. Dream of Red Mansions is very good.