The evaluation of Zuo Si s life by the predecessors is, and the evaluation of Zuo Si s life by the p

Option D: Zuo Si (c. 250 305) was a native of Linzi (now Zibo, Shandong) in Qi State. A famous writer in the Western Jin Dynasty, his "Sandu Fu" was praised at the time, resulting in "Luoyang paper is expensive". Zuo Si has not been good-looking since he was a child, but he is talented. Emperor Wu of Jin.

At that time, because his sister Zuo Di was elected to the palace, the family moved to Luoyang and served as the secretary. During the reign of Emperor Hui of the Jin Dynasty, he was attached to the powerful Jia Mi and was an important member of the "Twenty-four Friends" of the literati group. In the first year of Yongkang (300 years), because Jia Mi was executed, he retired to Yichun and concentrated on writing.

Later, Sima Jian, the king of Qi, was summoned as the governor of the chamber, but he didn't stop. In the second year of Tai'an (303), he moved to Jizhou due to Zhang Fang's attack on Luoyang, and died of illness soon after.

Zuo Si's representative work of poetry is "Yongshi".

8 poems, found in "Anthology". "Yongshi" has been a poem since Bangu, and the author's intention can be seen in the retelling of objective facts, while Zuo Si's "Yongshi" is intricate with historical facts, integrating ancient and modern, and even similar allusions, "Yong the ancients and his own temperament" (Shen Deqian, "Ancient Poetry Sources"). In his early years, Zuo Si had a strong heart for the world, and he considered himself a talented Gao Zhixiong, "the left is Chengjiang Xiang, and the right is Qianghu" (No. 1), hoping to make a difference.

But under the suppression of the gate valve system, he never met his talents. In the second poem of the "Yongshi", he begins with "The pine at the bottom of the lush stream, and the seedlings on the mountain." With the artistic image of "the diameter of the stem and the shade of the hundred-foot strip", it profoundly exposes the unreasonable phenomenon of "the world is in a high position, and the handsome is sinking down"; In the 7th poem, he writes about the ups and downs of the ancient Magi, and points out with great sorrow:

There is no genius in the world, and it is left behind in the grass. He violently attacked the dark reality of stifling talents, and his sharp pen was rare in the two Jin and Southern and Northern Dynasties. The poem "Yongshi" also borrowed the ancient people to clarify his attitude and ambition towards life, claiming:

On the occasion of the Ming and Qing dynasties, Wang Fuzhi once said: "The Three Kingdoms descended to the Western Jin Dynasty, the style is bad, the ancient heart is ancient, and the people who come to the city are not too rushing?" (Selected Reviews of Ancient Poems) This style of Zuo Si's "Yongshi" poems is called "Zuo Si Fengli" by Zhong Rong. "Zuo Si Feng Li" once said to Tao Yuanming.

had an impact. The artistic image of "Jiandi Song" created by Zuo Si was also borrowed by Fan Yun of the Southern Dynasty and Wang Bo of the early Tang Dynasty to express the boredom of Huai Cai. Zuo Si also has two poems of "Zhaoyin", which are written fluently, among which "non-silk and bamboo, the landscape has a clear sound", which is very appreciated by later generations.

A poem of a beautiful girl, the language is simple, the feelings are sincere, and the love for the little daughter jumps on the page. Tao Yuanming's "Blame Son" and Du Fu's "Northern Expedition".

Li Shangyin's "Proud Poems".

etc., are affected by it to a certain extent. In addition, he has "Miscellaneous Poems".

One poem, two poems of "Mourning and Giving Sister". The style of the former is similar to that of "Yongshi", and the latter is a four-character poem, elegant and dignified.

Choose a and read the same question, and the standard answer is A

Zuo Si was a famous literary scholar in the Western Jin Dynasty, and his "Sandu Fu" was praised at the time, resulting in "Luoyang paper expensive". In addition, its "Song Epic" and "Lady Poem" are also very famous. The language of his poems is simple and concise.

1, Liu Xian: Zuo thinks about his talents, thinks deeply, is keen in "Sandu", and excels in "Yongshi".

2, Wang Fuzhi: The Three Kingdoms descended to the Western Jin Dynasty, the style is bad, the ancient heart is ancient, and the people who come to the country are endless.

3. Liu Dajie: In the era of the two bends and the Jin Dynasty focused on the form of envy, there was only one person, Zuo Si, who was unique and appeared in the poetry circle at that time, and he really had an outstanding spirit. Although there are not many of his extant works, most of them are full of irony and sustenance, and have the style and tradition of Jian'an and Zhengshi.

Zuo Si lived during the Western Jin Dynasty, from about 250 to about 305 AD. He was a famous literary scholar in the Western Jin Dynasty, whose name was Taichong, and was born in Linzi, Qi (now Zibo, Shandong).

Left Si (c. 3rd century AD).

He was a writer and politician in the Eastern Jin Dynasty of China, and his name occupies an important place in the history of Chinese literature. Zuo Si is famous for his masterpiece "Hongmen Banquet", which depicts the story of the heroes at the Hongmen Banquet with the theme of the three heroes fighting Lü Bu in the late Han Dynasty. This article will introduce Zuo Si and his works.

Zuo Si's background and life

Zuo Si was born into a family of scholars, so he received a good education in terms of knowledge and culture. He showed great literary talent at a young age and had a great interest in history and politics.

In his creations, we can see his concern for social issues and his perception of human nature. He had some political successes, but he was degraded because of his conflicts with the powerful, and ended up living a rather poor life.

The creation and significance of "Hongmen Banquet".

The Hongmen Banquet is Zuo Si's most famous work and is considered to be the earliest history in the history of Chinese literature. This work is based on the stories of Liu Bei, Guan Yu, Zhang Fei, three heroic heroes and Lu Bu, and depicts the turbulent times in the late Spring and Autumn period.

Through the portrayal of the characters and the plot of the story, Zuo Si shows the conflict between the hero's loyalty, rebellious conscience, and power desire and personal feelings. With its beautiful narration and profound reflections, the work has made it a classic of ancient Chinese literature.

The impact and evaluation of Zuo Si

Zuo Si's works were deeply loved and respected by later generations of literati, and were widely recited and became an important reference for literary creation. His works have had an important impact on the development of literature in later generations, especially for the development of historical Changxin** and the development of European literature during the Renaissance.

His literary talent is hailed"After Cao Cao, there is no revenge of heroes"。With his outstanding talent and deep insight into human nature and social issues, Zuo Si has become an important figure in the history of Chinese literature that cannot be ignored.

Zuo Si (c. 250 305) was a native of Linzi (now Zibo, Shandong) in Qi and a poet of the Western Jin Dynasty. Zuo Si was born in Confucianism, and was born in a humble manner. His father, Zuo Xi, the word Yanyong, started from a small official, and served as Emperor Wu's first sedan chair in the palace of several courts, Taiyuan Xiang, Yiyang Taishou, etc.

When he was young, he learned calligraphy and drumming, but he couldn't do it, but later because of his father's encouragement, he was angry and diligent. Zuo Sixiang is ugly and ugly, not easy to travel, but the rhetoric is magnificent, and it took a year to write "Qi Du Fu" (the full text has been lost, and some of the texts are scattered in the "Water Jing Note" and "Taiping Yulan"). Around the eighth year of Taishi (272), because his sister Zuo Di was elected to the palace, the family moved to Luoyang, and served as a secretary.

During the Yuankang period, Zuo Si participated in the tour of the literati group at that time, and lectured on the Book of Han for Jia Mi. In the last years of Yuankang, Jia Mi was executed, and Zuo Si retreated to Yichunli, focusing on classics. Later, the king of Qi was summoned as the governor of the secretary's office, and he could not resign.

In the second year of Tai'an (303), Zhang Fang, the general of Sima Hao, the king of Hejian, attacked Luoyang, and Zuo Si moved to Jizhou, where he died of illness a few years later. There is "Zuo Taichong Collection".