Tang Xianzu s Peony Pavilion Garden fused what Tang poems and Song lyrics

Introduction to the Peony Pavilion

The Peony Pavilion is the representative work of the Ming Dynasty playwright Tang Xianzu, and is known as the "Four Dreams of Linchuan" together with "The Story of the Purple Hairpin", "The Story of Nanke" and "The Story of Handan". "The Peony Pavilion" is the most accomplished work in Tang Xianzu's plays, he once said: "There are four dreams in a life, and the only place to be proud is "Peony". ”

It can be seen in "The Peony Pavilion. This work is the author's painstaking work, and it contains the author's full expectations. "The Peony Pavilion" has a total of fifty-five plays, [Swimming Around the Pond] to [Tail] is called "Garden", "Garden" is between "School" and "Dream", which is not only the need to run through the plot, but also to pave the way for the later plot.

"Peony Pavilion Garden" composition

"Visiting the Garden" is composed of six songs, focusing on depicting Du Liniang's psychological activities, accurately grasping the psychological pulse of the characters, and is a key turning point in Du Liniang's character development. <>

In this play, many Tang and Song poems are cast, which makes the lyrics intoxicating and vividly portrays the inner world of the characters.

Forge poetry

Du Liniang has such a section in [Swimming Around the Pond]: Dreaming back to the warbler, the chaotic years are all over, and people stand in a small pavilion and a deep courtyard. This is another expression of "falling flowers are independent, and micro swifts are flying".

Again: Xiaolai looks at the plum pass, and the makeup is still corresponding (Taoyuan is looking for nowhere to be found.) Post plum blossoms, fish pass on ruler element); Cut constantly, the reason is still messy, boring for no reason (cut constantly, the reason is still messy, it is sorrowful, don't be the general taste in the heart) and so on.

Another example is from the mouth of Chunxiang: Miss, you are on the side of the Yichun bun just by the column (alone not by the railing); Burning all the smoke, throwing away the residual embroidery thread, this spring is like last year. Miss (Red Lotus Root Cannibalism Jade Autumn).

In addition, the famous sentence in the Peony Pavilion: "The beautiful scenery of the good day is the day, and the courtyard is happy." It is from the paragraph of "Visiting the Garden" [Soap Luo Robe].

Flying in the morning and twilight, clouds and clouds, rain and wind, smoke and waves painting boats. It is fused with the Tang Dynasty Wang Bo's "Preface to the Pavilion of King Teng" in the "Painting Dong Dynasty Flying South Puyun, Zhu Curtain Rolling West Mountain Rain" at dusk". In addition to this, there are many sentences that have a source.

The author's choice of words and sentences is really fascinating.

First, the falling flowers are independent, and the micro swifts are flying. Second, the red lotus root cannibalizes each other. Third, there is nowhere to be found.

Post plum blossoms, fish pass on ruler element); Fourth, the painting building flies to the south of Puyun, and the red curtain rolls up in the west mountain rain at dusk.

Du Liniang: Xiaolai looks at the broken plum pass, and the makeup is broken.

There is nowhere to be found. Post plum blossoms, fish pass on ruler element); ）

Miss Chunxiang: You're leaning on the railing of Yichun's bun. Du Liniang: Cut constantly, the reason is messy, and it is boring for no reason. (Li Qingzhao, don't say more.) ）

Tang: "Jinling Evening Look", "Two Southern Song Songs", "Preface to King Teng's Pavilion", "Kezhi", "Crying in the Dark Night".

Song: "Linjiang Immortal, Dream Queen's Tower, High Lock", "A Cut of Plum, Red Lotus Fragrance and Residual Jade in Autumn", "Preface to the Poems of Prince Ye of the Proposed Wei Dynasty", "Tasha Xing, Chenzhou Hotel".

Tang XianzuMasterpieces"The Peony Pavilion".The content is as follows:

Du Liniang, the daughter of Du Bao, who is too shou in Nanyang, is twenty-eight years old, wise and beautiful, but she is trapped at home all day long, and she recited "Mao's Poems" from Chen Ziliang, a teacher of Confucianism.

One day, I went to the back garden with the maid Chunxiang to enjoy it, and I was grateful that "it turned out that the purple and red flowers were all over the place, and they all paid with the broken wells and fallen walls", and after returning, I fell into a dream and met the scholar Liu Mengmei.

Liu marveled at Liniang's "beautiful flowers, like water flowing years, is to answer a few idle searches, in the boudoir self-pity", the two fell in love at first sight, and then achieved a hundred years of good cooperation by the peony pavilion. Liniang dreamed after the soft intestines lingered, the dream was not seen, with "like this flowers and plants by people love, life and death according to people's wishes, then sour and sour and no one complained" sad helpless a sick to play Qin Pengtian, before dying to paint his true face, asked Chunxiang to hide the painting scroll in the garden Taihu Lake stone bottom, buried himself under the garden plum tree.

Three years later, scholar Liu Mengmei occasionally entered this decadent garden, picked up a small self-painted portrait of Liniang, recognized that she had also met in a dream, admired deeply, and did not hesitate to send a grave to seek the person in her dream, Liniang borrowed the corpse to return to the soul, and Liu Sheng became a human husband and wife. The whole play ended with Liu Mengmei being the new champion of high school, and the emperor "gave a reunion".

Peony Pavilion" appreciation.

The Peony Pavilion is originally from the Ming people** "Du Liniang Mu Se Returns the Soul".

become, but in the story of the talented and beautiful woman, the immortal truth is pinned, which makes the script unique and dazzling.

As Tang Xianzu said in the play "Inscription": "If you are like a beautiful girl, you can be said to have a lover's hall and ears." I don't know what to do, and I go deep.

The living can die, and the dead can be the first to live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely. This kind of love for life and death makes Du Liniang's spiritually beautiful image stand out from the vast sea of legendary creations and live on the Kunqu Opera stage for more than 300 years.

Ming Lu Tiancheng "Qupin".

Call it "thrilling, and ingenious, no realm is new, it is really eternal!" "In terms of artistic technique, "The Peony Pavilion" indulges in ups and downs, and is meticulous and meticulous in the portrayal of the inner consciousness of the characters. The lyrics are graceful and not engraving, as Ming Wang Jide said:

His talent is between shallow and deep, dark and dark, elegant and vulgar, and it is unique to Samadhi.

The original text and translation of the Peony Pavilion are as follows:

1. The original text of "The Peony Pavilion":

Women in the world are affectionate, and they would rather be like Du Liniang! Dreaming of his person is illness, illness is healing, to the hand-painted description of the world and then death. After three years of death, he was able to recover and live in the middle of his dreams. If you are a beautiful girl, you can say that you have a lover's ear.

I don't know what to do, go deep, the living can die, and the dead can live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely. The love in the dream, why not be true, how can there be few people in the dream in the world?

It will be because of defeat or recommendation to become a parent, and those who are to be crowned and become secrets are all corpses. ”

2. Translation: Is there still a woman's feelings in the world like Du Liniang? When I dreamed that my lover was sick, he fell ill and quickly became ill, so that he died after the portrait of himself was handed down to the world.

After three years of death, he was able to find the scum of his dreams in the dark and come back to life. Like Du Liniang, she can be called a sentient person.

Her love is unconsciously aroused, and it is getting deeper and deeper, she can die because of love when she is alive, and she can live because of love when she is dead. People who are alive and don't want to die for love, and who die and can't be resurrected because of love, can't be regarded as the pole of feelings.

Why is the love generated in dreams not real, is there still a lack of such dream people in the world? Those who must become relatives because of the pillow mat, and only become close people after resigning from the official position are all based on the superficial statement of the matter.

3. Appreciation: The Peony Pavilion is a legend (script) created by the Ming Dynasty playwright Tang Xianzu, published in the 45th year of Wanli in the Ming Dynasty (1617).

The play depicts the love of Du Liniang, the daughter of the official family, who fell in love with the scholar Liu Mengmei in her dreams, and died of grief, turned into a soul to find her lover in reality, fell in love with people and ghosts, and finally came back to life, and finally married Liu Mengmei forever.

The play is one of the outstanding works in the history of Chinese opera, and together with "The Story of Cui Yingying Waiting for the Moon in the West Chamber", "Touching the Heaven and the Earth Dou E's Injustice" and "The Palace of Eternal Life", it is known as one of the four major classical dramas in China.

Tang Xianzu"The Peony Pavilion".The famous sentence is as follows:

1. The things of the world are not the things that can be done by the world.

World. Things that people in the world can say and experience can end, expressing a kind of insignificance and helplessness as a human being, the world is big, and people are just a drop in the ocean.

2. I was shocked that the lovesickness was not revealed, and it turned out that it was only because it had entered the bones.

I don't know where my feelings started, but when I found out, they were already deep in the bone marrow.

3. The beautiful scenery of the good day is a day, and the courtyard is happy.

Nai He Tian: A time when the number of sources is helpless. It means a boring thought. How do I face this beautiful scenery and beautiful time, and whose yard is that happy thing is happening?

4. The warbler sings smoothly on the sun, and people smile when they encounter the customs.

Yellow warbler. When the wind and the sun are warm, the singing becomes tactful and cheerful; When men and women have brothers, they can't help but smile.

5. I don't know what to do, go deep, the living can die, and the dead can live.

Her love is unconsciously aroused, and it is getting deeper and deeper, she can die because of love when she is alive, and she can be born because of love when she is dead.

Famous sentences:

1. I don't know what to do, go deep, the living can die, and the dead can live. Those who are born and cannot be resurrected, and those who die and cannot be resurrected are not lovely.

2, is that place where we have met, and we look at each other as if we have seen each other, is it long ago that there is no word about this benefit?

3, it turns out that the purple and red are all over the place, and they are all paid with the broken wells and decayed walls like this, 4, the morning and twilight rolls, the clouds and clouds, the rain and the wind, the smoke and waves paint the boat, and the Jinping people look at this Shaoguang cheap!

Afterlife influences

The play marks the highest peak of the legendary development of the Ming Dynasty. "The Peony Pavilion Returns to the Soul".

The high degree of ideology and artistry has made it an important milestone in the history of the development of Chinese drama literature.

The Peony Pavilion Returns to the Soul of the Soul of the Peony Pavilion is extremely romantic.

The impact of the expression on later generations is also profound. The author uses bold imagination, artistic exaggeration and twists and turns of the dramatic plot to unify the real society with the underworld and the underworld, and unify people and ghosts. The high degree of unity between the romanticism of "The Peony Pavilion and the Rejuvenation of the Soul" and the realism of the state makes "The Peony Pavilion".

It became a model for later literati to learn from and learn from.