What are the characteristics of Ai Qingwei s colorful poems in imagery?

Ai Qing's poems have a vivid and deeply engraved image, and as the poem ends, the image is also completed. Image, DAO not only refers to people, but also includes the visualization of things and thoughts.

Ai Qing's poems inherited the fine tradition of the "May Fourth" new literature with its characteristics of closely integrating reality and full of fighting spirit, and became an important harvest in the development of new poetry with its exquisite and innovative artistic style.

It reflects both the artist's artistic talent and his serious and painstaking artistic practice. In his poems, the full enterprising spirit and rich life experience bring distinctiveness.

Extended Materials. Life Story:

After graduating from high school in 1928, he was admitted to the National Hangzhou West Lake Art Institute. In 1929, under the encouragement of President Lin Fengmian, he went to Paris to work and study, and while studying painting, he came into contact with European modernist poetry. The Belgian poet Verhalen had the greatest influence on him.

In 1932, he wrote his first poem "Rendezvous", which was published under the pen name "Zhu Jia" in the joint issue of the second volume of Beidou published in July of the same year.

In May 1932, he returned to Shanghai, joined the Chinese Left-wing Artists Union, and organized the Chundi Painting Society. In July, ** was imprisoned, where he translated Verhalen's poems and wrote the famous poem "The Great Weir River - Mine.

May 5) is a great modern Chinese poet. His original name was Jiang Haicheng, and his pen names were Zhu Jia, Kea, etc. Zhejiang Jinhua people. In 1932, he joined the Chinese Left-wing Artists Union in Shanghai.

In 1933, he published the long poem "Dayan River - My Nanny" for the first time under the pen name of Ai Qing, which was sincere in feelings, fresh in style, and caused a sensation in the poetry world. Later, he published poetry collections such as "Dayan River" (1939), "Torch" (1941), and "To the Sun" (1947), which were written with strong strokes and strong feelings, and poured out his feelings for the motherland and the people. After the liberation, the poetry collections include "Cheer Collection", "Spring" and so on.

After 1948, he published poems such as "On the Crest of the Waves" and "Hymn to Light". He has published "Ai Qing's Anthology" and so on. There are also ** collections of "Poetry Theory", "On Poetry", "New Poetry Theory" and other works.

In 1985, he was awarded the highest medal of the French Order of Art. His poems "I Love This Land" and "Dayan River - My Protection".

The imagery selected by Ai Qing's poems is the land and the sun.

The image of "land" embodies the poet's deep love for the motherland and Mother Earth, and his deep sense of distress for the fate of the motherland. Patriotism is the theme that can never be sung in Ai Qing's works, and the most incisive expression of this feeling is his "I Love This Land".

The image of "the sun" expresses the other side of the poet's soul: the unremitting pursuit of light, ideals, and a better life. In the eyes of the poet, the eternal theme of "sun" is a symbol of China's bright future and China's belief in victory, and contains the poet's yearning and pursuit of light, ideals and a better life.

Poetic style. In terms of poetry style: before liberation, Ai Qing cursed the darkness with deep, agitated, and unrestrained brushstrokes, and eulogized the light; After the founding of the People's Republic of China, he continued to praise the people, praise the light, and think about life. His "return" songs are more extensive, more thoughtful, deeper in emotion, more diverse in technique, and more mature in art.

After the founding of the People's Republic of China, he published poetry collections such as "Cheer Collection", "Jewel Red Star", "On the Cape", "Colorful Poems", "Extraterritorial Collection", "Snow Lotus", "Selected Poems of Ai Qing" and so on. Ai Qing became a family with his singing full of artistic personality, and practiced his poetic aesthetic proposition of "simplicity, simplicity, concentration, and brightness".