Flute regular mouth shape, correct mouth shape training for playing the flute

The flute's mouth shape resembles a "smile".

The mouth shape of the flute is indeed similar to "smile", but it is not possible to use "smile" as a fixed posture for the lips. The corners of the mouth should be upturned to where it is appropriate. Because everyone's physical condition and conditions are different, some people's lips are thicker, some are thinner, some people's teeth are more protruding, and some are concave inward, these various differences require us to carefully understand the impact of subtle changes in mouth shape on the sound when trying to blow and practice.

There is no fixed lip pattern. The only essential, as mentioned earlier, is that beginners must practice in front of the mirror, feel more, and remember the mouth shape used for good voices. I'll usually only talk about getting started with lip shapes:

1. Cover one-third of the mouthpiece. 2. Exhale towards the front wall inside the mouthpiece. But don't lower your head and look straight ahead.

3. Exhale and pronounce "ü (huh)" - this sound, the speed of breath should not be too fast, but the breath should have a certain strength. (Actually, when I pronounce this sound, it's already close to a "smiling" expression.)

Long tone exercises are the simplest and most effective basic exercises. Wind music is pronounced by the breath, so the importance of the breath should precede other technical exercises. For example, finger training can be accumulated over time even if it is not completely correct, but breath training can become a huge stumbling block in the future if you do not strictly demand it from the beginning and practice it in the right way.

This is why many students, although their fingers can run very fast, they are out of breath, their necks and shoulders are very stiff, and their backs are sore, which is because they have not mastered the method of breathing well, and their bodies are not playing in a relaxed state.

Practice the flute to pay attention to the mouth shape, usually practice your mouth shape in front of the mirror, the bass mouth style should be slightly larger, the mouth shape should be round, the alto mouth shape should be smaller, and the treble mouth style should be urgent The mouth shape circle will blow out a good timbre.

I just started to learn to find a bottle and practice against the mouth of the bottle.

See what works best for you. Just try it slowly.

Summary. Hello, for you to expand the following content: the mouth flute is mostly made of yellow withered bamboo or small water bamboo, and can also be made of long-stemmed bamboo, phoenix eye bamboo, purple bamboo or other materials, with a straight shaft and a hard bamboo.

Take a short and thin bamboo pipe, the body is empty, the right end is the first hole, the left end is the second hole, the inner diameter of the left and right ends is and 11 mm respectively, and a blow hole is opened at 23 and 25 mm from the left and right ends respectively, that is, two holes are made of a mouth flute. The five-hole mouth flute is close to the two-hole mouth flute blowing hole on the pipe wall to open 3 more sound holes, the five-hole mouth flute, the pipe length is 7 4 mm, the left and right end of the inner diameter are respectively and 10 mm, the blowing hole distance from the left and right ends are respectively and mm, the first.

Three, four, five holes, open in a straight line 14 mm from the outer edge of the blown hole. The blow hole is oval, 8 mm in length and diameter.

The three, four, and five sound holes are round, all 5 mm in diameter. The above information is available for your reference.

What does a mouth flute look like.

Hello, for you to expand the following content: the mouth flute is mostly made of yellow withered bamboo or small water bamboo, and can also be made of long-stemmed bamboo, Wang Min phoenix eye bamboo, purple bamboo or other materials, with a straight shaft and hard bamboo. Take a short and thin bamboo pipe, the body is empty, the right end is the first hole, the left end is the second hole, the inner diameter of the left and right ends is and 11 mm respectively, and a blow hole is opened at 23 and 25 mm from the left and right ends respectively, that is, two holes are made of a mouth flute.

The five-hole mouth flute is close to the two-hole mouth flute blowing hole on the pipe wall to open 3 more sound holes, the five-hole mouth flute, the pipe length is 7 4 mm, the left and right end of the inner diameter are respectively and 10 mm, the blowing hole distance from the left and right ends are respectively and mm, the first.

The three and four sleepy laughing branches and the five holes are opened in a straight line 14 mm from the outer edge of the blowing hole. The blow hole is oval, 8 mm in length and diameter.

The three, four, and five sound holes are round, all 5 mm in diameter. The above information is available for your reference.

Check the sensitivity of the flute. Generally speaking, it is better to breathe to the sound and not to be dull in pronunciation, and the faster the response, the better.

In addition, the mouth flute is also a plant, and the Zhenshen mouth flute is a subspecies of the genus Major General of the Apricot family, which is native to the Lesser Namaquaran district of the Cape Province of South Africa. The plant is easy to grow in groups, with fleshy leaves ingot-like first yards, dormant in summer, and yellow flowers in autumn.

This is**. It looks like a dandelion flower.

I really haven't seen it.

Pretty fresh<>

Summary. The mouth flute, a bamboo musical instrument, originated in the period of the Yellow Emperor and was invented by Mr. Yu Xunfa, a bamboo flute player, in early 1971.

The mouth flute, a bamboo musical instrument, originated in the period of the Yellow Emperor and was invented by Mr. Yu Xunfa, a bamboo flute player, in early 1971.

The mouth is made of a bamboo pipe, and the inside is knotted, and there is a blowing hole, a membrane hole, and six sound holes in the pipe body. The blowing hole is the first hole of the flute, and the air flow is blown in by the state, causing the air in the pipe to vibrate and pronounce. The membrane hole is the second hole of the fan potato flute, which is specially used to paste the flute film, which is mostly made of reed film or bamboo film, and the flute film vibrates by the air flow, and it emits a crisp and mellow music bridge socks.

The length of the tube is 7 4 mm, the inner diameter of the left and right ends is 10 mm and 10 mm respectively, and the blowing hole is separated from the left and right ends and the grinding is and mm.

Three, four, five holes, open in a straight line 14 mm from the outer edge of the blown hole. The blow hole is oval, 8 mm in length and diameter.

The three, four, and five sound holes are round, and the diameter of the straight balance bucket is 5 mm.

The correct lip shape training method for playing the flute is as follows:

1. To form a good mouth shape, the neck, throat and oral cavity should be naturally relaxed, the lips should be naturally attached to the teeth, and the upper lip should be slightly forward. Then, the mouth is pouted and the "hū" sound (the vocal cords do not vibrate) to promote the laryngeal cavity and oral cavity to naturally relax and open (containing gas), and the cheeks, corners of the mouth, and upper and lower lip muscles of the ascending mountain jujube are naturally closed to the middle, directly prompting the formation of an oval "air gate" (feeling circular) in the middle of the upper and lower lips.

2. Then, gently lean against the blowing hole in the middle of the lower lip, cover about 1 4 places of the blowing hole, and exhale the breath through the "damper" to inject the mouth wind downward into the blowing hole, acting on the pronunciation of the flute.

3. After clarifying the basic formation of the mouth shape, we should also pay attention to the angle of the mouth shape and the blowing hole, so that the lips and the blowing hole form a 90-degree right angle, the breath is unimpeded, fill the flute, minimize the air leakage, and strive to make the flute sound pure and mellow. In mouth formation exercises, it is necessary to always pay attention to maintaining the natural relaxation of the larynx, mouth, and tongue, and use the state of pronouncing the "hū" sound to guide and maintain the mouth shape.

Due to the relationship between technique and region, the performance of the flute is noisy, and it is simply formed into two major schools, one is the southern school; One is the northern faction, in terms of skills: the southern song trembles, stacks, vibrates, and hits; Beiqu is good at spitting, slipping, chopping, and flowering. In the bamboo flute performance, the formation and use of the mouth shape is very important.

The study and training of mouth shape plays a vital role in the formation and rational use of mouth shape in the performance techniques such as bamboo flute long tone and articulation.

The mouth shape of the flute is to first relax and open the neck, larynx and mouth, as you normally do when yawning, and then align the upper and lower lips so that the space between the upper and lower lips is located on the lips**, and the cheeks and the corners of the mouth are closed in the middle of the oval shape. Slightly forward on the upper lip, gently resting on the middle of the lower lip, about a quarter of the way to the bottom lip.

Everyone should pay attention to the correct mouth shape and use the correct angle for playing the flute. Generally, the lips and the blown hole are at a ninety degree right angle. When blowing, you can adjust the pitch by adjusting the angle between the lips and the blowing hole, such as the angle is less than 90 degrees, the pitch is lower, and the pitch is slightly greater than 90 degrees.

It is also necessary to try to minimize the air leakage sound after the blowing hole is opened, so that the air entering the blowing hole is unimpeded and the flute is filled. Thus finding the best method and tone.

To make a beautiful flute sound, you need to breathe correctly and mouth shape. In order to play the high, low, strong, and weak tones of the flute, it is necessary to coordinate the breathing and the changes in the shape of the mouth.

The first thing that comes into contact with each sound hole of the flute is the coordination between the slow and rapid blowing of each sound hole of the flute, the breath and the shape of the mouth. When playing the lowest seven tones of the flute, the speed is relatively slow and steady from the full press of the cylinder tone up to the sixth hole.

When blowing an octave higher than the seven fundamental notes, the method of rapid blowing is used, and the exhaled air flow is rapid and powerful. When blowing a note more than two octaves higher than the keynote, the contraction of the respiratory muscles is strengthened on top of the rapid blowing.

1. A short mouth flute.

2. A loud mouth flute.

3. Exquisite mouth flute.

4. Beautiful mouth flute.

5. Delicate mouth flute.

<> clarinet. The mouthpiece is available in 36 different tuyere sizes, please click to enter **Description.

Tuyere: There are thousands of sizes of mouthpiece tuyeres. Most French mouthpieces have an air outlet between the nearest inch (i.e., 1 mm) of the flute face:

The combination of different lengths of flute faces and different sizes of tuyeres will have a greater impact on the tone of the clarinet, such as a small tuyere and flute.

The mouthpiece of the face tends to have a better resonance effect and a dull and fuller tone, but if the length of the flute is the same and the opening becomes larger, the clarinet will have a brighter tone and a greater volume. I think the M30 has a smaller mouthpiece and a narrower bore structure, which is more suitable for beginners or long-term orchestra performances.

Or chamber music, whispering that its sound is a little softer. It blends well with the timbre of other instruments.

B40 is divided into three models, B40, B40 13, B40 emblem. Each of these three heads has its own benefits. However, to sum up, the head tuyere of the 40 series is generally larger than that of the 30, the inner chamber is also wider, and the sound is brighter, which is more suitable for playing Qingyun solo.

The 13 of them are the highest version of the B40 series, which not only inherits the fine tradition of the 40, but also adds the advantage of 440 Hz pitch.

Then there is the B45 mouthpiece of Wandelin, but it is more outdated, and the 45 is characterized by a more classical sound.