The center of the four o clock pastoral miscellaneous 1 2 .

"Sixty Songs of Pastoral Miscellaneous at Four Seasons" is a group of large-scale pastoral poems written by the Southern Song Dynasty poet Fan Chengda after retiring to his hometown, which is divided into five parts: spring, late spring, summer, autumn and winter, with twelve poems in each part, a total of sixty poems. The poem describes the scenery of the four seasons of spring, summer, autumn and winter in the countryside and the life of the peasants, and also reflects the exploitation and hardship of the peasants.

Among them, there are 12 songs of spring pastoral miscellaneous, 12 songs of late spring pastoral miscellaneous, 12 songs of summer pastoral miscellaneous, 12 songs of autumn pastoral miscellaneous, and 12 songs of winter pastoral miscellaneous, a total of 60 songs. It depicts the different scenes in the countryside in the four seasons, and vividly draws a dynamic map of pastoral farming.

There are a total of four o'clock pastoral miscellaneousSixty songs,From one to sixty. The most famous of these is its twenty-five.

There are 60 songs, 12 spring songs, 12 late spring songs, and the rest are forgotten ( -

Translation: When they go out to hoe the grass in the fields during the day and come back at night to rub the hemp rope, the men and women of the peasant family each carry the burden of the family. Children don't know how to plow, but they also learn to grow melons like adults under the mulberry trees.

Original text: The day rises and the field is made at night, and the children of the village are in charge of their own homes.

The children and grandchildren have not solved the problem of farming and weaving, and they also learn to grow melons in Sangyin.

Source: "Four Seasons Pastoral Miscellaneous (Part 1)" is an idyllic poem written by the Southern Song Dynasty poet Fan Chengda, and it is one of the Tian family poems "Six Songs of Four Seasons Pastoral Miscellaneous" written by him.

One of the four pastoral miscellaneous is the work of the Southern Song Dynasty poet Fan Chengda.

The general meaning of the whole poem:The sound of roosters crowing at noon can be heard in the deep alleys where the catkins are scattered, and the mulberry trees in the fields have just sprouted new sprouts and have not yet grown mulberry leaves. Wake up from a nap with nothing to do (very boring), and enjoy the appearance of silkworms through the sunlight that fills the window (scene).

The whole poem is as follows: the willow flowers are deep in the alley, and the new green of the mulberry leaves is not completed. There is nothing to do when you sit and sleep, and you can watch the silkworms on a sunny day with a full window.

Calligraphy and poetry are an important part of the traditional culture of the Chinese nation, and they are also important carriers of history and traditional culture. Cultural self-confidence needs to start from bit by bit, and express ancient poems in the form of calligraphy, hoping to provide some reference for poetry and calligraphy lovers, especially young lovers, and further deepen their understanding and love for traditional culture. Calligraphy lovers and poetry lovers from all over the country are invited to jointly carry out the "Writing Classics" online exhibition activities.

Writing Classics] The 470th issue of the online exhibition, writing Fan Chengda (Southern Song Dynasty) "Four Seasons Pastoral Miscellaneous One".

Original text: The sound of afternoon chickens in the deep alleys of willow flowers, and the new green of mulberry leaves is not completed. There is nothing to do when you sit and sleep, and you can watch the silkworms on a sunny day with a full window.

About the author: Yao He, born in 777 A.D. and died in 843 A.D., was a famous poet of the Tang Dynasty. A native of Shaanzhou (now Shaanxian County, Henan), he was the great-nephew of Prime Minister Yao Chong.

Yao He is good at the five laws, is good at secluded and clear cliffs, and is good at copying natural scenery and depressed official conditions, and sometimes has good sentences. However, the style and subject matter are more monotonous, and the depiction of scenery is more trivial. His poems have a certain influence on later generations, and have been taught by the poets of the Southern Song Dynasty "Yongjia Four Spirits" and the Jianghu Poetry School.

Appreciation of works: Listening to the roosters, watching the new silkworms eat mulberries and growing, how pleasant it should be to wake up on a spring afternoon! Pastoral life is the foundation of China's farming culture and the spiritual destination of many literati and artists.

Feeling this tranquility and reading this Yaxing is a luxury, but also a pleasure!

Contributors in this issue:

Hao Yi (Shijiazhuang, Hebei, 1974), Liu Guohua (Yueyang, Hunan, 1945), Lou Jianhua (Liaocheng, Shandong, 1975), Yao Shufang (Shaoyang, Hunan, 1965), Zhang Changyi (Leshan, Sichuan, 1959),

Hao Yi (Shijiazhuang, Hebei, 1974), under the tutelage of Mr. Niu Xiao, is a member of Shijiazhuang Calligraphers Association and a member of Hebei Financial Calligraphers Association.

Liu Guohua (Yueyang, Hunan, 1945), a researcher of Yueyang Educational Science Research Institute, a member of the Yueyang Calligraphers Association, and a member of the Chinese Elderly Calligraphy and Painting Association.

Lou Jianhua (Liaocheng, Shandong, 1975) is a primary school educator who loves writing and studying calligraphy. He is a member of the Chiping District Association of Liaocheng City, Shandong Province. His works have appeared on various platforms or publications.

He won the 2021 Poet Trophy and the Li Bai Cup Poet Medal of the 3rd Yangtze River Literature Award. Committed to the life of poetry, the poetry of life.

Yao Shufang (Shaoyang, Hunan, 1965), master's degree of Huazhong University of Science and Technology, economist, calligraphy and ancient poetry lover.

Zhang Changyi (Leshan, Sichuan, 1959), the name Changyi, the owner of Yizhai, a retired military officer, and the vice president of the Tiankai Calligraphy Art Research Association of Leshan City, Sichuan.

Hao Yi. Zhang Changyi.

Yao Shufang. Liu Guohua.

Lou Jianhua. Yao Shufang. Hao Yi.

Four o'clock pastoral miscellaneous (Song) Fan Chengda The day is out of the field and the night is hemp, and the children of the village are in charge of their own homes. The children and grandchildren have not solved the problem of farming and weaving, and they also learn to grow melons in Sangyin. 【Translation】 hoeing the land during the day and rubbing hemp at night, Peasant men and women are busy with their own affairs, and each has his own special skills.

Children know how to plow and weave, and they also learn to grow melons in the shade of mulberry trees. This poem describes a scene in rural life in early summer. The first sentence "the day rises and the field is made at night" is to say:

Go to the field during the day to remove the grass, and rub the twine at night, "Ji" means to rub. "Yuntian" means weeding. In early summer, the seedlings in the rice fields need to be weeded.

It's the men's job. "Jima" refers to the fact that after the women have done other work during the day, they rub the twine at night and weave it into cloth. This sentence directly writes about the labor scene.

In the second sentence, "the children of the village are in charge of their own families", "children" are men and women, and the whole poem uses the tone of an old peasant, and "children" also refers to young people. "In charge" means that both men and women are not idle, each doing his own thing, and each is in charge of his own line. The third sentence "children and grandchildren have not been solved for farming and weaving", "children and grandchildren" refers to those children, who do not know how to plow or weave, but they are not idle.

They have been exposed to it since they were young and love to work, so they "also learn to grow melons in the mulberry shade", and they also learn to grow melons under the lush mulberry trees. This is a common phenomenon in rural areas, but it is quite distinctive. The concluding sentence shows the innocent taste of rural children, and the poet uses a fresh tone to describe the tense labor atmosphere in the early summer in the countryside, which is full of interest to read.

What does the pastoral in the pastoral miscellaneous refer to at the four o'clock - the field refers to the field and the countryside, the garden refers to the courtyard home, and the combination refers to the rural customs and people's feelings.

Four o'clock pastoral miscellaneous: four o'clock, refers to spring, summer, autumn and winter. Pastoral: This refers to the countryside in general.

The pastoral in the Four Seasons Pastoral Miscellaneous refers to the natural countryside.

"Four Seasons Pastoral Miscellaneous (its thirty-one)": Pastoral poems written by Fan Chengda.