What is the relationship between the Northern Song Dynasty poet Zhou Bangyan and Wang Guowei?

One is a poet of the Northern Song Dynasty, and the other is a scholar of famous scholars in the late Qing Dynasty, hundreds of years apart, the two have nothing to do with each other, but the latter has mentioned and evaluated the works of the lyricist Zhou Yanbang in his own works.

Zhou Bangyan, whose name is Meicheng, is a halal layman, a native of Qiantang (now Hangzhou, Zhejiang), a writer of the Northern Song Dynasty, and one of the representative lyricists of the Song Dynasty "Wanyue School".

Zhou Bangyan has an evasive personality since he was a child, but he is diligent in reading. When Song Shenzong became a student, he wrote "Biandu Fu", praising the new law, and was appreciated by Shenzong and promoted to Taixuezheng. For more than ten years after that, he drifted outside and served in Luzhou.

Professor, Lishui County Commander and other positions. Song Zhezong returned to Bianjing after the third year of Shaosheng (1096).

He served as the chief bookkeeper of the country and the school secretary. Song Huizong.

Shi Tiju Dasheng Mansion (the highest ** organ), responsible for composing lyrics and songs, and serving the imperial court. He was also transferred to Shunchang Prefecture, Chuzhou and other places.

Zhou Bangyan is proficient in music and rhythm, and has created many new tones. Most of his works write about girlfriends and detention travels, and there are also works of songs. The rhythm is strict, the language is beautiful and elegant, and the long tone is especially good at paving.

It was later taught by the lyricists of the Grammatical School. The work has long been revered as "authentic" among euphemists. In the old times, the word theory called him "the crown of lyricists"[2] or "Lao Du in words", and he was recognized as a lyricist of "negative generation of words", and had a great influence in the Song Dynasty.

There is a "Halal Lay Collection", which has been lost, and now there is a "Jade Collection".

The historical position of Zhou Bangyan's words in Song poetry: Zhou Bangyan was proficient in music and rhythm, and had created many new tones. Most of his works write about girlfriends and detention travels, and there are also works of songs.

The rhythm is strict, the language is beautiful and elegant, and the long tone is especially good at paving. It was later taught by the lyricists of the Grammatical School. The work has long been revered as "authentic" among euphemists.

In the old times, the word theory called him "the crown of the lyricist" or "the old Du in the word", and he was recognized as a lyricist of the "negative generation of words", and had a great influence in the Song Dynasty.

Among all the lyricists in the Song Dynasty, Zhou Bangyan can be called the person who is the best at learning knowledge and absorbing the strengths of others. During the years when Zhou Bangyan was studying in Bianjing, Huang Tingjian, Qin Guan and other gods were also in the capital.

In 1925, Wang Guowei was appointed as a tutor of the Tsinghua Research Institute, teaching ancient history new evidence, Shangshu, Shuowen, etc., and Liang Qichao, Chen Yinke, Zhao Yuanren, and Li Ji were known as the five major tutors of Tsinghua University, Taoli protégé.

Zhou Bangyan (1056, 1121 or 1058, 1123), the name Meicheng, the name of the halal layman, Hangzhou Qiantang (now Hangzhou, Zhejiang), the Northern Song Dynasty writer, **family, **, one of the representative lyricists of the Song Dynasty "Sou Pei Wanyue School".