Tell us about the most beautiful calligraphy you ve ever seen.

I recommend "Dunhuang Scripture", first of all, the Lingfei Sutra, wonderful flying, shocking the ancient and the present, Xiaokai first. Most people probably haven't seen it, let alone practiced it. The profundity of his skills has reached the first level. ‍‍

It's hard to say whose work you like the most, because there are so many classics in Chinese history. Wang Xizhi's "Orchid Pavilion Preface" is the best, which is recognized. In addition, if you want to talk about the works of his masters.

I like Su Shi's work the most. Especially "Huangzhou Cold Food Poems" and "Red Cliff Fu" are the best. Su Shi is a master of calligraphy, and at the same time a great poet and a great poet, one of the eight masters of the Tang and Song dynasties, so the calligraphy works created have a particularly good artistic conception.

This is something that many calligraphers do not have.

Zhao Mengfu's "Luo Shen Fu", I personally think it is Zhao Ti's best work, there is no one. Actually, "Le Yi Theory" is also good, but only rubbing, so it will not be posted. ‍‍

I love Wen Zhengming's book "Preface to King Teng's Pavilion", my favorite, there is no one. Rigidity and softness, elegance and vulgarity sharing, flowing water, fairy wind and bones, both good for viewing and good for learning.

I think the best one is "Sending Friends to the Grass", which is in the calligraphy collection of Song Huizong edited by Zhao Menglin and Wang Pingchuan. However, the book they compiled is incomplete. This handwritten book is quite damaged, and it is not easy to find. ‍‍

I think it's definitely Wen Zhengming Xiaokai, the first to recommend "Falling Flower Poems" and "Lisao Sutra", which are really super beautiful, and you will be amazed every time you look at it. ‍

I have seen too many good works, although it is difficult, but if I have to say one, it must be Lao Zhao's "Taihu Lake Stone Praise". This post is a pleasure to get together with friends and get drunk for a while. The paper is smooth and smooth, handwritten, and the pen is smooth, and it is pleasant. ‍‍

Wang Xizhi's "Peace is like three posts of oranges", I felt that this work was ugly from the beginning to the current love, and it has really undergone a change from the road to the fan. ‍‍

Throughout the ages, famous calligraphers in history have handed down many excellent works to us, but my favorite is Zhao Mengfu's "Red Cliff Fu before and after", which has super high skills. ‍‍

I saw that they all said that they liked Wen Hengshan's Xiaokai, but in fact, his books were also very good. The Shanghai Museum has a collection of so many great calligraphers, but I love this one. ‍‍

I like to read Zhao Mengfu's "Taoist Tablet". This monument has the style of Wei and Jin calligraphy, and has the dignified and elegant charm of Tang calligraphy, which is an excellent model for learning Chinese calligraphy.

True book No. 1 Yan Zhenqing Duobao Pagoda As for what's good, I don't need to say more.

There are countless works of interpretation, and there are so-called first, second and third in the world only for the masterpieces selected by history. Wait a minute. Everyone here has something to learn and love, and I love the crazy Su, and I also like the valley Fu Mountain. Just like sunlight and water, they are inseparable.

Isn't Rantei famous? How there is no like.

Kaishu Ertian and Lu Zhongnan, Lishu Wang Yaoju, Liu Bingsen and Zhao Pu, just forget it.

Yan Zhenqing, manuscript of the nephew. Majestic!

How about Sun Baxiang's Wei Monument?

Since I asked like this, I can only say that it is Lan Tingxu, everyone has no opinion!

Good calligraphy works are:

1. Representative works in regular script: Yan Zhenqing's "Duobao Pagoda Tablet", Liu Gongquan's "Shenjun Policy Tablet" and "Mysterious Tower Tablet", Ouyang Xun's "Jiucheng Palace Liquan Ming", Zhong Shaojing's "Lingfei Sutra".

2. Representative works of Xingshu: Wang Xizhi's "Orchid Pavilion Preface", Yan Zhenqing's "Sacrifice Son and Nephew Wen", Su Shi's "Huangzhou Cold Food Post".

3. Representative works of cursive script: Huaisu's "True Grass Thousand Character Text", Wang Xizhi's "Seventeen Posts", "Funeral Post" and "Far Eunuch Post", and Huangxiang's "Urgent Chapter".

4. Lishu's representative works: Xu Huan's "Songyang Guanji", Li Bai's "On the Balcony", Zheng's "Cao Quan Monument".

1, "Three Hopes":The so-called "Three Xiti" is Wang Xizhi.

The "Sunny Post when the Snow is Fast", Wang Xianzhi's "Mid-Autumn Festival", and Wang Xun's "Boyuan Post" represent the highest level of calligraphy in Chinese calligraphy art.

"Orchid Pavilion Preface"."Orchid Pavilion Collection Preface".

A total of 324 words, also known as "Orchid Pavilion Preface", is the Chinese Jin Dynasty calligrapher Wang Xizhi made, there is "the world's first line of calligraphy."

called. The paper-cutting artist carefully made a long scroll of paper-cut works according to the author's original work, so that it jumps on the paper, vivid, with both expressions and lifelike, which shows the subtlety of the luck of the paper-cutting master.

3, "Zhongni Dream Laying Post":It is a calligraphy work on paper created by the calligrapher Ouyang Xun in the Tang Dynasty, which is now collected in the Liaoning Provincial Museum.

"Manuscript of the Sacrifice of Nephews".It is the Tang Dynasty calligrapher Yan Zhenqing.

Created in the first year of the Tang Dynasty (758), the calligraphy works on paper are now in the collection of the National Palace Museum in Taipei.

"Self-Narrative Post".It is a cursive calligraphy work created by the Tang Dynasty calligrapher Huai Su in the 11th or 12th year of the Tang Dynasty (776 or 777), which is an ink scroll on paper. It is now in the collection of the National Palace Museum in Taipei.

The most beautiful calligraphy works, there is no clear definition, write everyone's demeanor, write the iron bones, write the noble spirit are the most beautiful is calligraphy.

Any calligraphy work is the accumulation of a certain culture and history, and it is the product of a specific historical and cultural background.

Therefore, understanding the creative background of the work, understanding the unique cultural atmosphere contained in the work and the author's personality cultivation, aesthetic taste, creative mood, creative purpose, etc., is of great benefit to correctly comprehend the author's creative intention and correctly grasp the mood of the work.

Calligraphy refers to the art of writing, especially the art of writing early Chinese characters with a brush. Calligraphy can be divided into five types: seal script, official script, cursive script, line script, and regular script.

There are many people who like calligraphy very much in <> and think that calligraphy is very beautiful, but do you know why calligraphy is so beautiful? Let me give you a popular science below!

1.The strength of the pen line is beautiful. This refers to the beauty of power that can be felt in the form of dot painting and writing in calligraphy works. For example, the calligrapher Zhang Xu's lingering and swaying, and Yan Zhenqing's Shen Xiong's round and turbid, all show the strength and beauty of the calligraphy line.

2.The inky beauty of the lines. For example, the simplicity and vigor of dry ink, the vigorous and dignified thick ink, the fresh and elegant light ink, etc., all highlight the beauty of the ink color of the calligraphy font lines.

3.The rhythm and rhythmic beauty of the lines. Calligraphy uses the rigidity and softness of the lines, the lightness and weight, the straightness, the frustration, the speed and slowness, etc., to show the rhythm and rhythm of the art of Chinese characters. The combination of rigidity and softness in regular script, the ups and downs of cursive script, etc., all show the rhythm and rhythmic beauty of the lines.

Orchid Pavilion Preface is known as the world's first - line of books, is Wang Xizhi's masterpiece, with the pen square and circle combined, rigid and soft, both rigorous and chic, passed on as the wheel containing Wang Xi's drunken works, wake up Wang wrote a number of pieces, all without the first - charm, it can be said that no one can compare with it so far. The style of the pen represented by the orchid pavilion is extremely popular in later generations, the so-called"Learn the book before learning the king". It was only after Yan Zhenqing created a fat face in the Tang Dynasty that this atmosphere changed.

Wang Xizhi's "Orchid Pavilion Preface".

Lanting Collection Preface, also known as "Orchid Pavilion Preface", "Yu Ti", "Linhe Preface", "Lanting Banquet Preface", is the closed balance calligrapher Wang Xizhi's work, has "the world's first line of calligraphy" said, is the representative of the achievements of Chinese Jin Dynasty calligraphy. At the beginning of March in the ninth year of Emperor Yonghe of Jin Mu (353), Wang Xizhi and his son Wang Ningzhi, Wang Huizhi, Wang Caozhi, Wang Xianzhi, Sun Tong and other "young elders and sages" a total of 41 people gathered in Huiji Shanyin, which was the Lanting assembly, and there were 26 people who got 37 poems, and the later series was "Lanting Poems". "The Preface to the Lanting Collection" is the preface written by Wang Xizhi for the "Lanting Poems".

Lanting Collection Preface" has a total of 324 words, all the repeated words are different, of which 21 "zhi" words, each with its own charm, are not the same. The language of the whole article is fluent, not reluctant to be decorated, popular and natural, combined with the sentence and the dispersion, which can be called a famous article of the past dynasties.

2, Yan Zhenqing.

When Yan Zhenqing was three years old, his father died of illness, and he was educated by his mother, Mrs. Yin. Later, Mrs. Yin took him south and lived in his grandfather's house. His grandfather was a calligrapher and painter, Yan Zhenqing was smart and clever, and he was very fond of him, so he taught him to read and write.

On the one hand, Mrs. Yin was pleased that the child studied hard, but on the other hand, she was worried about the money. It is difficult at home for Yan Zhenqing to buy paper, ink, pen and inkstone to practice calligraphy. But I don't want to delay my child's education, and my hair is gray.

Yan Zhenqing learned of his mother's suffering, and he thought of a way to tell Mrs. Yin that she didn't have to worry about buying paper and pens for him. Mrs. Yin said, does it cost money to practice calligraphy? Yan Zhenqing held a bowl and a brush and said

The bowl is an inkstone, the brush is a pen, the yellow mud in the bowl is ink, and as for the paper, this whole wall is it. ”

After that, Yan Zhenqing practiced calligraphy on the wall, and when the wall was full, he washed it off with clean water. With this persistence and diligence, Yan Zhenqing's words are getting better and better day by day.