How can you practice calligraphy from your heart without losing your law?

As for doing what you want from the heart, first of all, you must constantly familiarize yourself with the law, and secondly, practice makes perfect, just like a cow is solved. Cooked again and then raw.

Some people regard calligraphy as a visual art, and some people also think that calligraphy should be a line art, but in fact, these are not very appropriate to understand calligraphy comprehensively. Calligraphy, as a carrier or form of expression of Chinese characters for thousands of years, not only has the function of recording, but also carries more of the emotions of literati and artists for thousands of years, which is why calligraphy gives people a very mysterious and difficult to go deeper.

When I have free time, I sit at the coffee table, spread a piece of felt, and cut three four-foot rice paper. Pour a little ink. The preparations were made carefully and carefully.

After that, open the copybook, read it carefully, and study carefully. Over and over again, where is there any quick fix? I don't dare to ask for a quick success.

If you want to do whatever you want, you don't lose the law. That is, to master the brushwork, structure, and memorize when creating. Incorporate the ancient law into your own law.

Pro post is very important, calligraphy pays the most attention to the ancient rhyme, from the heart is not really out of the book, for calligraphy, there is the charm of the ancient post is the most basic, this is the law, this is very different from the word without the ancient post, otherwise how to call some words Jianghu old cadre body, so those ugly books and exaggerated deformation of the writing are rivers and lakes or old cadre body, there is no ancient rhyme and beauty at all, after all, it is into the garbage heap.

In the creation of calligraphy, you have really achieved it, do what you want, and do not lose the law. That's a great height. Throughout the ages, few calligraphers have been able to achieve it!

This is the level of a scholar like Wang Xizhi. So, it's a question of the talents of the sage! Because only they can tell you what kind of state it is!

Whether you want to do it from your heart, or if you are handy, all of this is on the basis of the pro-post, take the law from the above, read more and pro.

It's easy to do what you want, it's skillful. The penmanship is rich and changeable, free and flexible, and the knots are both chapters to be found, but also easy and free, and the chapters are novel and not weird. Read more ancient posts and accumulate more.

It's not that you say to yourself, "I've reached the state of doing what I want without losing the law." Others will admit it.

Not necessarily! Self-talk, not here. Other people's touting, to no avail!

This is history, and only qualified evaluation can be given! And with the value recognition given by the market!

Practicing calligraphy is actually a process of continuous posting. Don't worry about everyone's two kings and Zhao Ti. Words are like people. A person's learning can be expressed through calligraphy, and this is the case with the so-called extra-literal skills.

Practice makes perfect, and honesty is true. When we want to get a high score in school, we need to do questions repeatedly, and we need to practice writing repeatedly. Doing questions requires mastering skills and formulas, and writing requires penmanship and skills.

Even when walking in military training and formation, it sounds like the essentials are only a few words, so things have to be done repeatedly to do well, not to mention that calligraphy has many different calligraphy styles, but also pay attention to calligraphy, chapter and penmanship and so on.

Calligraphy is an art, so it must be from an artistic point of view. Stroke practice is the foundation. Art emphasizes the coexistence of virtual and real, and pays attention to the foil, and Chinese characters are square characters, emphasizing symmetry and staggering. Therefore, it is necessary to calm down and figure out the inner charm of Chinese characters.

Doing anything to achieve the state that the subject said can only be constant repetition, repeated practice and the correct method is the guarantee of success.

To practice Chinese calligraphy, you need to understand what Chinese calligraphy is, and then you can achieve a goal. Only by understanding what is the heart and soul of Chinese calligraphy can we write excellent calligraphy! The ugly books and pavilions that appear nowadays are the result of not understanding these two basic concepts!

It is only possible to use a pen clearly and have a foundation!

The law of calligraphy refers to the law of writing. The testimonies are the laws.

The law of calligraphy consists of the following elements:

1. Penmanship. It is necessary to hold the pen correctly and master scientific fingering, wrist method, body method, ink method, etc.

2. Gestures. Proper organization dot drawing structure, branch layout, undertaking relationships, etc.

3. Form. Calligraphy, layout, style, display method, etc.

The intuitive definition of calligraphy is: the law of writing. And the testimonies are the laws here.

The law includes the basic penmanship, the beginning of the pen, the line of the pen, and the end of the pen. It also includes the rules of knotting, such as interspersing, avoiding, horizontal equidistant, vertical equidistant, and so on. And these are things that can only be slowly experienced and mastered through continuous writing practice.

The structure of the word is rigorous, there are rules, not perfunctory, and the pen has its own specifications. That's what it means.

Rules, norms, rules of conduct mean.

I didn't see **, what form of work is it, if it is an artificial collection of eight ancient calligraphy masters of a single font, combined into a work, how to come to the law, can only be chaotic.

It can't be understood in this way, it is useless to only be similar in shape, but to understand the connotation and spirit of the ancient penmanship. Calligraphy is not a simple imitation, but to have their own things, the law is universal, internal, not written with Wang Xizhi is the same as the law, the self-contained calligraphy is definitely different from the predecessors, but the law is the same. It's like the Dharma that speaks Chinese is Mandarin, but there are countless paths to how to say it beautifully, but if you don't speak Mandarin, then you are saying that the dragon is calling, and he is not a Chinese dialect with a law.

Jin people are still rhyme, Tang people.

Bai Shangfa, Song people Shangyi du

1.Jin people are still rhyme - rhyme

demeanor, demeanor, dao taste, so the calligraphy of the Jin people is very graceful and interesting.

2.Tang Dynasty calligraphy - Tang Dynasty calligraphy is rigorous, majestic, showing the feudal heyday of the country's rich and strong style and the spirit of courage to pioneer, with strength and beauty.

3. The Song people's "Shangyi" - the so-called "Shangyi" is to pay attention to the expression of personal interests and feelings, and this aesthetic trend of emphasizing subjectivity and individuality particularly emphasizes the lyrical function of calligraphy art. In this way, the art of calligraphy has a direct relationship with people's character and temperament, and the beauty of calligraphy lies not only in its external form, but also in its inner charm, that is, the spiritual connotation it conveys, such as taste, learning, character, mind, and ambition.

"Radiance" refers to a kind of spiritual charm shown in the work, which is the creator's "heart painting", which is valuable and "natural", is the natural expression of the calligrapher's emotions, and is "both carved and crafted, and returned to Pu", which is a high aesthetic realm.

"Dharma" is the law and certain law that different art expresses in the process of creating beauty. The different styles of calligraphy have their own laws, and they are all summaries of the experience of the creation of the beauty of the calligrapher.

The life of artistic beauty lies in creation. The "brilliance" in calligraphy is expressed by means of white cloth, structure, brushwork, etc., that is to say, "brilliance" is inseparable from a certain "law", but the "law" is not fixed and unchanging, and must be flexibly used in creative practice, and constantly enriched and developed.

We can have a deeper understanding of the calligrapher's creation by appreciating the brush, structure, and white cloth of the calligraphy work, and then discover the beauty of the work from the place where it can best express the feelings and meanings.

Degree refers to the accuracy of the stroke structure. Law refers to the organization of the stroke structure, organized, "premeditated" writing, seemingly written casually, in fact, a great calligrapher, the formation of his personal style of calligraphy has been revised many times, so that the penmanship, the knot method is more and more sophisticated, mature and perfect.

The landlord has a point. Especially for hard pen calligraphy, it is not necessary to follow the posts of the ancients one by one.

But I think that brush calligraphy is different, and the aesthetic connotation is very rich. Not only should it look good at first glance (not absolutely), but it should also be durable, and the more you look at it, the better. This is the most valuable thing about brush calligraphy.

To achieve the realm of getting better and better, every stroke is required to reflect the writer's thoughts. This is not easy to do, often the pen is casual and loses its beauty, and when it is cautious, it is dull and lacks interest. Only by studying the ancient stickers can we find a solution.

In fact, some calligraphers went a little further and emphasized the works of the Linjin Dynasty. It also makes sense. After the Tang Dynasty, calligraphers often learned from many people and finally studied the two kings (Wang Xizhi and Wang Xianzhi), and this is the reason.

I agree with you. Words are tools of human creation, and it is absolutely impossible to surpass a living person, (even a fool.) Therefore, if a person has a sense of appreciation, a sense of illusion, and an attachment to something that man has created, he will distort his psychology of life, so that he will do nothing and end up regretting it.

The beauty of the words is not as good as the beauty of the text; Wenmei is not as good as Simei; Thinking about beauty is not as good as saying beauty. Say, as a crossroads; On the one hand, there is the visible effect of all civilizations: do; On the one hand, it is based on the wisdom of living people in biological ecology.

It is obvious: to let the civilization built by mankind be crushed to death under the illusion of appreciation, denying itself to be a slave-making trap for basic human beings. This is the greatest sorrow of education, speculation, speculation is for the sake of vertical reward, once people are rewarded in their psychology, and then want to stand up under the reward in society, it is impossible!

Calligraphy hype is recruiting trappers!

As the saying goes, "words are like people", although it is not absolute, but it is still very illustrative, and a person's temperament and personality can be seen from a person's words. Therefore, there is a saying that practicing calligraphy can cultivate one's self-cultivation, the better the calligraphy is practiced, then the person's character will also be improved, or the person's character is good, the cultivation is high, and the realm of the word must be very high, which is all mutual! Therefore, the process of practicing calligraphy is also the process of learning to be a person.

I started learning calligraphy when I was in the third grade of primary school, at first I learned Lishu, and then slowly began to learn regular script, what is the line of Kai, I think it is a very necessary work, and the ancient people are more useful. Personally, I think it's better to copy together, although everyone should have their own taste for writing, but for beginners, there is a good model is very beneficial, and subtly will form a feeling, Pro is the god of the word, and the copy is the structure of the word, and the two are complete in one.

Not only calligraphy, but also any art is to express one's thoughts and feelings, and express one's inner feelings through calligraphy, painting, and other means. When it comes to calligraphy, pay attention to the word "harmony", write the words harmoniously, and make the works more harmonious. Traditional Chinese culture is all about the word "harmony", like Tai Chi.

Writing calligraphy is not only to write the words well, to improve the level of calligraphy, the most important thing is to improve one's own self-cultivation, a person's cultivation is not good, then his calligraphy works are also defective.

I am also a calligraphy lover, I feel very ashamed to see your feelings about calligraphy, because I have been imitating calligraphy since I was a child, and copying is very similar, it is a little talent, although the brush is good, but the hard pen is far behind. But the characters still have to be practiced formally, so that it is not easy to write crookedly. For example, I practiced "Cao Quan Tablet", Wen Zhengming's "Tengwang Pavilion Preface", and Ouyang Xun's "Jiucheng Palace-Liquan Tablet" are all official books, line books, and regular scripts.

I'm just an obsessive lover of calligraphy, and I think the biggest function of calligraphy is self-cultivation, don't think about the shape or the likeness, when you really integrate into it, it will naturally follow your heart. (Of course, at the very beginning, we still need to learn from the crystallization of our predecessors) Now there are very few young people who can splash ink, and I hope more friends can join us! I hope to follow, too.

I feel that my brother is a little biased. Personally, I still think that the process of learning calligraphy still needs to have a similar and god-like appearance, and then integrate and become a professional calligrapher. I think this is also a road that many people have "walked" through.

Calligraphy is based on the innovation of the predecessors, and the "leap" on the basis of the strict law can become a generation of masters, like Shu with the predecessors. If you can't do the process and realm of "first in and then out", you can only be a "writer" at best. Hope it works for you.

Your understanding of the relationship between calligraphy and writing is related to me, and your judgment on Pang Zhonghua's calligraphy is also consistent, but fortunately I didn't learn him at first, and his characters are really a bit cumbersome later; However, about the matter of beginner copying, I think it is not so serious, for a child, the first thing to practice is the basic skills, many great calligraphers also start from copying, with a certain level and life experience and cultural heritage, naturally can slowly form their own style. What do you think?

I don't practice calligraphy very much, and my understanding of calligraphy is relatively shallow. Without the guidance of a good teacher, there will indeed be a lot of doubts. But practicing calligraphy is a personal hobby, it doesn't matter whether it's deep or shallow, just like it.

If you have a certain foundation and want to achieve something, then you need to work hard, and it is not easy to practice internal and external skills.

When it comes to calligraphy, to put it simply, is to write; To put it more complexly, it is a form of expression of art; Just like Chinese painting, it is people who express what they see and feel in this form of art, which is both beautiful and the writer's ideological expression.