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I think it's better to analyze it with the positive block, and the positive block is the foundation.
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I think it's Han Yutao's "Theory of Freehand", the first volume of which discusses the artistic methods, focusing on the analysis of cursive meaning. Volume 2 of the Freehand History devotes 20 chapters to the original freehand of the Chu and Han dynasties, and each chapter borrows famous passages or famous sayings of ancient celebrities as quotations, which is very useful to me.
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Zhao Mengfu said in "Dingwu Lanting Ba", talking about the techniques of calligraphy, including brushwork, knots, chapters, and even methods to improve the charm of the characters, which can all belong to the techniques, and I think the analysis is very good.
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I highly recommend Mr. Qiu Zhenzhong's "Calligraphy - Seven Questions", Professor Qiu's analytical calligraphy strives to use the means of modern natural science, and is also quite accomplished, and Professor Qiu's works are quite valuable for deciphering the secrets of calligraphy.
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Qi Gong tells you calligraphy", the whole book has benefited me a lot, and breaking superstition has always run through the whole process of learning the art of calligraphy, and the techniques are also well analyzed.
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Mr. Sun Xiaoyun's book "Calligraphy Has a Law" uses plain words to describe his confusion and search for calligraphy, which I think is a good analysis.
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Mr. Yu Mingquan's book is the best analysis, "Between Yes and No" brings together Mr. Yu Mingquan's "thoughts" on calligraphy, which is a cultural interpretation and contemporary narration of the calligraphy tradition.
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Mr. Zhou's "Yongzi Eight Methods" is like Mr. Zhou's red research works, and almost every conclusion is supported by considerable evidence, so when Mr. Zhou talks about penmanship, it is real, and it is clear when he talks about hard work.
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Copybooks are the best books, it depends on personal understanding.
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Calligraphy is the language that makes the space flowing out of the pen always be an accurate state of mind, and Qiu Zhenzhong's "Brushwork and Chapters" analyzes this indescribable thing through objective and rational analysis, so that scholars can escape from it, which is of great benefit.
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Deng Sanmu's "Seal Carving" is indispensable, Mr. Deng's masterpiece usually appears in the form of photocopying, and he can't help but pick up the pen to write when he looks at Mr. Deng's words.
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Mr. Qi Gong's "Qi Gong Tells You Calligraphy", my entry product, I think the analysis is particularly good!
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Learning calligraphy is to learn to practice, it's the same as walking, if you can't, then how to achieve the goal in your heart.
Learning to practice plays a very important role in improving technique and enhancing expressiveness. Practicing Gong can be used to develop good habits and develop rich and meaningful thoughts through skillful techniques. There are two aspects that need to be paid attention to in the line of calligraphy, and it is necessary to learn to use the pen edge, which is elastic and the lines written are very smooth.
Be careful not to overdo it with the pen, otherwise it will be like a person squatting and walking, slow and laborious. The second aspect is to learn to write, the pen should have ups and downs, so that it will be elastic and appear very lively, just like people walking, the pace is together, relaxed, and harmonious.
To learn calligraphy, you must learn to observe and see with your eyes. Usually we should work hard to improve our horizons, and only when our horizons are high, will we see farther. Beauty is actually all around you, it's up to you to find it.
In the process of posting and learning, if you keep observing, you can continue to discover and discover beauty.
To learn calligraphy, you must learn to appreciate nature and art. Go to nature to run more, appreciate the beautiful landscapes, the beautiful flowers and birds, you can copy from the major works, learn to appreciate the feminine beauty of Wang Xizhi, the steep beauty of Ouyang Xun, the bold beauty of Yan Zhenqing and so on.
To learn calligraphy, you also need to learn to perceive and think. Because all inspiration is based on perception, many works burst out of inspiration. Perception should be a habit and cultivated with a purpose.
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There is no way to appreciate it, it's just that everyone is the same, and what you think is good is art.
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The achievement of calligraphy cannot be achieved overnight, but requires long-term accumulation over time.
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Copy more, look more, stare at enlightenment, and see the charm between strokes.
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It is of course best to be able to figure out the length of breath and shortness of breath. Generally look at the skill of the strokes, the natural coordination between the strokes, Wang Yizhi's multiple words are not the same, this is the result of the calligrapher's self-confidence according to the rules, so it is higher to look at the author's self-confidence.
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First of all, you must paint red first. Then copy it every day. Pay attention to the shape and stroke of the word.
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Learn to practice, observe more brushwork, and copy it yourself.
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The first is to look more and practice your own appreciation level, only when the appreciation level rises, you can better study and then be proficient.
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Improve technique and enhance expressiveness; Learn to observe, to see with your eyes.
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First of all, it is necessary to understand the various fonts of calligraphy, as well as the pen, ink, paper, and inkstone used in calligraphy.
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Reading the post is a lifelong thing.
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Hello, the following answers to the questions you asked: Need a pro. As for calligraphy, it is not a matter of writing a random word and becoming a work.
Because calligraphy seems to be a work of art composed of Chinese characters as a carrier on the surface, some people think that they have been posting for many years, so they bring this habit into their works, and the words written are works, but in fact, this is not a complete creation. According to the evaluation criteria of contemporary calligraphy Huailiang, a calligraphy work should contain at least the following basic elements: the source of the workThe so-called source is which ancient person you learned from, and which ancient person's style?
When judging calligraphy works, the provenance is a very important element of inspection, and some people do not like to copy the works of the ancients, which is not allowed. We learn from the ancients, because the works of the ancients contain technical abilities are very reasonable, if not, learn from the ancients, these technical abilities are impossible to learn, by their own temperament to write, it can only be a letter by the stiff, others look at it, you are not a very professional calligrapher, but an amateur calligrapher. Therefore, calligraphy is set to learn from the ancients, with the foundation of the ancients, the words written, there will be the shadow of the ancients, and others will know that you have a source.
After the answer, I hope it can help you.
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Wang Xizhi, Wang Xianzhi, Zhang Xu, Huaisu, Sun Guoting.
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Cursive is widely regarded as the most difficult form to write in calligraphy circles. Its difficulty is mainly reflected in the three aspects of penmanship, aesthetics, and writing. Cursive has a kind of dynamic beauty, the structure of the word and the penmanship do not have a fixed appearance, in different times, occasions, states will have different shapes, the requirements for calligraphers are very high, because the cursive is still and moving, so the cursive from the word to the structure needs to show a harmonious beauty, which requires a strong foundation.
And cursive writing often changes with the state of the writer, and often each word contains feelings and rhyme. All in all, cursive writing is very demanding of the writer's personal ability. However, there are still rules to follow in practicing cursive, and you need to pay attention to the rules of cursive, the practice of basic strokes, and the artistic conception of writing.
Although cursive is called "self-created" in the industry, it does not mean that cursive is arbitrary. There is still a basis for it, and it is still necessary to respect the rules of cursive writing when writing cursive. Otherwise, not only will others not know you, but you will also not know you after a while.
As long as you practice on the basis of the rules and rules of cursive, everything will not deviate from the book, and the cursive script written will be recognized by anyone who understands cursive. When we practice cursive, we must copy Wang Xizhi's character stickers, there are a lot of cursive scripts in the character sheets, and many cursive scripts in later generations are ** here.
There are many strokes in cursive script, and these strokes have different forms to form a cursive script full of vitality. To write cursive well, you must practice these common strokes. Common strokes in cursive script include pause, lifting, twisting, turning, etc.
In particular, turning and twisting are very important strokes that are used in cursive writing. These two strokes are the key to practicing cursive, and it is often said that if you can't turn and twist, you can't write cursive.
Cursive writing pays special attention to gestures, which can directly reflect the breath of cursive writing. The gestures of cursive script need to be reflected in the strokes and strokes, the mutual layout and association between characters and lines, as well as the lightness, thickness, and length of words. Good gestures make cursive fonts look alive.
The above three points are the basic skills that must be mastered to write cursive well. On the premise of mastering the basic requirements, coupled with diligence and self-understanding, it is still very promising to write a good cursive hand.
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Indeed, first of all, you have to learn to connect the pen and let everyone see it clearly, and use your wrist to exert force, not your fingers.
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Cursive does not mean that the word is written "grass", that is, cursive, this understanding is wrong, cursive, like other books, there are rules, in cursive is called "cursive", that is, cursive rules, rules, rules. No matter who it is, as long as it is written according to this rule, no matter if it is placed in **, as long as the person who can read the grass looks at it, he will know what the word is written in this word, and it can be read and recognized.
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It is really difficult, because the glyph is irregular, and to write well, you must know the order of the strokes, and you also need to pay attention to the weight of the penmanship and the center of gravity.
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The practical value of calligraphy is inherited from the practical value of Chinese characters. The main practical value of Chinese characters is to remember the narrative and express the meaning, and it is a tool for people to communicate with each other.
For example, in the Han Dynasty, due to the more and more frequent use of writing, writing the seal characters handed down from the Qin Dynasty brought a lot of inconvenience to economic and social life, so it was changed to writing official scripts. Because the official script is faster and more convenient than the seal script, it gradually became a trend, and even after the official script is written, you can also be an official.
However, due to the continuous war at that time, it was still too slow to write the official book when the situation was urgent, in order to rush for time to save the emergency. Legend has it that Emperor Yuan of the Han Dynasty ordered a person named Gengyou to make a "hurry to write chapter" (writing fast characters), so that cursive writing appeared quickly.
This shows that the practical value of calligraphy changes with the actual situation. Today, the practical value of calligraphy has become easy to understand. For example, you can use calligraphy to write letters for communication, you can use cursive for shorthand, you can give or sell calligraphy works to others for fun or collection, you can give calligraphy works as gifts to relatives and friends to enhance understanding and communication, you can use calligraphy works to show your knowledge, ability and talent, and so on.
Extraction code: icvc Chinese text, a long history, widely used, about a quarter of the world's population is using it, in addition to practical value, but also artistic value, so calligraphy works are often combined with painting, is the asset of our country's culture, there is a calligraphy class that can be learned well from zero foundation, 15 days to easily write a beautiful life!
Good books recommend financial investment.
1. The seal script is characterized by uniform and neat shape, and the font is easier to write than the script. 2. Lishu, also known as Han Li, is a solemn font commonly found in Chinese characters
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