Dong Qichang s commentary on The Story of Ma Hu on the Jun Road .

I'm sorry I can't provide a commentary on Dong Qichang's "The Legend of Junlu and Mahu", but I can provide some information about the distribution of Huang Jiyun.

It is a strategy to solve the problem of water transportation between the Yellow River and the Huai River in ancient times. When the water level of the Yellow River is higher than the Huai River, or the water level of the Huai River is lower than the water level of the Yellow River, the water of the Yellow River flows into the Huai River by breaking the embankment between the Yellow River and the Huai River, so as to help the Huai River navigate.

The history of the Yellow Dynasty can be traced back to the Northern Song Dynasty. Wang Anshi, the prime minister at the time, presided over this event in Liaocheng, Shandong Province, and successfully helped solve the problem of water transportation between the Yellow River and Jishui. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, there were many outbursts in the lower reaches of the Yellow River, and frequent floods in the Yellow River brought great disasters to the people along the river.

During the Kangxi period of the Qing Dynasty, the "yellow and yellow transportation" was implemented and good results were achieved.

The advantage of dividing the Yellow River is that it can make full use of the water resources of the Yellow River, reduce the flood control pressure in the lower reaches of the Yellow River, and improve the water conservancy conditions in the Huaihe River Basin. However, if not done properly, it may cause damage to the ecological environment of the Yellow River and Huai River basins.

Dong Qichang of the Ming Dynasty has a calligraphy work of Jun Lu Ma Hu, which is a tablet to discuss the history of river defense and Ma Lake in order to pass Cao Yun. Dong Qichang in the book:

Luma Lake is commonly known as Llama Lake, and it is now true".

Dong Qichang's main representative works include: "Du Fu's Drunken Song and Poetry", "The Story of Mahu on the Road", "The Story of the Hundred Feather Fan", "The Story of Yueyang Tower", "The Difficulty of Oriental Shuo's Answering Guests", "Moon Fu", "Bai Juyi Pipa Xing", "The Third Order", "Cursive Poetry Book", etc

Yanjiang Stacked Peaks and Maps", "Ni Kuanzan", "Before and After the Red Cliff Book" and so on.

Dong Qichang has created a lot of calligraphy and painting works in his life, and there are many of them that have been handed down to this day, and his surviving works include "Rock Dwelling Map", "Eight Scenes of Qiuxing", "Dayjin Hall Map", "Bai Juyi Pipa Xing", "Three Generations of Orders", "Cursive Poetry Book", "Yanjiang Stacked Peaks and Mountains", etc., and is the author of "Painting Zen Room Essays", "Rongtai Anthology", "Xihongtang Post" (carved post) and so on.

Among them, the collections that have been determined to be authentic are in the Forbidden City, the Shanghai Museum, the Jilin Provincial Museum, the Nanjing Museum, etc. The Palace Museum has the largest collection of Dong Qichang's works, and the more famous paintings are: "Gao Yitu" axis, painted at the age of 63, slightly imitating Ni, Huang, pen and ink Lixiu is a masterpiece in the middle and late years; According to the self-title at the end of the volume, this volume is rewritten from the original picture of Guan Tong's "Guanshan Snow Ji Map".

The famous calligraphy works in the Forbidden City are: "Moon Fu" volume, made at the age of 47, taken from the Tang and Jin dynasties, the strokes Xiujuan, is the early years of the small regular script meticulous work; "Mr. Oriental Painting Praise Monument", made at the age of 50, made in regular script, the teacher Yan Zhenqing, the font is regular, the line is sparse, it is a representative masterpiece of regular script in middle age; The volume of "The Three Worlds' Lives", written at the age of 71, is written in regular script, taught by Yan Zhenqing, with a correct body and rigorous law; The volume of "The Story of Yueyang Tower", written at the age of 54, is a book of great lines, and he studied under Yan Zhenqing and Li Zhaohe (Li Beihai, that is, Li Yong). The center of the pen is straight down, and the turns are smooth, reflecting the appearance of writing in middle age.

The volume of "The Legend of Luma Lake" represents the work of writing in his later years; "Guanhai City", made at the age of 69, with the "Mi Family Law" as its book written by Yuan Keli in the same year, is very elegant and elegant, and has become a famous product on the Penglai Pavilion in Shandong.

The representative works collected by the Shanghai Museum include: landscape painting "Three Trees of the River Trunk" and "Eight Scenes of Autumn Xing" (which is a meticulous masterpiece of Dong Qichang's life, and there is also a large album of paintings, which has been sent overseas); The Beijing Cultural Relics Store has a calligraphy work "Jinsha Ti"; Tianjin Museum has a painting of "Sparse Forest Yuanxiu" created by Yuan Keli in his later years in the same year (broadcast on April 19, 2012 on the "National Treasure Archives" column of ** TV station); The Nanjing Museum has a collection of calligraphy works "Songjiang Mansion System"; The Anhui Provincial Museum has a collection of 16 pieces of "Dong Qichang Ji Travel Book", which is the collection of Yuan Keli's family in Henan, and the Jilin Provincial Museum has a famous landscape painting "Dayjin Hall Map" volume.

In "The History of the Ming Dynasty: The Biography of Wenyuan", Dong Qichang's calligraphy was highly praised, saying that his calligraphy "integrates the calligraphy styles of the Jin, Tang, Song, and Yuan dynasties, and is self-contained, and its calligraphy style is elegant and ethereal, and it is self-sufficient." The stroke garden is beautiful and elegant, plain and simple. With the pen fine, always maintain the front, rarely pen, clumsy pen; In terms of chapter law, between words and words, between lines and lines, the layout of branches is sparse and symmetrical, and the ancient law is pursued.

The use of ink is also very particular, dry and damp, and it is wonderful. Calligraphy to Dong Qichang, can be said to be the culmination of the ancient law, "six bodies" and "eight laws" under his hands are all refined, at that time has been "famous in foreign countries, ruler Su short, spread in the world, compete for treasures." ”

Yan Gu Zhao Zi, refers to his calligraphy has the muscles and bones of Yan Zhenqing's calligraphy, and Zhao Mengfu's calligraphy is handsome and elegant, this is the praise of Dong Qichang's calligraphy, in fact, although Dong Qichang studied Wang Xizhi, Yu Shinan, Yan Zhenqing, Zhao Mengfu and other calligraphy, but after all, he took his own way, and Yan Ti, Zhao Ti is also considered to have their own strengths.

Dong Qichang was a famous painter, calligrapher, theorist of calligraphy and painting, and connoisseur of calligraphy and painting in the late Ming Dynasty.

Dong Qichang has the most works, and the more famous paintings are: "Gao Yitu" axis, painted at the age of 63, slightly imitating Ni, Huang, pen and ink Lixiu is a masterpiece in his middle and late years; According to the self-title at the end of the volume, this volume is rewritten from the original picture of Guan Tong's "Guanshan Snow Ji Map". The famous calligraphy works in the Forbidden City are:

Moon Fu" volume, made at the age of 47, taken from the Tang and Jin dynasties, the strokes Xiujuan, is the early years of the small regular script meticulous work; "Mr. Oriental Painting Praise Monument", made at the age of 50, made in regular script, the teacher Yan Zhenqing, the font is regular, the line is sparse, it is a representative masterpiece of regular script in middle age; The volume of "The Three Worlds' Lives", written at the age of 71, is written in regular script, taught by Yan Zhenqing, with a correct body and rigorous law; The volume of "The Story of Yueyang Tower", written at the age of 54, is a great book, and he studied under Yan Zhenqing and Li Zhaohai. The center of the pen is straight down, and the turns are smooth, reflecting the appearance of writing in middle age. The volume of "The Legend of Luma Lake" represents the work of writing in his later years;

Ming dynasty. He is the author of "Essays on Painting Zen Room", "Rongtai Collection", "Painting Purpose" and other anthologies.

Dong Qichang (1555-1636), a famous painter and calligrapher in the late Ming Dynasty, was a representative of the Songjiang School.