Discuss the linguistic characteristics of Zhao Shuli s The Marriage of Xiao Erhei 5

It's just plain and rustic.

Zhao Shuli's "Little Erhei Gets Married".

Drawing on traditional Chinese storytelling, chapter hui**.

The structural characteristics of "storytelling" adopt the technique of single-line development, pay attention to the coherence of the plot and the integrity of the story, and explain the ins and outs of the characters, the occurrence, development and ending of the story clearly, but also abandon the formal framework of the traditional chapter back style (for example, each subtitle does not adopt a dual sentence form), put the characters in the development of the storyline, put it in the contradictions and conflicts to shape, and do not make static psychological descriptions.

1, "Xiao Erhei Marriage" absorbs the ancient chapter hui style**.

Each paragraph is summarized by a subheading, but it is not limited to using dual sentences as the title. The language is bright and simple, not pretentious, not aesthetic, not abusing rhetoric.

2, "Little Erhei Marriage" is straight to the point and does not indulge in environmental descriptions.

Instead, it focuses more on general descriptions of words and deeds. As at the beginning of the whole text, "Liu Jiayu has two immortals, and everyone in the neighboring villages knows it: one is the two Zhuge on the front village, and the other is the three fairy Gu on the back village."

In a word, the two main figures who oppose the freedom of marriage have appeared, and such a description is easier for the common people at that time to understand. Detailed descriptions of the environment are not bad, but in those days, ordinary people simply did not have the heart to read long-form environmental descriptions, otherwise they would feel confused.

3. The storyline is compact, the contradictions are relatively prominent, and the handling of problems is simple and decisive. A compact plot is conducive to the reader's grasp of the core content of the article, prominent contradictions can make the reader naturally make a judgment of right and wrong, and a concise and decisive handling of problems can cater to the public's aesthetics. For example, the description of Brother Jin Wang in the article, the treatment of Brother Jin Wang's ending, and the changes in the thinking of the two Zhuge and the three immortals, etc., are all mentioned in very crisp and short language.

4. The language and content were popular, suitable for the liberated areas at that time.

The aesthetic and intellectual level of the common people.

Zhao Shuli is the earliest and most influential realist who wrote rural themes in the liberated areas. At that time, in the Shanxi, Hebei, Shandong, and Henan Liberated Areas, Zhao Shuli "may be the most famous person in the Communist Party area except for *** and **". His works mainly include "Little Erhei Marriage" and "Li Youcai's Words".

The Change of Lijiazhuang", "Three Mile Bay", etc.

Contributions: He devoted himself to describing the new life, new characters, and new changes of the peasants in the liberated areas; It vividly expresses the simple ideal of survival and warmth of the peasants and the harmony of the peasants, and the way of life banquet with less friction is not snarky; He sang the praises of the new life, did not shy away from the backwardness of the peasants, did not avoid the contradictions and problems in the new life, often mildly criticized the backward figures, and wrote about their transformation or the trend of transformation; He created the form of "commentary" that the common people like to see; He is an excellent writer who truly practices Yan'an's "Speech" and writes for the peasants, and is a model of nationalization and popularization.

Limitations: Because it is written about a real peasant, its literature is too much connected with the revolution, and it has become a mouthpiece for political propaganda, that is, a political vassal, which has led to a decline in its literary value, and it has not produced a work that is not slippery, which is a regrettable point.

Hope it helps

Answer]: The structure of this ** not only emphasizes the integrity of the story, but also has a certain jump. The use of traditional techniques to shape the characters, that is, attaches great importance to the pre-disturbance description of the words and deeds of the characters, emphasizing the expression of the characters' own thoughts and characters through the characters' popular and fluent language and action-oriented behaviors.

** The refinement and use of the peasant language is very successful, witty and humorous. The narrative language and character language have the wisdom and comedy of the peasants.

The main content of "Little Erhei Gets Married".

Xiao Erhei Gets Married" depicts the story of a pair of young men and women in the base area, Xiao Erhei and Xiao Qin, who broke through the feudal tradition and the shackles of backward parents, and finally became a happy couple. The work successfully portrays the image of two backward peasant figures, Er Zhuge and San Xiangu. Er Zhuge is timid, backward and superstitious, and tries his best to maintain the authority of the patriarchal system, and stubbornly opposes his son Xiao Erhei and Xiaoqin's free love and marriage.

Sanxian Gu was originally a woman who was lazy and hardworking, and had an improper style, not only jealous of her daughter Xiaoqin's happy marriage, but also greedy for money and betrayed her daughter. Through the shaping of these two characters, Zhao Shuli profoundly revealed the backwardness and obsolescence of the spirit of small rural producers, and showed that it is indeed imperative to implement democratic reform and change customs. Xiao Erhei and Xiao Qin are representatives of the young progressive forces, and their struggle for marriage shows that the new must triumph over the old in history.

The Marriage of Xiao Erhei enthusiastically praises the tremendous power of the democratic regime, reflects the major changes in the rural areas of the liberated areas, and actively supports the growth of a new generation of peasants. The appearance of "Xiao Erhei Marriage" is the primrose of the complete changes in the Chinese literary scene for thousands of years.

Xiao Erhei Gets Married" is the most well-known of Zhao Shuli's literary works, and has been put on the stage of dramas many times.

The plot is: In 1942, in Liujiajun Mountain Village, an anti-Japanese base area in Shanxi, militia captain Xiao Erhei and Yu Xiaoqin, a girl from the same village, fell in love, but were opposed by both parents. Erhei's father, Er Kongming, also privately adopted a child daughter-in-law for Erhei; Xiaoqin's mother, Sanxian Gu, forced Xiaoqin to marry Wu Guangrong, who ate, drank, prostituted and gambled because of her greed for money and gifts.

One night, when Er Hei and Xiaoqin were discussing lifelong events, they were tied up by Jin Wang, a ruffian who had already coveted Xiaoqin, and took the opportunity to frame them. Fortunately, the district magistrate came in time to arrest Jin Wang, who had always oppressed the people, and raised Erkongming and Sanxian Gu in public, and approved the marriage of Xiao Erhei and Yu Xiaoqin.

The script of the opera version was adapted by the Opera Department of the Academy of Drama according to the collective of the same name by Zhao Shuli, and the Opera Department of the Academy of Drama premiered in Beijing in January 1953, with Tian Chuan and Yang Lanchun writing and adapting, and Ma Ke, Qiao Gu, He Fei and Zhang Peiheng composing. This drama absorbs Shanxi folk songs and Shanxi Bangzi, Henan Bangzi and other materials, mainly based on song connection, drawing on the structure of the plate cavity in the drama to develop the singing section, with strong local characteristics and simple local flavor. The representative singing segment in the play, "The Sparkling Water Comes to the Blue Sky", has become an immortal segment.

In 1953, the Henan Provincial Opera Troupe premiered in Kaifeng, Zhao Shiwei and Liu Ling as Xiao Erhei, Wei Yun as Xiaoqin, and directed by Yang Lanchun. Later, it became the repertoire of the Third Henan Opera Troupe, and Xiaoqin played by Liu Lanfang was very popular.

Both the China Ping Theater and the Shenyang Ping Theater have adapted performances, Xin Fengxia and Han Shaoyun conquered the audience with different genres of singing, and Zhao Lirong's Three Immortal Gu is also praised.

Typical of backward characters: Er Zhuge and Three ImmortalsDifferences: (1) Erzhuge is Ducheng's superstition, and superstition has become the only yardstick for him to understand life and treat life.

The Three Immortals are false superstitions, and superstition has become a means for her to deceive others and harm others and benefit herself. (2) Er Zhuge is not only a defender of feudal patriarchy, but also a kind and kind father. The Three Immortals is a ruthless mother who reluctantly sacrifices her daughter's future in order to satisfy her desires.

Similarities: Both have feudal ideas, both oppose the free love of children, and want to dominate the marriage of children as parents; Both of them are superstitious about yin and yang gossip, zodiacal and underworld, and there are a lot of rules and regulations.

Typical of the new type of farmer: Xiao Erhei and Xiao QinIdentity: They are a model of farmers in the new era in the liberated areas. They dare to fight and take their destiny into their own hands.

Personality traits: dare to struggle, pursue free love, oppose superstition of sealing key grinding and building superstition.

Representatives of feudal evil forces: Jin Wang, XingwangJin Wang represents the feudal forces, the old forces that stand in opposition to the vast number of peasants.

Xiao Erhei Gets Married" is a novella written in 1943 by Zhao Shuli, a modern family.

**It depicts the story of a young man and woman in the liberated area during the Keyin period during the Anti-Japanese War in pursuit of freedom of marriage, breaking through feudal traditions and the obstruction of conservative parents, and finally becoming husband and wife.

Through the contrast of these two pairs of peasants with diametrically opposed ideologies, it reveals the feudal remnants of the old customs in the countryside at that time to the restraint of people's thoughts and behaviors, as well as the conflict and change of consciousness between the old and new generations, illustrating the importance of implementing democratic reform and changing customs, and at the same time praising the power of democratic regime and reflecting the major changes and liquefaction in the liberated areas.

The structure is complete, the plot is ups and downs, the language is popular, and the local color is rich, creating a modern form of Chinese storytelling.