The first monograph on poetry theory and criticism

Zhong Rong, a Liang man of the Northern and Southern Dynasties, wrote "Poems" which is the first monograph on poetry theory and criticism in China. The scope of the "Poems" is mainly five-character poems. The book reviews a total of 122 poets from the Han Dynasty to the Liang Dynasty.

Thanks for asking. The first monograph on poetry in the history of Chinese literary criticism was Zhong Rong's Poems

Who is Zhong Rong? Zhong Rong (c. 468 – c. 518) was a literary critic of the Southern Dynasties and was Yingchuan.

Changsheren, which is now Xuchang, Henan.

The song was written by Zhong Rong when he was about 45 years old.

Earlier than Zhong Rong, there was a Liu Xian's "Wenxin Carving Dragon".

It is also a work dedicated to the evaluation of academic works, and some of the content also involves criticism of poetry. However, in comparison, the content of "Wenxin Carving Dragon" is more extensive, and "Poems" focuses on the genre of poetry, so it naturally became the first monograph on poetry in the history of Chinese literary criticism.

Why did Zhong Rong give his monograph on poetry such a title as "Poems"?

In this treatise on poetry, Zhong Rong selected the works of a total of 122 poets and writers, who lived from the Han Dynasty to the Liang Dynasty, and all famous poets and writers were included in this book.

The book is divided into four parts, namely: preface, volume up, volume middle, and volume bottom.

Famous poets during the Han Dynasty, Wei, Jin, Southern and Northern Dynasties, such as San Cao and Tao Yuanming.

Lu Ji, Bao Zhao, Zhang Hua, Zuo Si, Xie Lingyun.

For example, he commented on Lu Ji's fourteen quasi-ancient poems and was amazed: "The fourteen poems proposed by Lu Ji are warm and beautiful, sad and far-reaching, thrilling, and can be described as almost a thousand words!" "A thousand words is a high evaluation.

's poems, Zhong Rong said: "Backbone."

Qi Gao, the words are luxuriant, the love and the elegance and resentment, the body is literary, overflowing with the present and the ancient, and Zhuoer carries the imitation of the mountain. It means that Cao Zhi's poems are written with style, the content and style are very well-debated, full of emotion but not excessive, outstanding among poets, and belong to the top grade.

For some poorly written poems, such as Yuan Yan's poems, he unceremoniously pointed out the faults directly, saying: "The poems are flat-eared, and they claim to be capable." It means that Yuan Yi's poems are written plainly, and there is nothing worthy of admiration and appreciation, but Yuan Yi himself is very proud and complacent, and he thinks that he writes very well, and boasts of his talent for writing poetry.

Zhong Rong also has limitations, he turned Tao Yuanming's poems into Chinese quality, and many readers did not agree with it. In the experience of reading poetry, everyone recognizes Tao Yuanming's poems, and the evaluation is very high, Tao Yuanming's poems should indeed be classified as high-grade.

For people who love literature and like to read poetry, "Poetry" is a must-read book.

Zhong Rong, this person's literary level is relatively high, and some of this person's works are very interesting and famous in history.

Zhong Rong, this person's ability is very good, this person's works are very unusual, and they have a lot of research value.

The first poetic monograph in the history of Chinese literary criticism was Zhong Rong's Poems.

This work is Zhong Rong's "Poems". This is a very classic work that has had a profound impact on later generations.

The first monograph on literary criticism in China was during the Three Kingdoms periodCao PiThe "Classics ·**". Poem, written by Zhong Rong. It is the successor of Liu Xian"Wenxin Carving Dragon".A well-known work of literary criticism appeared after that.

It is no coincidence that these two works appeared one after another in the Qi Liang era, as they were both opposed to Qi LiangFormalismA product of struggle. In addition, Sikong Tu also wrote "Poems". Classics.

** is an early literary monograph in the history of Chinese literary criticism, and it is also an important document in the history of literary criticism in the Han and Wei dynasties.

It discusses important issues such as the attitude of literary criticism, the personality of the writer and the style of the work, the difference between styles, and the value of literature. "Sui Book Classics".

Poetry Review is written in three volumes by Zhong Rong. Or "poetry". During the Tang and Song dynasties, there were still two names in parallel. After the Ming and Qing dynasties, poetry became popular. According to relevant information, Shiping.

The time of writing is estimated in Emperor Wu of Liang.

Between the first year of Tian Jian (502) and the twelfth year (513). "Poetry".

There are many editions, and the earliest surviving version is Yuan Yanyou's (1320) Yuan Yanyou's academy journal "Song Yu's Shantang Group Book Examination", which is now stored in the library of Peking University.

The "text" discussed is an article in a broad sense, including literary works. It touches on several very important issues in literary criticism. Although somewhat crude, it played a pioneering role in the history of literary criticism. Classics.

It is the earliest monograph on literary criticism in China, which reviews literature in a variety of styles and by a number of pure writers. Starting from criticizing the bad habit of "belittling literati", the paper requires people to evaluate the first chapter with the attitude of "reviewers", and has different requirements for different styles. At the same time, the "Wenqi" theory was proposed, which can be used to measure the quality of writers.

The Classics also discuss the relationship between articles and politics, believing that articles are "the great cause of the country and the immortal event", and put articles in the same position as meritorious deeds. Liu Xian's Wenxin Carving the Dragon is China's first systematic monograph on literary theory and criticism. He put forward a systematic literary theory and a clear view of literary history, and briefly commented on each representative writer and representative work in combination with the literary background of the times.

This paper discusses the changes in the development of literature in the pre-Qin, Han, Wei, Jin, and Song dynasties, and establishes the most important literary theoretical works in the Wei, Jin, Southern and Northern Dynasties periods.

It is the "Poems" of Zhong Rong, a Liang man of the Northern and Southern Dynasties, and this work is very popular with people Xiao Yuanji, and this work has been passed down, so I think China's history and culture are very long. Cavity.

The monograph is a poem, mainly discussing five-character poems, which has had a great impact on the creation of ancient poets in China. Its author is Liang Zhongrong.

The first work is "Poems", the author is Zhong Rong, from the Northern and Southern Dynasties period, and the five-character poems included in this work are included.

Classics**, many people like to read this book after it appeared. Cao Pi wrote that he was a very talented person.

Wenxin Carving the Dragon is China's first masterpiece of aesthetics and literary theory, as well as a work of literary criticism, completed during the Northern and Southern Dynasties of China.

Wenxin Carving the Dragon is a literary theory monograph with a theoretical system, rigorous structure, and detailed exposition written by Liu Xian, a literary theorist of the Southern Chinese Dynasty. It was written in 501 502 A.D. (the second year of the reign of Emperor Qi and Emperor Zhongxing of the Southern Dynasty). "Wenxin Carving Dragon" is a masterpiece of article writing theory that is "big and thoughtful" and "deep in literature and science".

Wenxin Carving Dragon systematically discusses the relationship between the form and content, inheritance and innovation of literature, and in the process of exploring and researching the conception of literary creation, it emphasizes the basic characteristics of the specific imagery of artistic thinking activities, and preliminarily puts forward the problem of image thinking in artistic creation. He has a more conscious understanding of the artistic nature and characteristics of literature, and has set a precedent for the study of literary image thinking.

Wenxin Carving the Dragon is a literary theory work written by Liu Xian, a literary theorist of the Southern Chinese Dynasty, written in 501 502 AD (the second year of the reign of Emperor Xingyuan of Qi and Emperor of the Southern Dynasty).