The zither wheel finger is not needed to turn at one point

Yes. Precautions.

1. Pay attention to the method of preparing fingers between fingers (i.e., when playing a note, the other finger should be prepared next to the string).

2. The wrist should neither protrude nor be tense or collapsed. After the arms, wrists, and palms are basically parallel, perform various combinations of wheel finger exercises.

3. Learning to control the change of speed and frequency will bring a wide range of aesthetic significance to the distribution of wheel finger points. In addition, there are strong and weak staggered exercises, and exercises that touch the depth of the strings, which are also factors that affect the performance.

4. The force of each fingertip should be uniform, and the beat value should also be uniform. Each finger movement should be independent. The sound played is as clean and clear as a jade plate.

5. Pay attention to the practice of the ring finger, improve flexibility, and avoid passing by and having no sense of rhythm. At the same time, the touch points of the fingers should be concentrated as much as possible, and the strength should be balanced, so that the sound produced is mellow and powerful, and the strength is uniform and the timbre is beautiful.

6. In the performance, according to the needs of the content of the music, control the depth of the strings, so that the pronunciation will be clean, bright, concentrated, and granular.

Yes, you need to practice more, the weight of the zither wheel finger playing, change the fingers to ensure that the shoulders and arms are relaxed, the back of the hand should be flat, and try to achieve the same distance between the fingers of the large, index, medium and ring fingers to the strings. Don't start the exercise too fast, just make sure it's even. Don't move your fingers too much, and don't stiffen your fingers.

Use the same force on each finger and with moderate force. Do these details well, and I believe that everyone will easily practice wheel fingers.

One. An overview of the wheel finger.

1] The expressiveness of the wheel finger is very rich.

The more the player plays some of the special short swing techniques in traditional zheng, or for decoration, or to accompany rhythmic patterns, the better the basic skills of the short wheel. The more you play a stretchy lyrical passage or phrase, you must have the basic skills of a good long wheel. A melodic progression, accompanied by rich bass accompaniment, must have a good reel, and the transition reel and the mixed reel are both very difficult and complex finger sequences.

In short, every technique we learn to play serves to express the content of the piece, and the quality of the basic skills of wheel finger directly affects the quality of the player's performance.

b] Definition of wheel finger.

Wheel finger refers to the technique of using more than two fingers to play the same string in a certain finger sequence with one hand, and it is a supplement and development of traditional techniques such as big finger shaking and index finger shaking. There are two sets of wheel fingers: positive wheel finger and reverse wheel finger. The positive wheel finger is to pop out the ring finger as the first finger, and pluck the strings with the middle, index and big fingers in turn.

The reverse wheel finger is to play the string with the large, eclipse, medium, and ring fingers in turn.

There are many forms of finger sequence combinations, and the wheel fingers are divided into short wheels, long wheels, bullet wheels, bullet wheels, transition bullet wheels, mixed bullet wheels, etc.

Short wheels. The short wheel is mainly a wheel finger with less than two rounds, which can be used for decoration, and can also play accompaniment rhythmic patterns such as the first sixteen and triplets.

Long wheel. The long wheel refers to the wheel finger technique in which two or more rounds of the same finger sequence are repeated to make countless points into a linear long note. Mainly used for stretching lyrical passages or phrases.

Depending on the tune, some require a lot of fingers as the melody, and some are just ornamentations. But most of the songs don't take many turns, such as the wheel fingers in "Spring to Xiangjiang". Unless it's a track that specializes in training wheel fingers.

In short, in a word, depending on the tune.

No, as long as there is no sound of the strings clattering.

The main thing is to practice more, you can practice the allegro in the "Yi Dance", there are wheel fingers in it, don't ask for fast first, first ensure that three notes are played, and then gradually increase the speed.

You don't need to be particular about one point, it's the sound that you want to hear.

No. The main thing is that the tone is not too bad.

Yes, it is required to be as miscellaneous as possible.

Yes, you can find the score of the Guzheng Yi dance music, and if you pass the 10th level, you should be able to get in touch with it less strenuously.

Yes, I'm level 10 in Guzheng, you can ask me any questions

How could it be! Anyone's fingers don't grow on a point.,If you pursue this at all, you can't turn out the speed.,It's almost okay.,I'm level 10.,I've played more than n.。

The guzheng wheel refers to the invention of Zhao Manqin.

In decades of continuous research and study, Mr. Zhao Manqin created the "fast finger stove sequence technique system" composed of dozens of basic finger sequences, including wheel fingers, bullet wheels, and strumming, which ended the history of the guzheng not being able to play fast melodies with one hand, and laid a solid foundation for the guzheng to enter the band and become a conventional musical instrument, which was known as the "third revolution of the guzheng technique".

Mr. Zhao Manqin advocates materialist teaching and objective teaching methods, and is good at incisive and clear analysis and interpretation of techniques and stylistic expressions that can usually only be grasped by "feeling".

Wheel finger precautions.

The amplitude of each finger should not be large when turning fingers, so as not to touch adjacent strings. Exercises can be performed on the second string. Usually the strength of the middle finger and ring finger is weak, so beginners should practice the alternating movement of the middle finger and ring finger more.

The strength of the thumb is larger, pay attention to the coordination with other fingers when turning the fingers, keep the volume even, do not play a sudden strength every time the thumb is turned, and try to achieve the same volume of the four notes. When turning fingers, it is necessary to pay attention to the connection between the cycles of the finger cycle, and the evenness of the interval between the fingers touching the strings in the cycle, so that they are continuous and the "particles" are clear, like a pearl falling on a jade plate.

Having done this is only the first step in learning how to play the wheel fingers, and the next step is to practice using the wheel fingers to express the melody. The melody in the wheel finger can be played in the bass with the thumb or in the high part played with the other fingers, and the low part and the high part can be the same melody. These must be gradually exercised and comprehended in practical application.

There are also vibrato and polyphony, which are more difficult and require further practice.

The above content reference: Encyclopedia - Zhao Manqin.

Encyclopedia - Wheel Finger.

Playing techniques of the zither wheel fingers:

1. Fixed the standard wheel finger hand shape to improve finger endurance.

Standardized wheel finger hand type, the hand is semi-clenched fist-like stuffy hand, and the finger small joints are slightly bent; The tiger's mouth is oval, and the whole right hand is in a very natural state; The upper arm of the right hand naturally hangs down, and the lower arm and the back of the hand should be kept on the same level as much as possible, so that the strength can come down, and you can be "powerful" when you turn your fingers.

2. Divide the fingers and practice slowly.

Finger practice is to take each finger in turn for the accent, five times for one (the last time to return to the origin), count 12345 in the heart, the number 1 represents the accent, cover the other for the weak sound.

3. Keep your fingers close to the strings, but don't touch the strings, to reduce the friction tone.

Our fingers are close to the strings before they are played, but they are not touching them. For example, after the ring finger is played, the middle finger should be very close to the strings, but do not stick to the strings, prepare to pluck the strings, and then the middle finger plucks the strings in a fast way through the strings, pay attention to the index finger at this time to make preparatory movements, and so on.

As a later type of guzheng fingering, wheel finger requires four fingers to alternate on the same string, which requires extremely high finger dexterity and playing speed. It is indeed difficult to practice the wheel finger to achieve the crisp, bright, and crystal clear effect of "big beads and small beads falling on the jade plate".

The above content reference: Experience - how to practice the zither wheel fingering correctly.

The left and right hands of the guzheng have wheel fingersWheel fingers refer to the middle finger, index finger, big finger or ring finger, middle finger, index finger, and big finger in turn on the same string, producing four even tones. Generally, 3-finger hidden calendar wheels, 4-finger wheels and long wheels are used in guzheng music. 3. The finger wheel is the middle finger, index finger, and big finger playing the same string in turn; 4. The finger wheel has an extra ring finger; The long wheel is a cycle of 4 finger wheels.

When playing the pure Hu wheel fingers, it is necessary to pay attention to: the hand shape is stable, and the wrist cannot collapse; uniformity of sound; To practice the evenness of the sound, we can give an accent every 3 or every 5 notes when playing in turn, so that each finger has the opportunity to play the accent to train the strength of each finger to be even.

There is a performance-level guzheng song called "Guangling San" that is almost entirely round-fingered. "Guangling San" is one of the famous ancient Chinese guzheng songs, known as the classic of the guzheng. Its score is very complex and requires a high level of skill and expressiveness.

The performance style of Guangling San is unique, mainly based on the wheel finger technique, and the flexible use of the fingering method and the change of the timbre of the bureau show the unique charm of the guzheng. This piece is melodic and emotional, and has been widely played and inherited.

There are two reasons for a murmur in the wheel fingers.

1.Nails are not strings that are in direct contact.

2.The force is not decisive.

Adjust the angle of your nails and strings, play decisively, and be sure to slow down when practicing. Speed up a little bit.