How to evaluate Guo Degang s Peking Opera attainments?

Before listening to Guo Degang sing Peking Opera, I had never listened to Peking Opera seriously for more than a minute, not only because I didn't understand it, but also because I didn't understand it, and I didn't have any interest in it anyway. Since listening to Guo Degang's Peking Opera, I have a little understanding of Peking Opera, and I began to feel that the duet in "Sitting in the Palace" is very enjoyable, Zhang Yunlei's "Suolin Bag" is very good, etc., although it is still in the skin, but at least from the previous resistance in my heart to the current state that I am willing to understand.

Among amateur ticket holders, it is good, of course, it is not the best, and it is far worse than the professional. In cross talk, it is enough to learn to sing. The main reason is that the current cross talk actors don't pay attention to learning to sing Peking Opera, so relatively speaking, Lao Guo's level is good in the cross talk world.

There are also Li Jindou, Shi Shengjie and so on.

In fact, Guo Degang's Peking Opera is nothing special, his Peking Opera level is the same as that of ticket holders, and it has not yet reached the level of professional actors, and there is no such thing as "Guo Degang-style Peking Opera". Guo Degang himself has never said how high his level of Peking Opera is, and before he sings every time, he has to emphasize that his conditions are limited and his ability is average, which is not a humble word, but the truth.

Lao Guo knows drama. But knowing drama has no absolute relationship with whether it is good or not. Many people complained that Lao Guo sang badly, and he also made big dramas and sold ** tickets.

There is nothing to criticize about this, the audience is buying tickets for Guo Degang, and the requirements for artistic standards are naturally not so high, but to be happy.

In fact, to be honest, there are indeed many people who have entered the door of Peking Opera through the Peking Opera sung by Guo Degang. Guo Degang himself also likes to sing Peking Opera very much and likes to spread opera culture, so he also opened a Qilin Opera Club. Guo Degang is committed to the dissemination of traditional culture, especially opera culture, Peking Opera, Ping Opera, Bangzi, Dagu and other operas, he is very respected, and often spreads them on different occasions and through different platforms.

The term "Guo Degang-style Peking Opera" may not be appropriate, but it can also be expressed as the spread of some non-professional Peking Opera, what is the impact. In fact, the level of many things is not a bad thing!

Anyway, I didn't like to listen to Peking Opera before, and I always felt uncomfortable with the rhythm. Since cross talk has become popular, listening to Guo Degang's singing can also be listened to! Because Guo Degang is talking about cross talk, it feels great that he can sing!

As for how high his attainments are, it has to be evaluated by professional teachers, but some people love to listen to his singing, at least it has a certain role in the promotion and dissemination of Peking Opera art!

Guo Degang loves Peking Opera and performs Peking Opera, and mixes a lot of Peking Opera elements in cross talk. For him, this is an inevitable choice, in fact, it is very simple, the so-called good is like flowing. Shout at what you are good at, of course, from the perspective of Peking Opera art itself, Guo Degang's level is not high.

I think he'll have to admit it himself. But we must see an essential problem. Guo Degang is not stupid enough to use Peking Opera to support his Deyun Club.

Maybe he thinks highly of himself, but that's just self-esteem, and he can't take it seriously.

Guo Degang-style Peking Opera" can be understood in a variety of ways, such as star-style Peking Opera, outsiders ticket Peking Opera, outsiders singing Peking Opera, and so on. On August 18, 2016, the 220-year-old "Sanqing Garden", the first of the seven theaters in Beijing, reopened after more than two years of reconstruction. This time, the person in charge was Guo Degang, and he also borrowed the name of Qilin Tong and named the drama club Qilin Drama Club.

Guo Degang's major is cross talk, and he mentioned in a cross talk that cross talk actors learn to sing various local dramas, and they are horizontal for a while and vertical for a while, ruining their voices, so the drama they learn to sing is the level of ticket holders. And the key to learning to sing in cross talk is not singing, but learning. The various genres of Peking Opera learn the singing voice and movement, and the cross talk is more about the voice and accent, and the person is learned, not so much how good the rap is, but rather a parody show.

Lao Guo is not a professional Peking Opera, but it is undeniable that what he sings is easier for people who have not been exposed to drama to accept than professional. Lao Guo specializes in commenting on dramas, but he is a commoner, and the nature is not the same as the mainstream.

Anyway, there must be very few post-90s people who listen to opera, and the post-80s are all hanging, but because of the appearance of Guo, many people like cross talk, and cross talk is often interspersed with various operas, and the public will also listen to excerpts, saying that Guo Degang's people buy tickets to listen, saying that others can't sell tickets, what do you say? The older generation likes opera, and you are reluctant to let him buy a ticket to listen to the opera.

That is, he is a ticket holder, he loves Peking Opera, and he can't talk about any level.

His Peking Opera papermaking is very ordinary