What is the origin of the couplet?

In ancient Chinese mythology, it is said that there is a world of ghosts, in which there is a mountain, on which there is a large peach tree covering 3,000 miles, and there is a golden rooster on the treetop. Whenever the golden rooster crows in the morning, the ghosts that wander out at night will drive back to the ghost realm. The gate of the ghost domain is located in the northeast of the peach tree, and there are two gods standing by the door, named Shen Tu and Yu Lei.

If the ghost did something unreasonable at night, Shen Tu and Yu Lei would immediately find out and catch it, tie it up with a rope made of mango reeds, and send it to feed the tiger. Therefore, the ghosts of the world are afraid of the gods and gloom. So the people carved their appearance with peach wood and placed it at the door of their house to ward off evil and prevent harm.

Later, people simply carved the names of Shen Tu and Yu Lei on the peach wood board, believing that this could also suppress evil and eliminate evil. This kind of peach plank was later called "peach charm". After the advocacy of Ming Taizu, the Spring Festival couplets have become a custom since then, and have been passed down to this day.

Food customs of the Spring Festival:

In ancient times, the pastries and honey offerings used to worship the gods and ancestors were not only the food of ethnic minorities such as Manchu and Mongolia in Beijing, but also the essential food of Beijing people. Some well-off Beijingers used to have the custom of eating fish on Chinese New Year's Eve. The fish must be carp, which was originally used as a sacrifice to the gods, and later was associated with the auspicious saying "auspicious celebrations", and the fish is both a delicacy and an offering.

As for the dumplings on Chinese New Year's Eve, the vegetarian dumplings are used to worship the gods, and everyone eats meat filling; People who are not wealthy are stuffed with a mixture of meat and vegetables. Even for the poorest families, there will be no shortage of "procedures" for eating dumplings during the New Year.

In addition to the well-known delicacies such as dumplings and rice cakes, the "old Beijing" people also have to make "bean paste", a cold dish made of meat skin, dried tofu, soybeans, green beans, water mustard, etc., the color is like amber, similar to "meat jelly". There is also "wasabi dun", which is a cold dish that is served with sake and appetizers.

During the festival, people eat a lot of greasy food, easy to "make fire" and "produce phlegm", these cold dishes can make up for this shortcoming, for the origin of dumplings, there are many historical records and folklore.

Chinese New Year couplets have been around for a long time.

Spring Festival couplets, originated from the Zhou Dynasty Spring Festival couplets, also known as "spring stickers", "peach symbols".

The earliest prototype of the Spring Festival couplets is the "peach symbol", that is, the peach woodcut "Shen Tu, Yu Lei" two gods and goddesses, used to drive away filth and ward off evil spirits, to later, the peach charm continues to standardize, evolved into a rectangular peach board that is six inches long and three inches wide on both sides of the gate.

The system of peach charms is two or three feet long with thin wood. Four or five inches large, the upper painting of the god is like the genus of the pure wheel of Bai Ze, and the left Yu Lei and the right god of the next book. Or write spring words, or book prayers, and even more so on New Year's Day.

If the main intention of painting the statue of the god is to ward off ghosts and evil spirits, then the main intention of writing the word Shixin is to pray for blessings and auspiciousness. After several evolutions, this has formed the two major veins of the later door gods, New Year's paintings, spring posts, and spring couplets.

One said that the Spring Festival couplets ** in the peach fu, according to the "Hou Han Shu Etiquette Chronicle", the peach fu is six inches long and three inches wide, and the peach wood board is written with "Shen Tu" and "Yu Lei" two gods. Second, it is said that it originated from the spring sticker, and the ancients pasted the word "Yichun" on the beginning of spring, which gradually developed into the Spring Festival couplet, expressing the good wishes of the Chinese working people to ward off evil spirits and eliminate disasters and welcome auspiciousness.

Spring Festival couplets, also known as "spring stickers", "door pairs", "couplets", is a type of red festive element "New Year's Red" pasted during the New Year. It depicts a beautiful image and expresses good wishes in neat, concise and exquisite words, which is a unique literary form in China and an important custom of the Chinese people to celebrate the New Year. When people paste New Year's red (Spring Festival couplets, blessing characters, window flowers, etc.) at the door of their homes, it means that the Spring Festival officially kicks off.

The origin of the couplets.

One said that the Spring Festival couplets ** are in the peach symbol. According to the Book of Etiquette of the Later Han Dynasty, the peach charm is six inches long and three inches wide, and the two gods "Shen Tu" and "Yu Lei" are written on the peach board. "On the first day of the first lunar month, the peach charm is made to the household, the name is immortal wood, and the ghosts are feared.

In the fifth dynasty, in the court of Xishu, someone wrote a couplet on the peach symbol. The Qing Dynasty's "Yansan Wang Annihilation of Beijing" said: "The Spring Festival couplets are peach charms."

Another ** of the Spring Festival couplets is the spring sticker, the ancients pasted the word "Yichun" on the beginning of spring, and then gradually developed into the Spring Festival couplet, expressing the good wishes of the Chinese working people to ward off evil spirits and eliminate disasters and welcome auspiciousness.

It is said that this custom began in the Song Dynasty, and in the Ming Dynasty, the orange began to prevail, and in the Qing Dynasty, the ideological and artistic qualities of the Spring Festival couplets have been greatly improved. Now it has become a custom to paste Spring Festival couplets, and the red couplets are pasted on the door, and the house suddenly shines. As the poem says:

Joyful red Yan, every household sticks Spring Festival couplets; Say goodbye to the old year and welcome the new year, and the wheel of time is always forward. ”

The world's earliest Spring Festival couplets.

The world's earliest Spring Festival couplets included by the World Records Association are: "The beginning of the three yangs, the beginning of the four prefaces." This Spring Festival couplet is recorded in the Dunhuang Testament (volume number Stein 0610) unearthed from the Mogao Caves, which records twelve couplets written on the day of the year and the beginning of spring.

The couplet is the first pair in the order of arrangement, written by Liu Qiuzi of the Tang Dynasty, made in the eleventh year of Kaiyuan (723), 240 years earlier than the inscription of Meng Chang, the lord of Shu. "Sanyang Shibu; "The beginning of the fourth prelude" broke the world record of "New Year's Yuqing, Jiajie Changchun", and was selected as the world's earliest Spring Festival couplet of the China World Records Association.

It symbolizes goodness, so people will post it.

It is to write pairs, which are used by Chinese literati, and are part of traditional Chinese culture, which should be traced back to the Zhou Dynasty!

Legend has it that sticking couplets can suppress evil spirits and drive away ghosts, which is intended to pray for blessings and evil spirits.

What is the origin of the Mori Wood United?

Origin: The earliest prototype of the Spring Festival couplets is the peach talisman, that is, the peach woodcut god and Yu Lei two gods and goddesses, used to drive away filth and ward off evil spirits, and later, the peach talisman continues to be standardized, evolving into a rectangular peach wood board that is six inches long and three inches wide on both sides of the gate. After several evolutions, it has formed two major contexts: door gods, New Year paintings, spring posts, and spring couplets.

Meaning: Spring Festival couplets are a unique literary form in China, and they are also a way to inherit traditional customs, representing the continuation of traditional culture in China. Spring Festival couplets have the traditional folk functions of praying for blessings and decorating residences, reflecting the customs and beliefs of the people, and placing people's hopes for the future.

Although the battle sentences in the lyric poems or pun texts are often wonderful couplets, they can only be called couplets if they exist independently of the lyric poems or pun texts.

The most striking feature of the Spring Festival couplets is that they are formed in pairs in form, and the two couplets are "paired" with each other, and the content corresponds to each other and is closely linked. The upper and lower couplets of a pair of couplets must have a complete and unified structure, and the language must be clear and concise.

The origin of the sticking couplet is the peach symbol.

According to the "Book of Etiquette of the Later Han Dynasty", it is said that the peach charm is six inches long and three inches wide, and the peach wood board is written with two gods, "Shen Tu" and "Yu Lei". "On the first day of the first lunar month, the peach charm is made to the household, the name is immortal wood, and the ghosts are feared. Therefore, the Qing Dynasty's "Yanjing Shi Sui Ji" said:

Spring couplets, that is, peach charms. In the fifth dynasty, in the court of Xishu, someone wrote a couplet on the peach symbol.

The earliest surviving Spring Festival couplets are the Dunhuang testament unearthed from the Dunhuang Mogao Grottoes Zangjing Cave (volume number is Stein 0610), there are twelve pairs of couplets written for the year and the beginning of spring, of which the first pair of "the year of the day: the beginning of the three yangs, the beginning of the four ranks", the author of the Tang dynasty Liu Qiuzi, made in the eleventh year of the Kaiyuan Dynasty (723).

Spring Festival couplets allusions:

It is said that Meng Chang, the king of the Later Shu Kingdom in the fifth dynasty, was a monarch who liked to be unconventional, and on Chinese New Year's Eve at the end of 964 AD, he had a whimsical idea to have one of his bachelors named Xin Yinxun write two sentences on a peach wood board and hang them as peach charms on the door frame of his apartment. The two sentences of this banquet are "New Year's Day, Jiajie Changchun".

The gist of the first sentence is pure emptiness: the New Year enjoys the legacy of the ancestors. The gist of the second sentence is:

The festive season heralds that spring is always there. Since then, the form and content of the peach charm have changed, which is not only manifested in the beginning of the use of the pun body to replace the "gods" and "Yu Lei", but also to expand the connotation of the peach charm, not only to ward off evil spirits and drive away disasters, but also to increase the content of blessings and wishes.

1. The paste couplet evolved from the ancient peach sticker.

2. During the Qin and Han dynasties, the ancient people in China had the custom of hanging peach charms during the New Year. With the continuous evolution of peach charms, in the period of the Five Dynasties, there was the earliest Spring Festival couplets in our country, and it is still one of the customs of the New Year to this day.

3. Couplets can be said to be an excellent traditional culture in our country and a valuable cultural wealth. It is also one of the manifestations of Chinese writing art. Couplets can also be called UnionPay or pairs written on paper, cloth, and engraved on bamboo, wood, and pillars.

The couplet needs to be neat and harmonious, and the sound is based on the unique art form and charm of the Chinese language.