Analysis of Burrow Ming 15, Questions about Burrow Ming

The mountain is not high, and there is a fairy name. The water is not deep, and if there is a dragon, it will be spiritual. Si is a burrow, but Wu Dexin.

The moss marks are green, and the grass is green. There is a lot of talk and laughter, and there is no white ding. You can tune the piano and read the Golden Sutra.

There is no silk and bamboo, and there is no case. Nanyang Zhuge Lu, West Shuzi Cloud Pavilion. Confucius Yun:

What's the ugly one? ”

Burrow Ming Liu Yuxi.

1. The mountain is not high, and there is a fairy name. The water is not deep, and if there is a dragon, it will be spiritual.

In, lies in. Name, verb, famous. Spiritual, magical, magical.

Translation: Mountains are not high, there are immortals to be famous. Water is not deep, with a dragon it works.

2, Si is a burrow, but I Dexin.

Si, demonstrative pronoun, this, this. Only, only. Xin, here refers to high moral character.

Translation: It's a humble house, but I'm of high moral character (so I don't feel shabby).

3. The moss marks are green, and the grass is green.

Up, grow to, vine to.

Translation: The moss traces are green, growing up to the steps; The grass is green and shallots, reflected in the bamboo curtain.

4. There is a great deal of talk and laughter, and there is no white ding.

Hongru, a knowledgeable university scholar. Hong, through "Hong", big. Bai Ding, a commoner, here refers to a person who has no knowledge.

Correspondence, partial sense of compound words, the meaning of the word is biased towards "come".

Translation: The people who come here to talk and laugh are all knowledgeable scholars, and there are no people with shallow knowledge.

5. You can tune the piano and read the golden scriptures.

Tune, play. Suqin, an unadorned piano. The Golden Sutra, a Buddhist scripture written in lacquer.

6. There is no silk and bamboo, and there is no case of labor.

Silk bamboo, here refers to the sound of playing music. The case is an official document of the government. Abolish the independence of the sentence and do not translate.

Labor, make ......Tire. Shape, body, body.

Translation: There is no music to disturb the ear drums, and there is no official document from the government to strain the body.

7, Nanyang Zhuge Lu, Xishu Ziyun Pavilion.

Translation: There is Zhuge Liang's grass house in Nanyang, and there is a pavilion of Yangtze Cloud in Xishu. (Although they are simple, they are admired by the people who live in them because they are famous.) ）

8, Confucius said: "What is ugly? ”

Translation: Confucius said, "What is the simplicity? ”

Liu Yuxi's "Burrow".

The mountain is not high, and there is a fairy name. The water is not deep, and if there is a dragon, it will be spiritual. Si is a burrow, but Wu Dexin.

The moss marks are green, and the grass is green. There is a lot of talk and laughter, and there is no white ding. You can tune the piano and read the Golden Sutra.

There is no silk and bamboo, and there is no case. Nanyang Zhuge Lu, West Shuzi Cloud Pavilion. Confucius Yun:

What's the ugly one? ”

Translation: Mountains don't have to be high, they can be famous all over the world if they are inhabited by immortals; The water doesn't have to be deep, and a dragon (dwelling) can bless the spirits. It was a humble house, but the owner had good deeds.

The moss covered the front of the stairs with a green carpet, and the grass reflected the inside of the curtain. It is the knowledgeable scholars who talk and laugh, and there are no shallow people who come and go. You can play the simple guqin and browse the precious Buddhist scriptures.

There is no (noisy) ** to disturb the ears, and there is no official document of the government to tire the body and mind. (It is like) the thatched house of Zhuge Liang in Nanyang, and the Xuanting of Yangziyun in Western Shu. Confucius said:

Although it is a humble room, as long as the gentleman lives in it) what is simple?

The mountain is not high, and there is a fairy name. The water is not deep, and if there is a dragon, it will be spiritual. Si is a burrow, but Wu Dexin.

The moss marks are green, and the grass is green. There is a lot of talk and laughter, and there is no white ding. You can tune the piano and read the Golden Sutra.

There is no silk and bamboo, and there is no case. Nanyang Zhuge Lu, West Shuzi Cloud Pavilion. Confucius Yun:

What's the ugly one? ”

Translation: Mountains don't have to be high, they are famous when they have immortals. The water doesn't have to be deep, with a dragon it is supernatural.

Although it is a simple house, it is just that my moral character is good (I don't feel shabby). The moss is green, growing up to the steps, and the grass is green and green and reflected in the curtains. I talk and laugh with learned people, and there are no unlearned people with whom I interact.

You can play the simple guqin and read precious Buddhist scriptures. There is no noisy ** disturbing the ears, and there is no official document to work out the body and mind. (It is like) the thatched house of Zhuge Liang in Nanyang, and the Xuanting of Yangziyun in Western Shu.

Confucius said, "What's so simple? ”

Translate the following sentences.

1 It is a simple house, but I (the dweller) are of good character.

2 Confucius: "What is ugly? ”

Confucius said, "What is simple? ”

1 The sentence in the text that describes the environment of the Burrow is:

There is a lot of talk and laughter, and there is no white ding.

2 The sentence in which the Burrow is written is:

You can tune the piano and read the Golden Sutra. There is no silk and bamboo, and there is no case.

1) How many levels does this article show the noble character of the owner of the Burrow?

The three aspects are the elegant environment, the knowledgeable travelers, and the elegant interests.

2) What is the author's intention to emphasize by using metaphor and analogy at the beginning and end of the article?

Emphasize the author's noble character and lofty aspirations.

One. Teaching Objectives:

1. Understand the writing of the words and aspirations of the Tuowu.

2. Experience the exquisite and novel ideas.

Teaching methods: 2. Study the text.

What does the title of this article mean?

In ancient times, the words engraved on utensils to warn oneself or to describe merits later became a literary style, which generally used rhyme.

If the text is divided into three levels, how should they be divided?

Clear The first layer is from the beginning to "Wei Wu De Xin", the second layer is from "moss marks on the green level" to "the labor shape of no case", and the third layer is the end of the article.

What is the analogy of "the mountain is not high" and "the water is not deep"? What is the metaphor of "there is a mountain, there is a name" and "there is a dragon, there is a spirit"?

Clarity The first two sentences are analogous to the "Burrow", and the last two sentences are alluded to themselves.

What is the color of the interior and exterior of the Burrow? Is the view beautiful? What are the characteristics, and summarize them in one word (word).

Clear green, cyan, the scenery is chic and elegant (secluded).

What are the characteristics of the person who interacted with the author?

Clear Hongru , no white Ding (Ya).

What is the author's life in a humble house? What are the features?

Tuning the piano, reading the golden scriptures, no silk and bamboo, no case work. (Ann).

What does the author use as an analogy to his own burrow?

Clear Nanyang Zhuge Lu, Xishu Ziyun Pavilion.

Tasting and analyzing the wonderful use of the words "up" and "in", it is clear that the words "up" and "in" are vivid and expressive, and the static is moving, which not only personifies the scene, is active and vibrant, but also reveals the author's love for this scenery, and we can imagine what a quiet and peaceful environment it is.

Can "Hongru" be replaced by "Qunru"?

No. "Confucianism" has no meaning of "big", it seems too much.

Three readings to comprehend the connotation) (read once for boys and girls for each role).

What feelings does "no white ding" contain?

Self-appreciation (including the idea of contempt for the working people, determined by the class limitations of the author).

Is it possible to change "Reading the Golden Classics" to "Reading the Five Classics" and why?

Clearly No. Because the author was degraded at that time, he was a little depressed in his thoughts, and wanted to find some kind of sustenance from the Buddhist scriptures, and "reading the Golden Sutra" was the reflection of the author's thoughts and feelings at that time.

What is the relationship between the beginning and the end of the sentence?

The first sentence is written in a metaphorical way, and the last sentence echoes each other.

Not contradictory. The "ugly" in the title is the ugly shape of the house, and the "ugly" in the last sentence is the meaning of "vulgar", which means that the "Dexin" of the owner of the house is not vulgar.

Guide students to summarize the idea of the whole text. The whole text begins with a comparison, and then describes the scenery, social interaction, and life in the Burrow, and then skillfully expresses his own life feelings and interests through analogy.

The article supports the words and aspirations (borrowing the humble room to express the aspirations), showing that the author is not greedy for wealth and glory, does not go along with the ruling class, and attaches importance to his own self-cultivation of thoughts and feelings. (Subject of the article).

The Burrow's explanation.

Essay title. It is generally believed that it was made by Liu Yuxi in the Tang Dynasty, and some people are suspected of being a pseudonymous work because this article was not included in the "Liu Yuxi Collection". The article expresses the author's feelings of living in a humble room and having a calm mind.

Word decomposition Ugly Explanation Ugly ò ugly, crude, uncivilized : ugly . Humble.

Vulgarity. Cramped, abbreviated: Burrow.

Shabby. Because of ugliness, it is simple. The alleys are poor (describing a poor family and a hard life).

Small knowledge: shallow. Rush candle.

Contempt: Ugly in the present and glorious in the past. Number of strokes:

radical : 阝; Stroke order.

The original text and the original translation: The mountain is not high, but the name of the immortal. The water is not deep, and if there is a dragon, it will be spiritual.

Si is a burrow, but Wu Dexin. The moss marks are green, and the grass is green. There is a lot of talk and laughter, and there is no white ding.

You can tune the piano and read the Golden Sutra. There is no silk and bamboo, and there is no case. Nanyang Zhuge Lu, West Shuzi Cloud Pavilion.

Confucius Ziyun: "What is ugly? Translation:

The mountain does not have to be high, there are immortals (dwelling) to be famous in the world; The water doesn't have to be deep, and a dragon (dwelling) can bless the spirits. It's a humble house, but fortunately, the owner has good virtues. The moss covered the front of the stairs with a green carpet, and the grass reflected the inside of the curtain.

It is the knowledgeable scholars who talk and laugh, and there are no shallow people who come and go. You can play the simple guqin and browse the precious Buddhist scriptures. There is no (noisy) ** to disturb the ears, and there is no official document of the government to work out the body and mind.

(It is like) the thatched house of Zhuge Liang in Nanyang, and the Xuanting of Yangziyun in Western Shu. Confucius said: (Although it is a humble room, as long as the gentleman lives in it), what is simple?

1) The sentence in "The Burrow" that expresses the elegance of the master's interaction is: There is a great deal of Confucianism in talking and laughing, and there is no vain in communication.

2) The criteria for making friends are about the quality of personality and the quality of life. In "The Burrow", while describing the life of the Burrow, Liu Yupeng also talked about his principle of making friends: there is a great deal of Confucianism in talking and laughing, and there is no vain hand in the chain of correspondence.

2. What is the environment of the Burrow? What rhetorical device does the author use? What are the benefits of writing like this?

Answer: The steps are covered with moss, and the grass is growing by the window door. The rhetorical methods of duality and personification are used.

The moss and grass are written alive, with spirit and charm. It makes people not feel that the environment of the humble room is bleak and barren, but feels full of spring, vibrant, quiet and elegant.

3. Why are the friends who confess to the owner of the Burrow all talented and knowledgeable "Hongru"?

Answer: As the saying goes: those who know it must know their friends, and those who know their friends also know their people, from which we can know that the master must be an elegant person, and have both ability and political integrity, and be extraordinary.

The full text is divided into four layers:

The second layer ("Moss Upper Rank Green......No case of labor"): focus on writing about the environment of the humble room and the activities of the owner, and further highlight "Wei Wu Dexin";

The third layer ("Nanyang Zhuge Lu, Xishu Ziyun Pavilion"): Zhuge Liang, Yang Xiong's ancient sage residences are compared with the Tanye Xiangxiang Mansion;

The fourth layer (last sentence): Quoting Confucius's words to conclude: implicitly show his proud character and noble aspirations.

Summary. The Burrow Inscription is an inscription written by the Tang Dynasty poet Liu Yuxi. The full text is only 81 words, and the author uses praise to express his noble aspirations, peace and happiness, and not being in the same stream as the world.

The level of the article is clear, first with the landscape to rise, point out the theme of "Si is the Burrow, but I Dexin", and then from the outdoor scene, indoor people, and things in the room, rendering the elegant realm of the Burrow, and citing the ancient residence of the handsome, the words of the ancient sage to strengthen the meaning of the text, and end with a rhetorical question, with a long aftertaste. <>