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Compromise appropriately and combine it with what young people are more passionate about.
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Let modern people understand, publicize.
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It is to promote Peking Opera as much as possible so that everyone can see it.
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This is actually a bit difficult.
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The inheritance of Peking Opera culture has a long way to go, and it is necessary for contemporary young people to continue to learn, learn from its essence, and innovate and improve. Peking Opera is the most influential opera in China, centered on Beijing. Peking Opera, also known as Peking Opera, originated in the Qianlong period of the Qing Dynasty, and evolved through the continuous cooperation, improvement, and absorption of other dramas by the four major Hui troupes, Sanqing, Sixi, Chuntai, Hechun, and Han tunes.
Peking Opera is an important part of traditional Chinese culture and an intangible cultural heritage of China. Therefore, the contemporary generation should continue to inherit the Chinese Peking Opera culture.
An important way to pass on culture is through education. Education is an important way to disseminate and develop culture. Without education, there is no future and no development in a society.
Therefore, education is indispensable in the inheritance of Peking Opera. But this education is not an education that drives ducks to the shelves, but an education that people want to accept from the heart. That's what makes an education.
It is necessary to show more Peking Opera culture among young people, so that young people can see the charm of Peking Opera in education. Young people are the future of the country, and cultural inheritance should start from an early age.
In addition, it is also necessary to use innovative ways to bring Peking Opera culture into people's lives. Modern society is a scientific and technological and information-based society. In the promotion of Peking Opera culture, it should not be limited to the way of stage performance, but also expand the way of communication that can be accepted by many contemporary people.
For example, the use of new ** to spread the culture of Peking Opera, the use of advanced communication methods is more conducive to accelerating the spread of culture. Using advanced technology, Peking Opera is put into the application software used by everyone, so that more people can see the Peking Opera culture.
There is also the need to strengthen the protection of the dismantling of Peking Opera texts. For culture, if there is no protection, how can it be inherited? Therefore, it is necessary to effectively protect Peking Opera in various places, rather than formalism.
For example, to improve the scenes and costumes required for Peking Opera, it is also necessary to encourage and subsidize the cultural workers of Peking Opera. Peking Opera culture is the crystallization of the Chinese nation's painstaking accumulation of drama, which embodies the wisdom and painstaking efforts of Chinese theater workers, and we must protect it well.
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Peking Opera: I think most young people don't like Chang Roll, although they don't like it, but many people will respect the quintessence of the country. And there are a small number of people who like Peking Opera, and they will pass it on. Nai Zhiyu.
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I don't talk about Liang, I like to watch Jinghan Rangkuan drama. Peking Opera should innovate in terms of expression and content, and strive to have a certain degree of compatibility with young people, so that more young people can like Peking Opera.
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As a young person, I don't like to watch Peking Opera so much, and the development path of Peking Opera after the merger is still relatively confused, and it is necessary to establish relevant protection departments and promotion departments in order to let the Beijing Jue Costume Opera continue to permeate and spread its glory.
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I also like to watch Peking Opera, which is also a famous work in our ancestral hometown of Quanzhou, not only many people like it, but also many people want to carry it forward.
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Peking Opera has become an antique. Appreciating antiques is an elegant taste that requires a special cultural refinement.
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In today's Internet age, traditional culture is unfolding in front of us in a unique way.
Just recently, the term "national tide" has begun to be loved by more and more young people, and the quintessential Peking Opera has become a phenomenal cultural phenomenon.
Traditional culture is returning to the public eye in a new form.
First, more and more young people are beginning to pay attention to traditional culture.
As the pace of our lives becomes faster and faster, more and more young people are starting to pay attention to traditional culture, which is a good thing.
Now, young people can learn about the culture around us through their mobile phones or the Internet, which also provides a new form for the revival of traditional Chinese culture.
Second, the cultural industry is becoming an important part of trendy culture.
In the age of the Internet, the ways and means of disseminating traditional culture have changed.
We can learn about the excellent cultures of the world through the Internet, and we can also learn excellent cultural knowledge on the Internet.
As we learn and understand the world, we can also appreciate the charm of traditional culture.
As a country with a large population, China has abundant traditional cultural resources, and these excellent traditional cultures are also glowing with youthful brilliance in today's society in a unique form.
Third, the younger generation began to pay attention to the inheritance of culture, and traditional culture needs to be paid attention to by young people.
Young people have gradually learned the charm of traditional culture in the Internet age, but they have lost the opportunity to inherit traditional art because of their lack of understanding of young people.
In today's people's lives, some pop culture, such as Hanfu, has appeared in front of us in a new form, but these forms have not been well inherited.
Young people, as the new force of our country, should also try to understand when we do not understand traditional Chinese culture, instead of learning because they like it.
Only in this way can we better inherit the traditional Chinese national culture.
Fourth, young people are eager to understand traditional Chinese stories and characters, and to disseminate and pass them on.
And these are the reasons why young people are beginning to pay attention to traditional culture.
Traditional culture is a treasure worthy of our heart.
Fifth, China's traditional cultural resources are rich and diverse, which need to be further explored.
China's traditional cultural resources are very rich, including literature, art, architecture, science and technology and other aspects, these are all areas that we need to dig deeper.
Many of them are valuable assets left to us by our predecessors, which are worthy of our learning and inheritance.
In culture, culture is the spiritual identity of a country and a nation, and spirit is the foundation of culture and the soul of a nation.
A country without culture is like a car without an engine, which will only lead to its own trouble.
And only when everyone can fully feel the beauty of traditional culture, can we truly appreciate the essence of traditional culture.
In the context of the new era, everyone needs to work hard to discover the beauty of traditional culture and inject new vitality into traditional culture.
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Peking Opera was very popular in ancient times, especially in modern China, and people were very fond of Peking Opera. However, in modern times, many young people do not like Peking Opera. Why is that?
In fact, it is mainly because the times have changed, the thinking of young people has changed, and Peking Opera originally contains a high level of art, resulting in many people not being able to appreciate the charm contained in Peking Opera at all. Therefore, the new generation of young people are not very fond of Peking Opera.
1. Modern people are too impetuous, and the reason why the new generation of young people do not like Peking Opera is mainly because of modern life. Due to the rapid changes of the times, people's pace of life is getting faster and faster, which leads to the increasing pressure of modern young people, and there is simply not enough time to appreciate the art of Peking Opera.
2. Peking Opera lacks the significance of the times, and the reason why Peking Opera is not accepted by modern young people is mainly because Peking Opera lacks modern elements. Because Peking Opera has been the same from its birth to the present, there is not much innovation in form, and there are no elements of the times. Although some people are interested in Peking Opera in modern life, it is difficult for people to understand the meaning of Peking Opera due to its long origin.
In fact, through the survey, we can find that some people still want to watch Peking Opera, but because they always can't understand the meaning that Peking Opera wants to convey, they slowly lose interest.
3. In addition to the above two reasons, there is also a very important reason for the rise of modern culture, which is that there are various entertainment cultures in modern times, such as Douyin, TV dramas, WeChat, etc. In addition, because these cultures themselves have a certain attraction, people generally choose some better entertainment methods to relax themselves. Since Peking Opera itself is a bit boring, it is difficult for ordinary people to become interested in it.
Therefore, in modern times, very few young people will like Peking Opera, let alone learn Peking Opera. In short, the main reason why people don't like Peking Opera is because times have changed.
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