What calligraphy writers and what works did they write in the Song Dynasty?

In the early Song Dynasty, outstanding scholars include Xu Xuan and Li Jianzhong. Li Jianzhong's hand-me-down works "Tumu Post" and "Post of the Same Year" chased the Jin and Tang Dynasties. However, what really represents the achievements of calligraphy in the Song Dynasty is still"Song Sijia", namely: Su Shi, Huang Tingjian, Mi Fu, Cai Xiang.

Su Shi was the most influential literati artist of the Song Dynasty, and his calligraphy was far away"Two kings", close to Yan Zhenqing, Liu Gongquan, Li Yong, Yang Ningshi, solid body, smooth pen and ink, representative works include "Huangzhou Cold Food Poems", "New Year's Exhibition Celebration Post" and so on. Huang Tingjian's calligraphy is eclectic from others, the knot in the middle palace is compact and the periphery is broad, with the pen left and right, such as shaking the double oar, the representative works have "Shu Li Bai recalls the old travel poems", "Zhu Shangza post", "Songfeng Pavilion poems", "flower poems" and so on. Mi Fu calligraphy, got"Two kings"The essence, the knot is multifaceted on the side, with a pen"Strikes from all sides"Representative works such as "On Cursive Writing", "Tiaoxi Poems", "Shu Su Post", "Coral Post", "Worship Zhongyue Life Poem", "Hongxian Poem" and so on.

Cai Xiang's calligraphy is based on Erwang, Yan and Liu, and his works include "Wan'an Bridge Story", "Hu Cong Post", "Si Yong Post", "Spring Post" and so on.

Huizong of the Song Dynasty advocated art and was the most famous emperor calligrapher and painter in history"Skinny Gold Book", frustration, very delicate and elegant, unique, representative works include "thin gold thousand words", "cursive thousand words", "cursive fan" and so on. The literati and calligraphers of the Song Dynasty were very cooperative, such as Ruowen Tong, Wen Yanbo, Lin Kui, Fan Zhongyan, Ouyang Xiu, Su Shi, Su Xun, Sima Guang, Wang Anshi, Zhang Shunmin, Cai Jing, Cai Bian, Xue Shaopeng, Mi Youren, Ye Mengde, Zhao Gou, Lu You, Fan Chengda, Zhu Xi, Wu Shuo, Zhang Xiaoxiang, Wen Tianxiang, Jiang Kui, Wu Ju, Wei Liaoweng, Zhang Jizhi, Zhao Mengjian, etc., each unveiled their eyebrows.

Song Dynasty calligraphy"Meaning"It is still calligraphy for the Tang people"Act"A renewal of the creative concept. The reason why Tang Yan Zhenqing and Yang Ning's calligraphy of the fifth generation had the greatest influence on the Song people is that the calligraphy of the two is more interesting than the law.

In addition, a large number of literati, poets, and lyricists also have the specialty of calligraphy, which is to transcend the law and admire the taste. In the Song Dynasty, the reason why there was no seal script, official script and regular script was not only due to the luck of the times, but also related to the characteristics of the calligrapher group at that time. It can be said that Chinese calligraphy and the Song Dynasty were a major turning point

Song Huizong, Su Huang Mi Cai, Su Shi, Huang Tingjian, Mi Fu, Cai Xiang are the most famous, and the most people in later generations have learned.

The calligraphers of the Song Dynasty were Su Shi, Huang Tingjian, Mi Fu and Cai Xiang.

The four masters of the Song Dynasty are Su Shi, Huang Tingjian, Mi Fu, and Cai Xiang. They have very different styles and characteristics, and they have always been respected by people.

1, Su Shi

Su Shi's calligraphy draws nourishment from the "two kings", Yan Zhenqing, Liu Gongquan, Chu Suiliang, Xu Hao, Li Beihai, and Yang Ningshi, and strives to innovate on the basis of inheriting the tradition. He is good at writing and regular script, and his penmanship is full of flesh and bones, ups and downs are natural, giving people the artistic beauty of "the air of the sea and the waves" and "the shape of the strange stone of Gucha". Su Shi's calligraphy has been highly praised by later generations.

Su Shi (1037-1101), the word Zizhan, the number of Dongpo layman, was a native of Meishan, Sichuan. Famous writer, calligrapher and painter of the Northern Song Dynasty. Poetry is open and bold, and it is one of the eight masters of the Tang and Song dynasties.

He and his father Su Xun and younger brother Su Zhe are famous for their poetry and writing"Three Sus"。Delicate.

2, Huang Tingjian

Huang Tingjian: Under the influence of his grandfather Huang Xiang, Huang Tingjian has been fond of calligraphy since he was a child. He is good at calligraphy and cursive writing, and regular script is also a family of his own.

Xueshu especially admires Wang Xizhi's "Orchid Pavilion Preface". He has a poem praising Yang Ning's style, which can show his deep experience of the practice of "Orchid Pavilion Preface": "The world has learned the Lanting Noodles, and wants to exchange for mortal bones without gold pills."

Who knows Luoyang Yang Fengzi, the next pen will go to the black silk column. This cannot be done without his deep understanding of Wang Jinhuxi's calligraphy learning.

3, Mi Fu

Mi Fu calligraphy is the deepest, the achievement of the book is the largest. Since the Southern Song Dynasty, most of the famous collection posts, most of them engraved their law books, widely circulated, far-reaching influence, in the "Northern Song Dynasty four great calligraphers", can really be the first to destroy the tomb. Kang Youwei once said:

Tang Yan structure, Song Shang interest. It means that the calligraphers of the Song Dynasty pay attention to interest and personality, and Mi Fu is particularly prominent in this regard.

4, Cai Xiang

Cai Xiang specializes in block letters, line script, and cursive script. Its calligraphy is dignified and dignified, simple and graceful, and self-contained. Rolling Cai Xiang's calligraphy, I suddenly felt a wisp of spring breeze blowing on my face, full of beautiful and gentle atmosphere.

Cai Xiang's calligraphy was highly respected by the people of the time during his lifetime, and he was highly prestigious, and the people who most admired his calligraphy were Su Shi and Ouyang Xiu.

Answer: The representative work of the calligraphers of the Song Dynasty is "The History of Calligraphy".

Explanation: "History of Calligraphy" is a book written by the Song Dynasty calligrapher Mi Fu, which is a book that introduces the history of Chinese calligraphy. Divided into 10 volumes, the book includes calligraphers and their works from ancient times to the Song Dynasty, and is one of the most important Wenchun masterpieces in the history of Chinese calligraphy.

Mi Fu himself is also one of the famous calligraphers of the Song Dynasty, his calligraphy is known for its strength and majesty.

Expansion: The Song Dynasty was an important period in the history of Chinese calligraphy, with many excellent calligraphers and works appearing. In addition to Mi Fu, there are Su Shi, Huang Tingjian, Cai Xiang and other famous calligraphers, their works are also one of the representative works of Song Dynasty calligraphy.

In the Song Dynasty, the calligraphy of the Song Dynasty pursued the charm, momentum and nature, and paid attention to the use of pen power and ink, forming a unique style and characteristics.

Answer: The representative work of the calligraphers of the Song Dynasty is "The History of Calligraphy".

Explanation: "History of Calligraphy" is a book written by Ouyang Xun, a calligrapher in the Northern Song Dynasty, and is known as a classic in the history of Chinese calligraphy. The "History of Calligraphy" is divided into two volumes, the upper volume is the development history of the four fonts of seal dust, li, grass and block letters, and the second volume is the calligraphy works and style characteristics of the famous masters of the Wei, Jin, Southern and Northern Dynasties, Sui and Tang dynasties, Song, Yuan, Ming and Qing dynasties.

Expansion: Ouyang Xun is a famous calligrapher in the history of Chinese calligraphy, and his calligraphy works are broad and profound, and are highly respected by future generations. The History of Calligraphy is not only Ouyang Xun's masterpiece Pai Kuan, but also an important monograph on the history of calligraphy in the history of Chinese calligraphy, which has had a profound impact on the development of calligraphy in later generations.

1 Yes, the representative work of the Song Dynasty calligraphers is the History of Calligraphy.

2 The History of Calligraphy is a classic work in the history of Chinese calligraphy, compiled by Su Shi, Su Zhe and others, and written by Wang Gong and others.

3 In addition, there are many other famous calligraphers' masterpieces in the Song Dynasty, such as Huang Tingxun's "Taihe Zhengyin Spectrum" and Mi Yuan Oak Fu's "Self-Narrative Post", which are all excellent calligraphy works worth mentioning.

The representative works of the calligraphers of the Song Dynasty should have "Jiucheng Palace Liquan Ming", "Mysterious Tower Tablet", "Shimen Heart Seal" and so on. Among them, "Jiucheng Palace Liquan Ming" is the work of Ouyang Xun, known as the "regular script", is a classic of regular script. This work expresses the essence of ancient Chinese culture and the subtle realm of art in the form of calligraphy, its strokes are upright, neat, concise, magnificent and beautiful, and is known as a model work of "magnificent, refined workmanship, square and rigorous".

The "Mysterious Tower Tablet" is one of the representative works of the famous calligrapher Su Shi, whose strokes are free, chic, magnificent, creative and individual, and is one of the outstanding works in the history of Chinese calligraphy. "Shimen heart seal" is one of Mi Fu's representative works, calligraphy style is unique, with "vivid rhyme, vigorous" famous, can be called "fairy pen". These representative works are not only classics of Chinese calligraphy art, but also represent the social and cultural features of the time, and have extremely high historical and artistic value.

The Song Dynasty was an important period in the history of Chinese calligraphy, during which calligraphers created many exquisite works. Among them, the representative work of the calligraphers of the Song Dynasty is "The History of Calligraphy", which is a book that introduces the history of the development of Chinese calligraphy in detail, and is a landmark work in the history of Chinese calligraphy.

The author of the book "Book History" is Ouyang Xun, a descendant of Ouyang Xun. Through the research and summary of his predecessors in the history of Chinese calligraphy, he introduced in detail the development, evolution and genre of Chinese calligraphy, expounded the basic theories and techniques of calligraphy, and also made his own unique views on the evaluation and appreciation of calligraphy.

The publication of The History of Calligraphy played an important role in promoting the development of calligraphy in the Song Dynasty, making calligraphers pay more attention to the artistic and theoretical nature of calligraphy. At the same time, the History of Calligraphy has also had a profound impact on the development of calligraphy in later generations, and has become an important reference book for later calligraphers to study the history of Chinese calligraphy.

The representative work of the calligraphers of the Song Dynasty is not the "History of Calligraphy", but the "History of the Liang Scholar's Book Wheel" is a historical work about ancient Chinese calligraphy. There are many calligraphers in the Song Dynasty, such as Mi Fu, Su Shi, Huang Tingjian, Ouyang Xun, etc. They have their own strengths in the art of calligraphy, with Mi Fu's "clumsy and ingenious", Su Shi's "natural truth", Huang Tingjian's "skinny fairy wind", Ouyang Xun's "hundreds of thousands of bodies with freedom" are famous.

Their works have extremely high artistic value and historical value, and are known as treasures in the history of Chinese calligraphy.

There is more than one representative work of calligraphers in the Song Dynasty, but if you want to mention the most representative work, many people will see it as "Su Shi to the East Fence Post", Su Shi fills in the poem with six crosses, and the form of the work is cursive, which is full of tension. At the same time, the Northern Song Dynasty Mi Fu and Huang Tingjian's calligraphy is also exquisite, their calligraphy works are quite famous Heng Grip Feng, such as Huang Tingjian's "since ancient times in autumn sad and lonely" and Mi Fu's "Book Hundred Books" and so on. These works not only have a certain artistic value, but also reflect the social culture of the time.

1. Su Shi: Su Shi, the word Zizhan, also known as Hezhong, the number of Dongpo layman, the self-proclaimed Taoist, known as Su Xian. Han nationality, Meizhou Meishan people in the Northern Song Dynasty. An important writer of the Song Dynasty, a representative of the highest achievements of Dansun literature in the Song Dynasty.

2, Huang Tingjian

Huang Tingjian, the word Luzhi, the number of valley Taoist, the late number Fu Weng, Hongzhou Fenning people, the famous writer and calligrapher of the Northern Song Dynasty, is the ancestor of the Jiangxi poetry school that flourished for a while, and Du Fu, Chen Shidao and Chen Heyi are known as the ancestors and three ancestors. Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the four bachelors of Sumen. During his lifetime, he was as famous as Su Shi and was known as Su Huang.

3, Mi Fu: Mi Fu, calligraphers and painters of the Northern Song Dynasty. The word Yuan Zhang, the name of the people of the time, Xiangyang Manshi, Haiyue Waishi, self-named Lumen Jushi.

Famous calligrapher, connoisseur, painter and collector of the Northern Song Dynasty. Mi Fu was originally from Xiangyang, and later settled in Runzhou. Called as a doctor of calligraphy and painting, a member of the Ministry of Rites.

Mi Fu in the officialdom is not expected, it can not be admired by the world, so from the number of difficulties. Because of his clothing behavior and obsession with calligraphy, painting, and precious stones, the attitude of the mold core chain is regarded as madness by the world, so it is also known as Mi Dian.