Examples of leaping in poetry, what is the leaping characteristic of poetry?

Poetry is a literary genre with concise words, jumping structure, rich rhythm and rhyme, and a high degree of prudence and repentance to reflect life and express thoughts and feelings, and jumpiness is one of its basic characteristics. The jumps of the poem are mostly composed of two or more images, and there is no continuity between the images, only one emotional thread is maintained. It is coherent in terms of staccato performance, and summarizes the whole in terms of parts, leaving a wide field for the reader's imagination to gallop.

For example, "Jiang Xue": Thousands of mountains and birds fly away, and thousands of people disappear. Lonely boat, fishing alone in the cold river and snow.

Liu Zongyuan's landscape poems have a significant characteristic of generosity, that is, the objective realm is written in a relatively secluded manner, while the poet's subjective mood is relatively lonely, and sometimes even too lonely, too lonely, without a little human fireworks. This poem "River Snow" is exactly like this, the poet only used 20 words, to depict a quiet and cold picture: on the snowy river, a small boat, an old fisherman, alone in the cold river center of Zhongqing.

Wake up from a dream. Stretch out your arms affectionately from a distant place.

Running to the long-lost you woke up in a trance.

But in a dream, it seems to be vaguely like autumn and turn into a fascination.

Open your eyes and read your poems, dancing softly.

Tears spilled down ...... pillow

Miss. It was like a rainy season many years ago.

Standing by the window, young and no more.

The empty heart hall is full of thoughts.

When, you became my sigh.

In all the days of nostalgia.

Your thoughts are the teardrops that hang on the petals of a flower when you wake up from a dream.

Dripping down on the earth just hurts my inner dream.

So I planted it in the spring.

Walking alone on the lonely long street ......

Remember. A man walks around on the edge of twilight.

Memories are played out one by one.

Thinking of that chance encounter, looking back and looking back in a hurry.

Thinking of the unintentional rubbing shoulders on the street, staring at each other deeply.

Thinking of those warm years of poetry against silently.

Remember. The heart is transformed into a wetland of your soul and my soul, and the interpretation is sonorous.

Sadness or joy glides over your rice paper.

Tell me your story and mine.

Tonight. Moonless tonight is a huge net tonight.

A slight ripple splashed where his gaze slid down, locking his thoughts.

Inadvertently. You appear in my jumping lines.

You say that I am a lotus in your heart.

One heart and one flower, so I fulfilled that beauty.

I said put a stupid sedan chair in the depths of your heart.

You said that the day and night were wiped and the night was waiting for the inscription of the heart lotus.

Since then, I have been swinging in your heart.

Ringing the heart wall bell rings for a long time.

Tonight, the moon of a thousand autumns hides on the branches and sings.

Tonight I am your beautiful tree.

Tonight I hold a wisp of wind in my hand.

Touch the memory over and over again.

The soft wavy days of the text are your return date?

One of the great characteristics of word creation is the leap of language. Because of the limitation of the number of words, the poetic work needs to be refined, and if the author expresses all the things described in detail, it is impossible and not artistic. This requires the writer to condense and simplify the language, find out the key words, and arrange and combine them reasonably.

Therefore, the language in the poetic work has the characteristics of jumping, but this leap must be reasonable, and the coherence of thinking needs to be constrained, so that this leap must be premised on the theme and reasonable ideas. Only by organically combining the leap of language with the coherence of thinking can we give full play to the artistry of the work.

For example, Qin Guan.

The Magpie Bridge. The next que of "Immortal Qixi Festival": "Tenderness is like water, the best time to destroy branches is like a dream, endure the return of the Queqiao, in modern Chinese, it is:

The tenderness of two people is like water (as deep as water, as tender), (but the best time to meet) is like a dream (as far as a dream, as beautiful as a dream), (so when two people hold hands and look at each other, how can they bear to (turn back) to see the way back to the magpie bridge?

In addition, there is also "the sound of the chicken Maodian month, the track of the bridge frost", all of which are jumping noun arrangement tracks.

In today's online works, the works of many friends are often exhaustive, which forms the so-called "dignified" and "over-real", stuffing their own works to the full, making the works appear very clumsy, and leaving no room for the reader's imagination, which greatly reduces the artistry and appeal of the work, and makes it difficult for readers to resonate with the work.