What to pay attention to in sketching? What should I pay attention to when drawing?

First of all, the styling must be accurate.

Secondly, the proportion, the structure is accurate.

Again, pay attention to the facets when you adjust the tone, and the boundary between light and dark also has volume.

And then it's how to deal with the connection, such as between hair and **, between items and **, between items and items, to make the connection natural, not stiff, and there is a virtual and real treatment.

Finally, the overall effect is to press down what should be heavy, such as sketching a head in natural light (projection from the upper eyelid to the lower eyelid, projection of the head to the neck, etc.).

In fact, you don't need to emphasize the dividing line between light and dark, just show what you see realistically.

Attention should be paid to this process: perspective.

Actual situation. The tone is real.

In fact, the first thing to pay attention to in sketching is to have a big effect! Without a big effect, the viewer will not be very patient to look at the details in your painting, how to make a big effect! There are mainly these points: 1

The dark part should really be dark Two: The bright part should be bright Can't talk about the picture gray The gray picture will affect the mood of the viewer looking at the painting Three: It is the middle tone, in fact, often some good paintings The middle tone is not very much painted They highlight the contrast There is contrast is interesting I think the details in the picture are very important Everything is the same The details are the most eye-catching, and the depiction of more details in the picture The more the viewer will look at the more interesting Of course These must be based on the fact that the large shape is more accurate, and the large shape will look very comfortable when the large shape is accurate

1. The picture is too "empty" or too "full". 2. The shape is "crooked". 3. The contour line is too "thick".

4. The contour line is too "virtual".

The expression method of sketching is divided into:

1. From the perspective of sketch materials, it can be divided into charcoal sketches, pencil sketches, charcoal essence sketches, pen sketches, silver pen sketches, brush sketches, etc.

2. The subject matter can be divided into plaster sketches, landscape sketches, still life sketches, human body sketches, and fantasy sketches.

3. The purpose of sketching can be divided into sketches as ideas, sketches used as sketches, sketches, works, and exercises.

Drawing sketches is the most taboo to be in a hurry, many beginners just started to learn, after making the body to think about the upper tone, in fact, the shape is not accurate, the upper tone is useless, or to practice the basic skills solidly, before the next step forward.

The most taboo thing about sketching is that the picture is very gray, and the layering of sketching is very weak, which is the most taboo for sketching, and you also need to pay attention to the shape of sketching, which must be very accurate, if the painting is not accurate, it is also very taboo to sketch.

The most taboo thing about sketching is that the picture is very gray and lacks a sense of hierarchy, and the sketch needs to show the three levels of black, white and gray very clearly and clearly.

The most taboo is dirty, the light and shade are not obvious, the picture is too gray, and there is no sense of hierarchy.

Still life is too biased:This problem is actually the same as the previous problem, it is still a problem of picture composition, the still life painting is too biased, it will give people the feeling that the painting is not finished, or that something is missing, even if the other parts are painted well, the picture is incomplete. There is a solution, if you find this problem when you are almost done painting, quickly add some still life in the relatively empty place in front of you to make the picture fuller.

The picture is too broken:Many beginners are a little confused when they sketch still lifes, which places should be painted and which places should not be painted, which leads to comprehensive painting, many places that should not be painted have some very broken lines, and then the dark part of the still life is not whole, and the lines of the bright part are too obvious, resulting in the picture is too broken.

Sketching techniques.

The skill of sketching is to master the perspective relationship between objects, the basic structure, modeling, and the relationship between light and shade of objects, and it is very important to learn to see the structural relationship of objects, especially when you first learn to sketch, as long as you handle the structure and light and dark relationship of the object, the painted object will look very full.

Sketching is a Western form of painting, and Chinese painting is common in white drawing, which pays more attention to intentional modeling, is less limited by light and time, and requires more interesting lines to be drawn, but whether it is in the West or in China, the foundation of painting is inseparable from lines, but there is an essential difference between the lines on both sides.

Hello, glad to answer for you. What can I draw help with sketching? Drawing lines can help with sketching.

The reasons are as follows: 1. It can help to understand the object. The purpose of basic training in sketching is not only to show how to express objects, but more importantly, to learn to correctly observe and understand the modeling characteristics of objects, and to grasp the essential structure and general modeling laws of objects.

This is actually an active rational thinking process, and only under the premise of accurate shape and structure can there be the possibility and necessity of further research on light and shadow, texture, light and dark tones; 2. Solve the problem of inaccurate painting. On the one hand, it is caused by the weak modeling ability and the lack of solid practice, and the deeper reason is also the lack of understanding of the structure of the object and the lack of understanding of the interconnection and interdependence between the structures. In order to draw the shape of the object accurately, it is necessary to master a set of correct and practical observation methods, understand some basic principles of understanding the object, and gradually master it in a large amount of training, so as to achieve the purpose of accurate modeling; 3. In the case of astigmatism, you can draw the volume of the object.

In the face of objects that are not lit, it is completely possible to put aside the light and shadow on the surface of the object in the usual training, directly analyze the internal structural lines of the painted object, and depict the volume of the object through the lines, so that it can be well expressed regardless of the light dispersion.

Summary. Tone: We know that sketching has three major sides and five major tones, namely:

Backlit (black), light-receiving (white), side-lit (gray). Specular (the brightest point of the light-receiving object), Gray (the area between the highlight and the light-dark border), and the light-dark boundary (the dark shadow that occurs between the bright and dark parts of the object). The shape of the plaster is relatively simple, and the analysis of these contents is generally the structural turning point of the object), reflection (the backlight part of the object is affected by the reflected light of other objects or the environment in which the object is located), and projection (the object itself is clearer when it is empty after blocking the light, so when you really understand these knowledge points from the plaster, you can continue to learn.

What can I draw help with sketching?

Please wait patiently for a few minutes.

Painting plaster. Isn't it just a random drawing, why does a random painting of something actually improve the sketch to a certain extent, I don't have any inspiration <> painting anything now

The importance of gypsum stems from the fact that it is the basis of a still life! Shape: First of all, we start from the shape, the simple shape has a sphere, a cube, a Mitsubishi cone, etc., these simple shapes constitute a variety of complex shapes, all still life can be split and decomposed into simple geometry, so in terms of shape, it is the most basic and the most difficult.

Students must pay attention to the perspective changes and spatial changes of the shape when modeling, and the lines drawn should be accurate, definite and changeable, so that the shape can stand up to scrutiny.

Tone: We know that there are three major tones in sketching, namely: backlit (black), light-receiving (white), and side-lit (gray).

Specular (the brightest point of the light-receiving object), Gray (the area between the highlight and the light-dark border), and the light-dark boundary (the dark shadow that occurs between the bright and dark parts of the object). The shape of the plaster is relatively simple, and the analysis of these contents is generally the structural turning point of the object), reflection (the backlight part of the object is affected by the reflected light of other objects or the environment in which the object is located), and projection (the object itself is clearer when it is empty after blocking the light, so when you really understand these knowledge points from the plaster, you can continue to learn.

Virtuality and reality: Painting plaster to the later stage, you also need to add the background, countertop and other content to help the picture express the virtual and real, put aside some complex countertops and dazzling interlinings, we have to shape the relationship between virtual and real through lines, the background usually occupies one-third to two-thirds of the area of the picture, darker than the color of the countertop, especially when there is a white still life, they need to use a darker background to set off the shape, and the part of the countertop follows the light to light, the backlight is dark, and the color is from front to back, from light to dark.

Sketching, the foundation is very important, at the beginning must lay a good foundation, the foundation to ask, from the shape, line, virtual reality is very important, and there is imitation, only when the foundation is laid, imitation can be created.

First of all, we must lay a good shape, we must not go out of shape, and the second is the relationship between light and dark! The dark gray light is going to be pulled very clearly! In this way, the three-dimensional sense is strong!

Character sketches, large black, white and gray controls, and the shaping of facial features. Still life、In addition to black, white and gray, it is necessary to draw the texture and space of various objects、Pay more attention to the composition。

1.Find the right proportion to deconstruct!

2 Pay attention to the contrast between light and dark in the upper tone! (There are no specific criteria, but comparisons are important). Experience!!!

1 Observe carefully, 2 Stand at a distance to see the big effect.

The transition structure of the three major parts of dark gray and light should be explained clearly through these three.

Human beings have a skeletal structure and a muscular structure of God.

Head, hands and feet are more important in the presence of clothing.

Still life structure.

The structure of a still life is the premise of the structure of the human body.

What they have in common is that the picture should have a sense of wholeness.

Character sketching, because it is meat, so there should be a very soft transition, and the relationship between the head, neck and chest should be carried out as a whole.

In still life sketching, we should pay attention to the overall space as far away as possible, and pay attention to the relationship between each object and the relationship between each object and the background.

Pay attention to the angle of light, and the projection, the front is real and the back is virtual, the front is bright and the back is dark. Finally, practice more.

Light and shade Maintain the breathability of the line Rather be dirty than clean The handover of the excessive surface is harmonious Correct pen holding posture.

Black, white and gray The structure of the person's face It is better to draw more facial features and pay attention to the space Still life and the figure are similar.

It's still better to draw more, see more, and understand more.

Characters: demeanor, facial proportions (the difference is thousands of miles), the difference between bones and flesh Male: emphasis on muscle structure Female:

Focus on the facial features and hair scenes: the ingenuity of the composition, the main and secondary are clear, not exhaustive, but focused; a sense of space between objects; The picture should be loose, breathable, not too dead...

The area around the boundary between light and dark is the most important. There is also the bright part,.

Scenery: Pay attention to the use of pencils in the light and dark parts, and replace the pencil model needed for this step in time, such as 2b for shaping, 4b for the first pass, then 6b or even darker pencils (but dark colors are not recommended), and finally use light pencils such as 2b or hb for overall finishing.

Above, I hope it can give you some help.

Composition, light and shade, line relationship.

The density of lines and the transition between light and dark.

The picture is clean. The overall effect is strong in contrast, and attention is paid to the detailed portrayal.