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Du Renjie (c. 1201-c. 1284) was originally known as Zhiyuan, the word Shanfu, renamed Renjie, the word Zhongliang, and the number Zhixuan. A native of Changqing, Jinan (now Changqing County, Shandong Province). The remnants of the Jin Dynasty lived in seclusion in the Yuan Dynasty.
Among them, "The Dealer Doesn't Know the Hook Column" has the most far-reaching influence, fully reflecting Du Renjie's "good" personality.
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Du Renmao Xijie (about 1201 - about 1284) was originally named Zhiyuan, the word Shanfu, renamed Renjie, the word Zhongliang, and the number Zhixuan. A native of Changqing, Jinan (now Changqing County, Shandong Province). The remnants of the Jin Dynasty lived in seclusion in the Yuan Dynasty.
Among them, "The Dealer Doesn't Know the Hook Column" is the deepest digging and hail, which fully reflects Du Renjie's personality of "good at talking".
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Du Wenjie, pen name Du Di, Bi Lanxing, etc. Originally from Chaozhou City, Guangdong Province. Editor-in-chief of the East Guangdong News section of Yangcheng Evening News. There are **, poetry, prose and other works.
Du Wenjie, born in 1991, graduated from the Department of Chinese of Hanshan Normal University.
In 1995, he joined the Chaozhou People's Broadcasting Station. He has successively served as the host of the program department of the station, a reporter of the news department, the deputy director of the program department, the deputy director of the program department, the secretary of the Taiwan Communist Youth League Committee, and the deputy secretary of the Communist Youth League Committee of the Bureau.
From March 1999, he joined the Yangcheng Evening News and served as a reporter of the Shantou Station of the Yangcheng Evening News from March to December of that year, responsible for the Chaozhou news gathering and writing of the news edition of "Guangdong East Today" (commonly known as the "Guangdong East Edition") opened at that time.
From January to June 2000, he served as a reporter at Shantou Station, responsible for writing manuscripts for the newly established "Guangdong News" edition at that time; From July 2000 to May 2002, he was transferred from Shantou Station to Guangzhou headquarters as a reporter of the Economic Department of Yangcheng Evening News, responsible for news gathering and writing of agriculture, forestry and water, meteorology and railway lines.
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The trip to Henan was sponsored by the Propaganda Department of the Henan Provincial Party Committee and Henan ** Newspaper Group, and the "CCTV Air Theater Henan Tour" co-organized by China Mobile Communications Group Henan **** was opened on June 6, 2007. Facing the performance, Du Zhenjie said: It is a great honor to be invited by the people of Henan.
The land of Henan has given birth to too many opera masters, and its audience must be quite tasteful. He will take this trip to Henan as a good opportunity to learn, make serious preparations, and strive to present a perfect performance to the people of Henan. Du Zhenjie said that Henan ** Newspaper Group is very far-sighted and far-sighted.
As a media group, it is rare in the country to be able to participate in hosting an 8-day Peking Opera performance. This not only enriches the spiritual and cultural life of the people of Henan, but also has great benefits for the popularization of Peking Opera. ”
Peking Opera is not a fast food culture.
Du Zhenjie said: "Peking Opera needs to be reformed, but Peking Opera is not a 'twilight art', it is a national art, not a fast food culture." ”
Talking about the reform of Peking Opera, Du Zhenjie said: "Ma Lianliang reformed, Mei Lanfang also reformed, but they both followed the laws of art. However, in order to cater to the market, some troupes cut off the beginning and end of the whole play, leaving only some scattered fragments, and the repertoire that is often performed has become the old three, only tossing between a few plays, this method is inappropriate, and it should not become the mainstream of Peking Opera reform.
Peking Opera needs bosom friendsYoung people rarely listen to Peking Opera nowadays, Du Zhenjie said: "Peking Opera is like this, some people love to death, and some people don't touch the door." However, as long as you walk in, you don't want to come out.
Therefore, once the new generation of audiences is given a chance to get in touch with Peking Opera, their strong interest in this ancient art cannot be underestimated. ”
Du Zhenjie believes that Li Yugang, a male dancer who became popular on "Avenue of Stars", has largely opened a door for young people to watch Peking Opera. "Peking Opera not only selects actors, but also needs to have real bosom friends. ”
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Du Junjie: Professor of Xi'an Jiaotong University School of Medicine, graduate tutor, has been engaged in the teaching and scientific research of "histology and embryology" for more than 30 years, and attaches great importance to the research of teaching methods in teaching, and has published 6 teaching articles. Able to teach students according to their aptitude according to different levels; According to the syllabus, the professors highlight the key points, explain the difficulties thoroughly, and the lecture language is humorous, funny, and eye-catching, which can mobilize the enthusiasm of the students, and is well received by the students, and the teaching results are excellent.
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He loves to play and sing, and is erudite and talented. He is good at both poetry and writing, and is especially famous for his prose songs. Although his loose songs have not been handed down much, they are quite distinctive.
Because of the fact that he is good at humor and witty in speech, he is good at humor and funny, which has formed the characteristics of his loose songs. For his poetry works, the famous poet Yuan Haowen of the Jin Dynasty once praised: "Zhongliang is sharp and strong, professional and refined, and he should be sold among the ancients."
Mr. Remnant Mountain Collection, Escape Silk Bamboo Collection).
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Du Renjie is good at both poetry and writing, and is famous for his loose songs. His loose songs have not been passed down much, but they are quite distinctive. He likes to be humorous and has funny conversations, and Yu Ji called him "good".
Therefore, being good at scorn and humor has formed Du Renjie's style of loose songs. The suite of songs "Playing Children" is written in the after-break language, while the suite of songs "Crops Don't Know the Hook Column" uses a humorous tone to describe the experience of a Zhuang Hu Han who went to the city to watch the play after the autumn, and in the tone of the Zhuang Hu Han, he wrote the scene of the Gou Lan (theater) in front of the door to attract the audience, the architectural structure of the theater and the stage, the performance system of the courtyard's miscellaneous plays, etc., which are humorous and interesting, and it is hilarious to read. Because it involves performance theaters, stages, props, bands, costumes, characters, etc., it has also become an important material for the study of Yuan Dynasty opera.
Although there are not many scattered songs, they are distinctive, the brushstrokes are old and spicy and humorous, and they are good at controlling the rich and lively spoken language. The suite of songs "Yu Qing", written in the after-break language, is very valuable for understanding the spoken language of the Yuan Dynasty. The most famous is the "Dealer Doesn't Know Goolan" suite, which describes the experience of a farmer who entered the city after the autumn harvest and went to Goolan to watch the play.
Through the tone of this Zhuang householder, it truly reproduces the theater, stage, props, band, and even costumes and roles when Goolan was acting in the Yuan Dynasty, and it is written with great interest. As a result, this suite has become an important source for the study of Yuan Dynasty opera.
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