What are the characteristics of porcelain in the 50 s 60 s and 70 s?

The characteristics of porcelain are that the porcelain is white, delicate and firm; The glaze is moist, uniform and clear, with a slight emerald cyan color in the white, moderate glass phase, and good combination of tire glaze; The pastel color material is fine, even, bright, bright and lively, and the firing temperature is good.

There are 3 types of background colors: rose, yellow, and emerald green. This red material has a slightly rosy tint, which makes the red effect very striking and stable.

All its pastel materials are extremely delicate, the shade is appropriate, the color is very serious and meticulous, the painting and dyeing of flowers and leaves is very good, and the processing and firing temperature is just right, so the pastel is particularly beautiful.

Characteristics of porcelain from various periods:

1. The sand bottom of the porcelain of the Yuan and Ming dynasties can be seen in the exposed places of the stars or large pieces of flint red spots. This kind of flint red spot began to appear in the Yuan Dynasty, passed through the Ming Dynasty, and continued to disappear completely after Qianlong in the Qing Dynasty.

2. The glaze is mostly blue-white, and the color is elegant, soft and pleasant.

3. The painted dragon pattern is not as fierce as the Yuan Dynasty, and most of them are five-clawed dragons.

The leaf shape of the folded branch or entwined branch lotus leaf pattern painted in the Yuan Dynasty is larger, which is a large flower and a large leaf, and it is to Hongwu.

is significantly reduced.

4. The nail-like protrusion in the center of the porcelain foot is the inheritance of the Yuan Dynasty.

5. Most of the ornaments in the early Ming Dynasty were concise and skillful, bold and vivid. The ornamentation of the official kiln is fine and beautiful, more or less revealing the style of the Yuan Dynasty.

6. In the history of ceramic craft in China, the bright red glaze, sweet white glaze and blue and white porcelain at this time.

It is unique and occupies a special position, becoming a typical example of the Ming and Qing dynasties.

The above content reference: Encyclopedia - Cultural Revolution porcelain.

Porcelain of the 50s: mainly folk traditional daily ceramics, including bowls, basins, jars, bottles and other practical utensils. In addition to black, white and brown, there are also some color glazes such as yellow glaze, flower glaze, crystalline glaze, and kiln glaze.

Porcelain of the 60s: the works "folding edge plate", "milk nail jar", etc., were mistaken for "Song Jun" and treasured by the British Museum, "two peaches" Jun products are green and red, the image is realistic, and the jade is crystal clear, so that the Kaifeng "Qun Gu Zhai" antique shop bought it with 400 silver dollars, and mistakenly bought it as an unearthed Song Jun collection.

Porcelain in the seventies: In this case, Shenyuan Jun porcelain also began to produce antique porcelain, such as zun, bottles, furnaces, bowls, plates, etc., its shape is generally imitation of the Song, Jin, Yuan Dynasty folk kiln type, the production process and color decoration also strive to be similar to it.

In the identification of the imitation red glazed porcelain in the 70s, the vertical hall contains, can be considered from the following aspects:

1.Color and luster: The bottom of the 70's imitation red glazed porcelain is characterized by a bright red color, often with small open pieces, and the glaze color is similar to the color of fresh ox blood, but sometimes there may be other colors.

At the same time, old porcelain feels warm to the touch and is similar to jade, while new porcelain feels rough or too smooth.

2.Traces of production: Old porcelain can be sold with orange peel lines, which is formed by the potter pressing his fingers on the surface of the object during the firing process. New red-glazed porcelain may not have such traces.

However, it is important to be cautious that these characteristics are not absolute standards and may sometimes vary due to the development and change of the porcelain-making process, or due to the influence of the environment and time on the porcelain. Therefore, the authenticity of porcelain needs to be comprehensively considered by multiple factors, including the production process, historical background, preservation environment, and so on. It is best to conduct the appraisal under the guidance of a professional body or expert.

The red color is intense and translucent. Identify the bridge of red glazed porcelain, which Hillsong shoots old, you can observe the bottom, the 70s imitation red glazed porcelain is characterized by red bright and translucent, and the glaze often has a small open piece, the glaze color is very similar to the color of fresh ox blood, so it is also called ox blood red. You can also touch the surface with your hands, the old porcelain feels warm and moist, similar to Yuye Xian, and the new porcelain feels rough or too smooth, or look at the traces of production, the old porcelain has orange peel lines, and the new ones do not.

Porcelain from the seventies and eighties can be collectible, but it depends on the specific object, quality and historical background. Here are some notable points:

1.Quality and craftsmanship: The quality and craftsmanship of porcelain determine its value and collection value. If it is a well-made, high-quality, and beautifully decorated porcelain, then it will have a high collectible value.

2.Historical value: Some porcelain may have significant historical value, such as porcelain from a certain historical period, a famous kiln, or a certain cultural background. The collectible value of these porcelains may be even higher.

3.Rarity: If a piece of porcelain is very rare, it will also be highly collectible. However, it should be noted that some rare porcelain can be counterfeited, and collectors need to be careful to distinguish the authenticity.

In conclusion, collecting porcelain from the seventies and eighties can be worthwhile, but it is necessary to pay attention to factors such as quality, historical value, and rarity. Before collecting, it is best to understand the relevant knowledge and understand the plum in order to better identify and identify their value.

The porcelain of the seventies and eighties belongs to the category of modern porcelain, but whether it is worth collecting depends on the quality and historical background of the porcelain. If it is a masterpiece or a characteristic representative of a certain period, it has a high collection value. However, in general, modern porcelain has a large output, the quality is not as good as ancient porcelain, and the collection value is relatively low.

At the same time, it is also necessary to pay attention to issues such as distinguishing authenticity and identifying repair traces. In general, collecting porcelain requires professional knowledge and identification skills, and it is recommended to do more homework and consult professional banquet professionals before collecting.

Porcelain is used for tableware or ornamentation.

1. Daily ceramics are good: such as tableware, tea sets, jars, altars, basins, jars, plates, plates, bowls, etc.

Blue and white bone china. Four-headed stationery bucket color lotus.

2. Art (craft) ceramics: such as vases, sculptures, garden ceramics, utensils, photo frames, murals, furnishings, etc.

3. Industrial ceramics: refers to ceramic products used in various industries.

Classification of porcelain origin.

1 Yue kiln. The name was first seen in the Tang Dynasty Tortoise Meng's "Secret Color Yue Device".

A poem is the general name of the ancient Yuedi celadon kiln on the south bank of Hangzhou Bay. It was formed in the Han Dynasty, through the Three Kingdoms, the Western Jin Dynasty, to the late Tang Dynasty reached its heyday, to the Northern Song Dynasty.

Mid-lobe decline. The central production area is located in the middle reaches of the Cao'e River in Shangyu, and has always been mainly engaged in the production of celadon with high quality.

Lu Yu. Commenting on the quality of tea bowls in the Book of Tea: Four Vessels, it is written: "If Xing porcelain is silver, the more porcelain is jade, Xing is not as good as more; Xing porcelain snow, the more porcelain ice, Xing is not as good as Yue Er; Xing porcelain is white and brown, the more porcelain is green and the tea is green, Xing is not as good as Yue San.

Lu Yu boiled and drank green tea, so he highly respected Yue porcelain.

2 Xingyao. In the area of Neiqiu and Lincheng in present-day Hebei, the Tang Dynasty belonged to Xingzhou, hence the name. The kiln began in the Sui Dynasty, flourished in the Tang Dynasty, the main production of white porcelain, delicate texture, glaze color clean and cautious lead late white, once accepted as the royal porcelain, for a time with the Yue kiln celadon as famous, known as "south green and north white". Lu Yu in "The Book of Tea".

Zhong believes that Xing is not as good as Yue, mainly because he drinks steamed green cake tea, if he uses safflower for comparison, or to reflect the color of the real tea soup, the result is just the opposite, so the two have their own strengths, and the key is whether it matches the tea properties.

3 Ru kiln. One of the five famous kilns of the Song Dynasty, in the area of Qingliang Temple in Baofeng, Henan Province, because the Northern Song Dynasty belongs to Ruzhou.

And the name. In the late Northern Song Dynasty, celadon was fired for the court, and it was the first official kiln in ancient times, also known as the official kiln of the Northern Song Dynasty. The glaze color is mainly azure, with lime alkali glaze firing technology, the glaze is more open, the tire is gray-black, and the fetal bone is thinner.

4 Jun kiln. One of the five famous kilns of the Song Dynasty. In present-day Yu County, Henan.

This place was named after the jurisdiction of Junzhou in the Tang and Song dynasties. It began in the Tang Dynasty, flourished in the Northern Song Dynasty, and declined in the Yuan Dynasty. It mainly produces copper red glaze, and also produces a large number of opalescent glazed porcelains such as sky blue and moon white, and still produces various artistic porcelain wide plums.

5 Kiln. One of the five famous kilns of the Song Dynasty. In present-day Runci Village and Yanshan Village in Quyang, Hebei Province, it belonged to Dingzhou during the Tang and Song dynasties.

And the name. The Tang Dynasty has fired white porcelain, the five dynasties have a great development, the white porcelain glaze layer is slightly green, the glaze is like tears. In the late Northern Song Dynasty, the overlay firing method was created, and the mouth of the bowl and plate utensils was unglazed, which was called "Mangkou".

During the Five Dynasties and the Northern Song Dynasty, some court porcelain was burned, and there were inscriptions of "official" and "new official" at the bottom of the utensils. In addition to burning white porcelain, the Song Dynasty also burned black glaze, sauce glaze and green glaze.

Hello, basically there is no value, mainly, the porcelain of the ten, sixty, and seventy years of the five-pants hall is generally called "new porcelain". The porcelain of this period was produced in large quantities and variety, but due to the limitations of production technology and materials, the quality and technical level were relatively low, so the value in the collector's market was relatively low. However, if these porcelains are the work of some famous brand or famous craftsman, or are a memento of some historical event, then their value may be relatively high.

In addition, if these porcelains are in good condition and have no defects such as damage, repair or stains, then their collectible value will be relatively high. In general, not all porcelain from the 50s, 60s, and 70s has value, and the specific value needs to be comprehensively evaluated according to the variety, quality, historical background and other factors of the porcelain.

1. At that time, a lot of porcelain was hand-drawn, and the picture was hand-filled.

2.The progress of craftsmanship, the pinnacle, the export porcelain at that time, the quality was higher than that of domestic porcelain, and for a long time after the establishment of New China can be regarded as the pinnacle of porcelain production in modern Chinese history.

3.While inheriting the traditional crafts of Jingdezhen, the painting reflects the aesthetics of the time, such as landscapes, brocade peonies, peacock peonies, rich white heads, pine, bamboo, plum peacocks, Magu Xianshou, hundred flowers, ten thousand flowers, beautiful ribbons, baby play, snow scenes, fairy Weng, flower butterflies, melon butterflies and other patterns with traditional meaning. In addition, the painting of landscapes and figures fully reflects the aesthetics of the time, and is a craft with distinctive characteristics of the times.

4.It reflects the production process and export situation at that time, and the content is:"made in china"or"oriental/ hand painted/ made in china"and other stamps. Later, after rich experience in foreign trade, the bottom section was directly burned with the "China Jingdezhen (or China) made in China number" on the bottom paragraph when firing.

5.It carries the glory and memories of the old porcelain factory.

The old state-owned porcelain factory and its products can be said to be the pride of porcelain lovers in Jingdezhen and even the whole country. Each unique base represents a splendor and a memory. Such as the People's Porcelain Factory (mainly blue and white), Art Porcelain Factory, Hongyi Porcelain Factory, Jingda Porcelain Factory, Longzhu Pavilion, Dongfeng Porcelain Factory, Meidiao Porcelain Factory, etc.

6.There are not many resources that cannot be renewed.

Most of the old state-owned porcelain factories in Jingdezhen have been reorganized in the early and middle stages of reform and opening up. More importantly, with the change of the times, it is no longer possible for modern porcelain factories to produce porcelain in the way and characteristics of the past, and these export porcelain, which was entrusted with the important task of exporting foreign exchange in the past, has also become a non-renewable resource.

From the above content, you can basically see the characteristics and characteristics of porcelain at that time. Thank you.