Why is Yuanqu the most natural literature in China It

Most of the Yuan songs come from the countryside and the lives of the common people

I don't know, compared to Yuan Qu, I prefer Song and Tang poems.

The representative of the literature of the Yuan Dynasty is the Yuan Qu. Yuan songs include (Yuan Miscellaneous Opera) and (Loose Song).

Yuan opera is a form of literature and art that prevailed in the Yuan Dynasty, and is the essence of the wisdom of Confucian literati in the Yuan Dynasty. Miscellaneous opera, a form of performance characterized by burlesque and comedy in the Song Dynasty, developed into a form of opera in the Yuan Dynasty. Each book is mainly composed of four folds, adding wedges at the beginning or between the folds, and each fold is composed of the same palace tune and rhyme of the Beiqu suite and bin bai.

Such as Guan Hanqing's "Dou E's Injustice" and so on. It is popular in most of the capitals. There were also miscellaneous dramas in the Ming and Qing dynasties, but each book was not limited to four folds.

Sanqu was a form of music that prevailed in the Yuan, Ming and Qing dynasties without binbai. The content is mainly lyrical, and there are two kinds of small reams and sets.

Basic meaning. Yuanqu was originally a folk "market order" or "village tune". With the Yuan and Song dynasties taking control of the Central Plains, it spread successively in the vast areas of the north and south centered on Dadu (present-day Beijing) and Lin'an (present-day Hangzhou). Yuanqu has a strict grid formula, and each song card has fixed format requirements for sentence structure, word count, level, etc.

Although there is a fixed frame, but it is not rigid, it is allowed to add lining words in the fixed frame, some music cards can also add sentences, and the rhyme is allowed to rhyme, compared with the quatrain of the poem and the Song Dynasty, there is greater flexibility. Therefore, the reader can find that the two songs of the same "song card" sometimes have different word counts, which is the reason (the one with the lowest number of words in the same song card is the standard frame).

It began in the Song Dynasty and flourished in the Yuan Dynasty. Generally speaking, Yuan Miscellaneous Opera and Sanqu are collectively called Yuan Qu, Miscellaneous Opera is opera, and Sanqu is poetry, which belong to different literary genres. But there are similarities.

Both of them use the northern song as the form of singing. Therefore, the loose song and the opera are also called Yuefu. Sanqu is the main body of literature in the Yuan Dynasty.

However, the achievements and influence of Yuan Miscellaneous Opera far exceed that of Sanqu, so some people use "Yuan Qu" to refer to Miscellaneous Opera, and Yuan Opera is also "Yuan Dynasty Opera".

1. Yuan Qu: The mainstream of Yuan Dynasty literature, including Yuan miscellaneous dramas and loose songs. Miscellaneous opera is opera, and loose opera belongs to the category of poetry, and in terms of form, it can be divided into three types: set number (also known as large order), small order and belt song. They are all sung in chorus based on lyrics, so they are commonly called songs.

2, "Dong West Chamber": Dong Jieyuan's "West Chamber's Legend of the Palaces". This is the only complete work of Zhugong tunes in existence.

The author Dong Xie Yuan, whose works of Zhugong tune, is known as "Dong Xixiang". Originated from Tang Yuanzhi's "Huizhen Ji", changed the image of Zhang Sheng in "Huizhen Ji", and created an image full of youthful vitality and cherishing love.

4, the four major love dramas of Yuan miscellaneous dramas: Wang Shifu's "The Story of the West Chamber", Bai Pu's "Horse on the Wall", Zheng Guangzu's "A Chinese Girl's Soul", Guan Hanqing's "Moon Worship Pavilion" (West Chamber, A Chinese Girl Worships the Moon).

5. Southern opera is the abbreviation of Nanqu opera, which is a type of southern opera sung in southern dialects and popular local tunes. At the end of the Northern Song Dynasty, Wenzhou miscellaneous opera or Yongjia miscellaneous opera became popular in Jiangsu, Zhejiang, Hunan, and Guangzhou. It was prevalent in the Southern Song Dynasty for a while, and it was once in decline after the Yuan Dynasty destroyed the Southern Song Dynasty.

At the end of the Yuan Dynasty, it was revived again, and spread to Jiangxi, Anhui and other places, forming a variety of different vocal cavities and gradually developing into new local dramas. Southern opera inherits the Song Dynasty and is an important part of the history of Chinese opera.

6. "Four Legends": At the end of the Yuan Dynasty, the revival of Southern Opera, large-scale dramas came out one after another, "The Story of Jing Hai", "The Story of the White Rabbit", "The Moon Pavilion", and "The Story of Killing the Dog" are important works of the revival of Southern Opera, known as the "Four Legends", also known as the "Four Masters of Ancient Opera". Although its ideology is not high, the plot is twists and turns, and it is full of joys and sorrows, so it is valued by the singing place.

In addition to the park, the mainstream of modern literature includes two versions, and these knowledge are relatively professional knowledge.

The most important literary form of the Yuan Dynasty was the Yuan qu. Yuanqu is also known as sandwich. Yuan opera is a form of literature and art that prevailed in the Yuan Dynasty, including miscellaneous operas and loose operas, and sometimes refers specifically to miscellaneous operas.

Miscellaneous opera, a form of performance in the Song Dynasty characterized by being funny and funny. In the Yuan Dynasty, it developed into the form of opera, and each book was mainly composed of four folds, with a wedge at the beginning or between the folds. Each fold is composed of the same palace tune and rhyme of the northern song suite and binbai.

Such as Guan Hanqing's "Dou E's Injustice" and so on. It was popular in the Dadu (now Beijing) area. There were also miscellaneous dramas in the Ming and Qing dynasties, but each book was not limited to four folds.

Sanqu was a form of music that prevailed in the Yuan, Ming and Qing dynasties without binbai. The content is mainly lyrical, and there are two kinds of small orders and loose sets.

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Tang Jianguo to the middle of the five-word, seven-word poems are the most popular, after the middle of the Tang Dynasty to Liu Zongyuan, Han Yu and others rise up "remember, fu, preface, etc." style, after the Song Dynasty and the rise of "fill in the word (Song word) composition", Song words reached the peak in the Song Dynasty, at this time "remember, fu, preface, etc." Although the ancient text has a certain status, but its popularity is far less than that of the Song song, the Song song's "lyrics and composition" is followed by the Yuan song, and the Yuan song is largely inherited from the way and style of the Song song, but in the Yuan Dynasty it was the Yuan song that dominated the position.

Yuanqu is divided into two parts: miscellaneous drama and loose song, and the loose song is divided into sets and small orders.

Yuan songs are divided into miscellaneous dramas and scattered songs. There are several sets of loose songs, and small orders are different from songs.

In ancient China, the regulator style was called the palace tune. The palace tune of the song comes from the Sui and Tang Yan music, and the four strings of the pipa are set as the four tones of the palace, Shang, horn and feather, each string constitutes seven tones, and the seven tones of the palace sound are called "palace", and the others are all tunes, and a total of twenty-eight palace tunes are obtained. However, there are only 12 kinds of Xianlu Palace, Nanlu Palace, Huangzhong Palace, Zhenggong, Dashi Tune, Small Stone Tune, General Involved Tune, Shang Tune, Shang Angle Tune, Double Tune, and Yue Tune.

Each palace tune has its own rhythmic style, so there are often certain habits for the choice of tune. For example, Wang Jide said in "Melody": "The joys and sorrows of things must be called with palace tunes, and the joys and sorrows of things must be used for pleasure, such as Xianlu, double tones and so on; There are types of grievances, such as business adjustment and over-adjustment.

In order to reconcile the feelings, it is easy to touch. ”

Each house tune has a different tune. The set is composed of two different pieces of music in the tune of the above Monday Palace.

Yuanqu is a literary style that prevailed in the Yuan Dynasty, which is divided into two parts: miscellaneous drama and scattered song. Wang Guowei, a famous scholar in modern times, juxtaposes Yuanqu with "Chu Zhishao, Han Zhifu, Six Dynasties' Pun Yu, Tang Dynasty Poems, and Song Dynasty Words" and called it "the literature of a generation".

This is relative to Tang poetry and Song poetry, right? Yuan Qu was originally circulated among the people and was known as "Market Xiaoling" or "Village Tune". With the Yuan and Song dynasties entering the Central Plains, it spread.

Although the Yuan song has a fixed frame, it is not rigid, it is allowed to add lining words in the fixed frame, some songs can also add sentences, and the rhyme is allowed to rhyme with Pingqian Tong, compared with the quatrain of the poem and the Song Ci, there is greater flexibility. Therefore, it is often possible to see two songs of the same "song card", sometimes with different word counts. I guess that's what you mean.

First of all, who said this?

What else is unnatural and unnatural?

Four masters of Yuan Qu: Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu are four miscellaneous playwrights of the Yuan Dynasty.

The four masters of Yuan Qu refer to Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu, four miscellaneous playwrights of the Yuan Dynasty. The four represent the achievements of different genres of miscellaneous drama creation in different periods of the Yuan Dynasty, so they are called the "Four Masters of Yuan Qu". However, there are still some people in history who believe that the four masters of Yuanqu are Guan Hanqing, Wang Shifu, Ma Zhiyuan and Bai Pu.

Guan Hanqing - Dou E's injustice.

Bai Pu - Tian Lai Ji.

Ma Zhiyuan - Han Gongqiu.

Zheng Guangzu - a young and trivial Chinese girl leaves her soul.

Yuanren Lefu called Ma Dongli, Zheng Dehui, Guan Hanqing, and Bai Renfu the four masters.