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The first two lines of the poem are lyrical narratives, showing a bold and free spirit in infinite emotion. On the one hand, parting is sad, after all, I have lived in the capital for many years, old friends are like clouds, and the past is like smoke; On the other hand, parting is easy and pleasant, after all, he has escaped from the shackles of the cage and can return to the outside world to do something else. In this way, the sorrow of parting is intertwined with the joy of returning, both "vast sorrow" and "chanting whip east finger"; There is not only the sun in the west, but also the vast end of the world.
These two images complement each other and complement each other, which is a true portrayal of the poet's state of mind on that day.
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Gong Zizhen's "Jihai Miscellaneous Poems" has 315 poems. I don't know which one you're talking about? However, the most famous song is "The Vast Sorrow of the White Sun". Jihai refers to the 19th year of Daoguang of the Qing Dynasty, that is, 1839 (the year before the outbreak of the Opium War).
Gong Zizhen once taught all kinds of books, moved the head of the sect's mansion and the priest of the ancestral hall to walk, and always wandered between the Lang office. This year, the author was dissatisfied with the darkness of officialdom and resigned angrily and went south. This poem was written when the author went north to pick up his family and leave Beijing.
The first sentence "the vast sorrow and the day is slanting", which means that the sorrow is boundless. "Daytime slanting" refers to the scenery, and when it is made, it is scored as soon as it blends with the scene.
I don't know if I can help you.
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It shows the poet's hesitation, loneliness, and tragic and heroic complex emotions intertwined, containing the sadness of parting and the relaxed and happy mood of returning.
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The mighty parting sorrow extends to the distance of the sunset, and the horsewhip is raised to the east, and this rise is the end of the world.
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Explain the problem clearly, so that it can be targeted.
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The whole poem of "Jihai Miscellaneous Poems" is: Suddenly there is an old man in his heart, looking back at the mountains and rivers is already autumn, the two lovesickness are drenched in snow, and this life is also considered to be white.
It means that from the heart of the deceased, only a trace was left, and when I finally looked back, I found that it was already a mountain stack, and the past was like smoke. Two people from different places missed each other in the snowy days, and the snow fell on the heads of the two of them, and they could be regarded as growing old together.
Writing background. Gong Zizhen has been in the capital for a long time, cold and idle, talented and heroic, suffered from the taboo of the times, because his father was over seventy years old, and his uncle Wen Gong was suitable to serve as the official of the Ministry of Rites, so he begged to return to April 23, resigned and returned to the south, left Beijing, and arrived at his home in Hangzhou on July 9. Later, he went to Kunshan County, Suzhou Prefecture, and cooked the Yuqi Mountain Pavilion to settle down at home.
On 15 September, he went north to greet his wife and children who had left Beijing, and went to Gu'an County, Hebei Province to greet him. On November 22, he returned south with his wife He Jiyun, Zicheng (Changkuang), Tao (Niankuang), and female Axin, and arrived at the Badminton Hill Pavilion on December 26 (January 30, 1840), and has been settled here ever since. For most of the year, the author wrote 315 quatrains and named them "Jihai Miscellaneous Poems".
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"Jihai Miscellaneous Poems" is a collection of poems, is a group of self-narrative poems, a total of 315 poems, we are more commonly known to have two (one) and (five), the author is Gong Zizhen of the Qing Dynasty. The main purpose of the poetry collection: advocating "reform of the law" and "reform", criticizing the corruption of the Qing Dynasty, and full of patriotic enthusiasm.
Appendix 1: (Part 1): Kyushu is angry and thunderous, and all the horses are sad. I advise the heavenly prince to be vigorous and reduce talents without sticking to one pattern.
Commentary: Ten thousand horses are sad to study", profoundly expresses Gong Zizhen's dissatisfaction with the lifeless social situation in the last years of the Qing Dynasty, so he enthusiastically called for social change, and believed that the bigger the change, the better, so big that it should be like an earth-shattering spring thunder. He also believes that the most important factor in the implementation of social change is talent, so he enthusiastically appeals:
Oh my God! Lift your spirits and give us all kinds of talents.
Appendix 2: (fifth): The vast and sorrowful day is slanting, and the whip points to the end of the world. Falling red is not a ruthless thing, turning into spring mud is more protective of flowers.
Commentary: The mighty parting sorrow extends to the distance of the sunset in the west, leaving Beijing, the horsewhip is waved to the east, and it feels like a person at the end of the world. When I resigned and returned to my hometown, it was like a fallen flower falling from a branch, but it was not a ruthless thing, it turned into spring soil, and it can still play a role in nurturing the next generation.
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In the nineteenth year of Daoguang (1839), Gong Zizhen left the Kyoto Ministry of Rites and resigned and returned to the south.
There is only one song, which is the 125th:
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Jihai Miscellaneous Poems is a Qing Dynasty poet Gong Zizhen. >>>More
Jihai Miscellaneous Poems" expresses the sorrow of the author leaving the capital, and also expresses the poet's patriotic feelings that although he resigned, he still wants to contribute to the country and be loyal to the country. "Falling red is not a ruthless thing, turning into spring mud is more protective of flowers. This poem has a very rich meaning and has become a famous sentence through the ages. >>>More