Some of the more basic color combinations in color still lifes

Pay attention to the completeness of the composition and the accuracy of the form. The light and shade of the object and the projection part must be accurately depicted, and the shape of the desktop and background lining cannot be ignored.

The first color can be painted wet, with a little more moisture, and the amount of moisture can be controlled. The backlight and projection parts of the object must be depicted at the same time to facilitate connection. The dark part of the table top and the background lining should not be ignored.

The local depiction should be refined, and the dark color should be painted transparent and breathable. It is necessary to pay attention to the portrayal of texture and the refinement of the brush.

1. Observation method:

To draw a good still life, you should be good at observing the object with your peripheral vision. It is necessary not only to observe the object itself, but also to find out the color tendency around the object, so that the color of the picture is rich, vivid and harmonious.

Second, the basic law of color:

1. In the case of natural light, the bright side of the object is cold and the dark side is warm, and the projection part should have an appropriate sky light color.

2. It is necessary to widen the hue difference between still life objects on the same picture, and use the complementary relationship between red and green, yellow and blue, orange and purple to create tension in color.

3. Due to the painter's different preferences and preferences for color, the color of the still life will show different tones, which makes the picture beautiful.

4. The spatial sense of the color of the surface still life should expand the black and white relationship between the front, middle, back and background, and the specific degree of shape, the degree of virtual and real, and the relationship between cold and warm should be expanded.

5. Be good at mixing colors on the picture, so that the colors are accurate, vivid and rich.

Give full play to your subjective feelings, draw whatever color you see, no matter how you draw, as long as you can express your own things, it is right, there is no wrong color, only the right color is not placed in the right position.

China's constitution and criminal law don't say how you should draw an apple or a jar, right?

It doesn't matter, no matter what the method, as long as you can wrap things and draw them, you can do it.

What the color represents:

Colors also represent different meanings, see if your outfit matches your temperament"The inside and the outside are the same"This?

1. Red: Active, Passionate, Brave, Love, Health, Savage 2, Orange: Rich, Fulfilling, Future, Friendly, Bold, Positive 3, Yellow:

Wisdom, Glory, Loyalty, Hope, Joy, Light4, Green: Fairness, Nature, Peace, Happiness, Reason, Childishness5, Blue: Confidence, Eternity, Truth, Truth, Silence, Calmness6, Purple:

Authority, Respect, Nobility, Elegance, Faith, Solitude7, Black: Mysterious, Lonely, Dark, Stress, Serious, Imposing8, White: Holy, Pure, Selfless, Simple, Peaceful, Honest.

1. Triangular composition.

The triangular composition is the most common and stable form of composition, in which the objects are divided into three groups and placed on three vertices. This kind of composition is stable, the subject is prominent, the layers are clear, and the staggered composition is suitable for combinations with a small number of still lifes.

The three sides of a triangle are formed by the combination of straight lines in different directions, and different lines form different forms of triangles, producing different trends and changes.

2. Polygon composition.

Polygonal composition is the division of objects into groups that touch the corners of the polygon.

Polygonal compositions are not as stable as triangular compositions, but they are more dynamic than polygonal compositions.

The acute angles of the polygon are prominent and sharp, and the obtuse angles are gentle and soft, giving people a sense of change and unity. The more sides of the polygon, the closer the composition is to a circular composition.

3. Circular composition.

Homomorphic composition is to make the still life form a circle in the picture. The circular composition visually gives the aesthetic effect of rotation, movement, and contraction.

When the circle is elongated, it becomes oval. The oval composition is mostly in the form of a banner that is wider than high, which not only has a static effect, but also produces a dynamic effect, at the same time.

It also has a more obvious sense of wholeness.

The combination of utensils and fruits is the most common type of combination, and this kind of object is also indispensable in daily practice, and the combination of this type is not only the starting point for art students to learn color, but also an indispensable process to move towards height.

Place a large object with obvious features to the left or again in the center of the vision, and press down the whole frame. Then put other objects in the triangle following the main object. S-shaped. Oval. C-shaped. Vertical. and so on.

He was very entangled, divided into various links and healthy eyes, and he had several classes.

The best has a triangle S-shaped composition The general horizontal composition triangle vertical composition S-shaped triangle is actually The scenery is roughly triangular, but it should be noted that the original direction of the light is slightly larger, and the main object is moved to the dark part, and the background generally accounts for two-thirds of the horizontal composition. Try to animate the position of the still life on your own, be subjective. The vertical composition is similar, that is, it is placed in a similar S shape, from top to bottom, and the others are basically the same... In fact, look at how to compose the book more, the color will not be composed, indicating that when learning sketching, the composition problem has not been solved, you have to go back and look at the sketch yourself, the composition of the two is the same...

Summary. Color: Still life is different from portrait color**.

In the case of still life photography, color is often one of the core elements of the work. When shooting still lifes, we can control the brightness and darkness, vividness and contrast of colors through lighting, reflections and backgrounds.

Therefore, color is often rich and vivid in still life photography, and a very rich adjustment method can be used to achieve artistic results.

In portrait photography, color is a tool used to highlight the image and emotions of a person. Different skin tones, clothing, hair colors, and backgrounds can create different sensations and contexts.

However, in portrait photography, we usually need to focus on the person itself, rather than on the scene or object, so the use of color is usually more concise and straightforward, so as to highlight the characteristics and emotions of the person, rather than pursuing the complexity of color as in still life photography.

The greatest whole in the color relationship is the tone of the picture. That is, the color matching of each object in the picture should be coordinated, which is actually a change and unity. We usually say that a painting is green, red, red-green, gray, cool, warm, etc., which means that although there are objects of different colors in a painting, we can feel a basic overall color tendency.

For example, in a still life sketch, there are green oranges, red apples, brown jars, white plates, and gray interlinings. In this combination, if the gray interlining area is relatively large, it will often affect the color of the small objects around it, which will make the overall picture tend to be gray. In addition to this, the color of the light source also affects the tone of the picture.

Before observing the color changes of each object, we should first squint our eyes to feel the overall color tendency, set the tone of the picture, and then express the color change, so that we can have the whole in mind.

The second overall relationship of the color relationship is the change of cold and warm. Warm and cold changes tend to occur in light and dark changes. For example, if the bright parts are warmer, the dark parts will be colder, and vice versa. In addition, the spatial distance will also affect the change of cold and warm, which is generally near warm and far cold.

There is also a complementary color relationship within the color relationship. The so-called complementary colors are the two colors that face each other in the hue circle. For example, red and green, yellow and purple, blue and orange, etc.

If we pay attention to life, we will find that the colors of the bright and dark parts of the object often show a complementary relationship, and the reasonable use of complementary color relationship when dealing with the picture will make the color of the picture more bright and harmonious.

The three elements of color are hue, purity, and lightness. We pay more attention to hue when we paint colors, so I won't talk about it here. The change in lightness affects the relationship between light and shade, which is included in the sketch relationship.

And purity is often an issue that many students ignore. Under normal circumstances, it is natural that the purity of the bright part is higher than that of the dark part, and the purity of the near part is higher than that of the distant part. Why, as is usually the case, if we look at a gray object in front of a high-purity background, we will find that the purity of the bright parts is not as high as that of the dark parts (the dark parts have a strong background color).

For the purpose of processing the picture, the purity of the subject object can be slightly higher than that of the secondary object.

When painting color, each stroke should take into account hue, purity, and lightness. Otherwise, the light and shade are right, and the hue and purity will be wrong. The colors are opposite, and the light and shade are wrong. There is no end to the change.

According to people's habits of painting colors, it can be divided into two categories. One type of person paints subjective colors, that is, theoretical colors. According to the usual experience, no matter how the color of the object changes, this kind of person will match it according to a certain law.

Such paintings tend to be more decorative, but may lack expressiveness. The other situation is based on one's own observations, combined with theoretical analysis, emphasizing reality and feelings.

The color opposite each color (180 degrees diagonal) in the hue ring is called"Contrasting colors (complementary colors).".Putting contrasting colors together can give a strong sense of repulsion. If mixed together, it will bring out a cloudy color.

Weakening effect of contrasting colors. For example, red and green, blue and orange, yellow and purple are contrasting colors.

Contrasting colors can also be defined in this way: two colors that can be clearly distinguished, called contrasting colors. Including color contrast, brightness contrast, saturation contrast, cold and warm contrast, complementary color contrast, color and achromatic contrast, etc.

It is an important means to compose an obvious color effect, and it is also an important way to give color expressiveness. Its manifestations are excellent in the form of simultaneous contrast and sequential contrast. For example, yellow and blue, purple and green, red and cyan, any color and black, white, gray, dark and light, cool and warm, light and dark are all contrasting colors.

Refers to the distinction between warm and cold colors. According to psychological feelings, colors are divided into warm colors (red, orange, yellow), cool colors (cyan, blue) and neutral colors (purple, green, yellow, black, gray, white). In painting and design, warm and cold tones give people a sense of intimacy and warmth, respectively.

Colors with complex compositions are determined by their specific composition and appearance. In addition, the perception of color is also strongly influenced by light and adjacent colors. The feeling of warmth and coldness of color is formed by people in long-term life practice due to association.

Red, orange, and yellow are often reminiscent of the rising sun in the east and the burning flames, so they have a feeling of warmth, so they are called "warm colors"; Blue is often reminiscent of the blue sky in the sky and the ice and snow in the shadows, so it has a feeling of coldness, so it is called "cold color"; Green, purple and other colors give people the feeling of neither warm nor cold, so they are called "neutral colors". The warmth and coldness of the colors are relative. Among the same colors, the ones with more warm components are warmer, and the other way around is colder.

Fruits: apples, bananas, oranges, grapes, pears, pineapples, etc.

Vegetables: peppers, green peppers, cabbage, onions, green onions, garlic, carrots, white radish, cucumbers, etc.

Stationery: gouache, paint boxes, shabu holders, brushes, pen holders, etc.

Haven't heard of this statement, you can classify it yourself.