Agarwood is the main character of which story

It's "Pauline Lantern".

The folk tale is also known as "Splitting the Mountain to Save the Mother".

The main plot is -

Xiyue Huashan. The Three Virgins in the Upper Virgin's Palace, under the mediation of the maid Chaoxia, married Liu Yanchang, a scholar in the world, and was captured by his brother Erlang God and suppressed under the Lotus Peak of Huashan. When his son Agarwood grew up, he was instructed by Chaoxia, who had become an immortal, and learned a strong skill by worshipping the Thunderbolt Great Immortal as a teacher, and finally defeated the Erlang God, split the Lotus Peak and rescued his mother.

This paragraph to come, hehe).

Oh, remember it's the Pauline lantern. It seems that it is also broadcast on TV now. Ahhh

It's definitely from "Pauline Lantern".

It's a Pauline lamp. It's agarwood.

This classmate looks like a "good boy", and he doesn't usually watch TV! The TV is a folk tale of "Baolian Lantern", which should be splitting the mountain to save the mother.

He is a character in the mythical ** Baolian lantern, not a fiction of that dynasty.

Baolian Lantern" is an animated movie, we watched it when we were very young, and there are many versions of the story of "Agarwood Saves Mother", Xiao Agarwood went through a lot of hardships, and his uncle Erlang God, as well as the confrontation of theocracy, and finally broke the old feudal thinking and rescued his mother.

People and immortals have different paths. The Three Holy Mother, who is a heavenly immortal, accidentally met Liu Yanchang in the mortal world and fell in love with this mortal. In the fairy world, intermarriage with mortals is not recognized in the first place, and it is even taboo.

And the Three Holy Mothers ignored the rules of heaven and were with Liu Yanchang without hesitation, and also gave birth to a child, this child is Agarwood.

Immortals can live forever, while mortal life is fixed. So it makes sense that the rules of heaven do not allow them to get married, and they can't stay together for a lifetime, and when mortals die, the reputation of the immortals is gone, and it will be difficult to get married. Don't the Three Virgins understand?

She just loves this mortal too much, even if she sacrifices her own happiness in the future, she wants to enjoy the happiness of this life.

Watching my mother get taken away.

Because the agarwood touched the Baolian lamp, let the Baolian lamp take a while, and the result was that it was known by Erlang God, and the matter between the Three Virgins and Liu Yanchang was revealed. In the case that the Three Virgins were defenseless, Erlang God took away the agarwood, and he wanted to use the agarwood to blackmail the Three Virgins, so that the Three Virgins would admit their mistakes. The child is the "heart" of the mother, whether it is a human or a fairy.

In this way, the Three Virgins exchanged their freedom for the freedom of Agarwood, and Agarwood watched Erlang God take the Three Virgins away. Xiao Agarwood saw that his mother was killed, he was very anxious and wanted to rescue his mother, but he wanted to save his mother?

Land guidance, worship Wukong as a teacher.

The father-in-law of the land couldn't stand it anymore, he told Xiao Agarwood that the Monkey King was pressed under the Wuzhi Mountain by Rulai, and the agarwood was very smart, he thought that his mother was also pressed under the mountain, he came to find Sun Wukong, but Sun Wukong refused, telling him that he had already "washed his hands in a golden basin".

At this time, Agarwood's mother's voice echoed in the sky, telling Agarwood that if you want to defeat Erlang God, you can't rely on force, and you have to use your own wisdom and strength to save yourself. Agarwood comprehended his mother's words, and came to Sun Wukong again, this time the great sage was moved, he told Agarwood to remember the eight words that the land told him, "sincerity, gold and stone are open", and then disappeared.

Liu Agarwood is the main character in the ancient Chinese myths and legends "Baolian Lantern" (splitting the mountain to save the mother), the son of the Three Virgins, Liu Xi (the word Yanchang, also known as Liu Xiang), the male protagonist in the Baolian Lantern, the nephew of Erlang God, the apprentice of the Baolian Lantern version of Sun Wukong, and the heroic splitting of the mountain to save the mother. The background of the myth and legend of agarwood saving the mother should be the Han Dynasty, and the ancient poem of agarwood saving the mother was written in the Yuan Dynasty.

Agarwood splitting the mountain to save the mother was first seen in the lost Yuan and Ming Dynasty miscellaneous drama "Agarwood Prince Splitting Huashan", the happy ending reflects the public's expectations, Pi Huang opera "Baolian Lantern" was shaped in the Qing Dynasty after the ** "Journey to the West" was widely circulated, and it can still be seen that the "Eight Immortals of the Qing Dynasty" of the Qing Dynasty are innocent Taoists, the three virgins are pressed by Mount Tai, and it is the eight immortals who help the agarwood, but the Baolian lamp does not appear in the book.

Agarwood is a figure in ancient Chinese mythology and legend. The background of the myth and legend of agarwood saving the mother should be the Han Dynasty.

Agarwood is one of the characters of ancient Chinese folk myths and legends. The Three Holy Mothers and Sons, the nephew of Erlang God, and the disciple of Sun Wukong. Appears in "Lotus Lantern".

Shang and Zhou eras. Ancient Chinese legend Baolian lantern,

I received help from many people in the writing of this course design. First of all, I would like to thank my teachers for their guidance, support and help in the course design, which is the main reason why I was able to successfully complete this design, and more importantly, the teachers helped me solve many technical problems and make the system more perfect. During this period, I not only learned a lot of new knowledge, but also broadened my horizons and improved my design ability.

Secondly, I would like to thank my classmates who have helped me solve many design problems that I don't really understand.

If you want to talk about the history of Chinese agarwood, it has to be traced back to many years ago, in China's long history from the Han Dynasty to the present, agarwood culture is like a fragrant incense vein, endless. It can be said that when we talk about the history of agarwood today, we must talk about it according to the dynasty.

Emperor. period to the Three Kingdoms.

From the period of Emperor Wu of the Han Dynasty to the Three Kingdoms, it can be called the introduction period of incense. During the period of Emperor Wu, incense gradually became practical, and when Emperor Wu of the Han Dynasty introduced spices from the Western Regions, it descended to the Three Kingdoms of the Eastern Han Dynasty, and during these more than 300 years, the use of incense was still limited to the court and the upper nobility, and was used for important royal ceremonies, important festivals and even the luxury of the emperor's relatives. Because incense is extremely valuable, it is rare to enter the homes of ordinary people.

Among the ancient documents that mention agarwood, there is the "Jiaozhou Foreign Matter Chronicle" written by Yang Fu of the Eastern Han Dynasty earlier, which contains: "Honey incense, if you want to take the root of the first cut, after years, the skin is rotten, the center and the knots are black, and the water is sinking, which is called agarwood", the consumption of agarwood for incense materials in this period is huge. Zhang Haiming, the owner of Century Agarwood Workshop, felt particularly sorry for the abuse of agarwood during this period.

Wei and Jin dynasties. During the Wei and Jin dynasties, incense spread from the court to the literati and doctors, and the literati used incense to become a common practice, leaving a lot of poems and texts that tasted incense and recorded their moods. From the end of the Han Dynasty to the Wei and Jin dynasties, the prosperity of Buddhism and Taoism also promoted the development of incense culture during this period to a certain extent.

At this time, the representative Boshan incense culture is popular, it is no longer the patent of the dignitaries to cultivate the body and mind, and the common people use the Boshan furnace to smoke incense and taste incense has also become a fashion.

Northern and Southern Dynasties period.

During the Northern and Southern Dynasties, agarwood was not only cherished by the emperor's relatives, but also by the upper class.

Sought after was already an expensive luxury for people with status, and during this period, the aristocratic class began to try to mix agarwood with spices from all over the world to carry out incense experiments. Agarwood began to be interpreted in more forms.

During the Tang Dynasty. During the Tang Dynasty, there was extensive communication with the outside world, and incense began to blend with other cultures. It was a time of economic prosperity, sea access, and Buddhism.

Prosperous, the society from top to bottom, the use of incense tends to be popular, and the technology has also produced a rich and multi-form incense method. It can be said that during the Tang Dynasty, people's attention to agarwood reached an unprecedented height.

Song Dynasty period. The Song Dynasty was the most vigorous period of the development of incense culture, and many spice shops and incense tasting clubs became meeting places for the upper class, especially literati, philosophers, artists, and well-known figures of the official palace and nobles. Northern song dynasty.

The great painter Zhang Zeduan.

The long scroll of the genre painting "Qingming Riverside Map".

Among them, there are several incense shops, interspersed with them, such as the more obvious ones: Liu's family color Shen Tan Khmer incense shop. It can be seen that agarwood and the incense culture it contains are obviously deeply permeated in the daily life of the people. It can also be seen that the agarwood trade has also begun to prosper.

Ming and Qing dynasties. Since the invention of agarwood incense in the Yuan Dynasty, the production of incense products has been diverse and abundant. In the Ming Dynasty, inheriting the exquisite tradition of incense culture of the previous generation reached the extreme, and more development and creation, the culture of incense and incense became more diversified, and the lofty Buddhism and the literati of the world have built incense Zhai, quiet rooms and collection Xuande furnaces, which are fashionable.

Take sandalwood.

Agarwood is not equal to agarwood, but agarwood is inseparable from agarwood, and an agarwood tree will definitely experience wind and rain in the process of its growth; So, the insect bit it, and the lightning and thunder "melted" it, and there must be a wound on its body.

The tree itself has a ** ability, when there is a wound, he will secrete a nutrient to fill the wound, to comfort the wound, the wound in the external air to bring some bacteria to invade it, confrontation, in the process of confrontation crystallization into a special substance.

After a few decades, hundreds of years, nature changes, this tree may have fallen, fallen into the soil, buried by the soil, hundreds of years have passed, the rest of the tree has rotted, but only this scar in the past, the special fungus left behind will not be corrupted, this uncorrupted thing is agarwood. Through the process of the formation of agarwood, I thought about our lives.

Patriarch Damu has a poem that says:

The Buddha is in the heart, like incense in the tree.

If the troubles are exhausted, the Buddha comes out of the heart.

Decay is complete, and incense comes out of the tree.

This is the process of agarwood, this is our life, and finally we find that the most valuable thing in life is the pain, failure, and tribulation; Because of those things, when we go through, we must have the understanding of life, have experience, give birth to wisdom, and guide us to go back to our wonderful life, and those past are valuable.

God will not give us the lessons that we can't resist, he will give us a bright life, but we must experience, before Yang Fan, he must give us some tests and tribulations, when we can see what is the gift behind the problem, we will all be the incense in our own life.