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Generally, there are two uses, the first is to give feedback to yourself all the way, that is, to hear your own singing voice from the headphones, in the background, the sound collected by all the microphones on the scene will be divided into all the way into the mixer, and the tuner will send the voice recorded by the singer's microphone to the actor through the wireless device, so that he can hear the sound he makes, so as to adjust the state in time. Similarly, there may be ** accompaniment sound in this headphone, of course, this sound is also synchronized with the accompaniment of the actor when singing, at the performance site, the sound is often towards the audience, and the scene environment is noisy, it is often difficult for the singer to be very clear about the accompaniment sound, through this way you can clearly distinguish when to start singing, accompaniment to ** and so on.
There is also a role, that is, the instructions of the director or the on-site director to the actor are transmitted to the actor through this headset, especially in some songs with plot arrangement or the cooperation of many people, in order to ensure that the actor can concentrate on singing, the previous singing arrangement can be dictated to the actor by the director or on-site director through this headset, when to do something, the stage occupies the right, ** is the area where their fans are concentrated, etc., these things the actor does not have to remember completely, Naturally, someone backstage will tell the actor via a wireless device. We often see actors in variety shows or concerts taking off their headphones as soon as they go on stage or in the middle of singing, precisely because they have their own creativity, or are unwilling to accept the command of the backstage, and make the action.
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That's not called headphones, it's called in-ear monitoring. The principle of sound production is very different from the headphones we use to listen to songs.
It vibrates the cartilage of the middle ear canal to transmit sound signals directly to the auditory nerve, and the clarity will be much higher.
The main role is to listen to the accompaniment and need it, and the stars can't hear the accompaniment on stage, so they can only listen to the accompaniment that comes back from one of the ear amps (or put the whole song content if they can't remember the words).
The other in-ear monitoring is the actual effect of listening to the singing. Some celebrities can't hear their voices and are afraid of singing out of tune, so they usually only wear the one with accompaniment. Then there is the function of listening to the backstage command, when the star needs to interact with the audience, the backstage staff rely on it to convey to the star.
There may also be some noise reduction function, which is used for monitoring, and is used to listen to the accompaniment of the song and the conductor of the staff. Master** synchronized with the year of self-singing!
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This headphone, in fact, is called in-ear monitoring, and when the singer wears it, he can make the singer clearly hear his voice when singing, know how well he sings, which tone is inaccurate, which tone is fine, and what kind of effect will come out in the end.
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This is a kind of in-ear monitoring that singers bring daily, and the role of in-ear monitoring is relatively large, to see if they are out of tune, but also to hear the accompaniment, to be able to hear their own voice, and to control their own voice.
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This avoids noise and allows melody and beats to be heard. The director's command can also be heard. It is also possible to adjust the situation on site at any time. And so that you can also hear your own voice.
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This is because when the singer sings on the stage, because the voice under the stage is particularly noisy, so in order to be able to hear better, he will wear ear monitors.
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In this case, you can return your voice from the earphones to your ears to judge how well you sing and see if you are out of tune.
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The inner is the in-ear monitor, not the headphones
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