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It deeply analyzes the humanity of the Chinese people.
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Summary. Dear, Mo Yan's experience that influenced his creation mentioned in his speech: Mo Yan has risen to prominence in the mid-1980s with a series of vernacular works, full of complex emotions of "nostalgia" and "resentment", and is classified as a writer of "root-seeking literature".
In March 2000, Mo Yan delivered a speech at the University of California, Berkeley, "Uncle Faulkner, how are you?" "His Yoknapatawpha County, in particular, taught me that a writer can not only fictionalize characters, fictional stories, but also fictional geography.
It was inspired by Faulkner that Mo Yan wrote "Gaomi Northeast Township" on manuscript paper, and Mo Yan said: "I am also determined to write about my hometown, a place as big as a postage stamp. So starting from "White Dog Swing Frame" in 1985, Mo Yan raised the banner of "Gaomi Northeast Township", like a reckless hero in the world, and created his own literary kingdom.
Just like Thomas Hardy's "Wessex" in southern England, or García Márquez's South American town of Macondo. Through the description of the lifestyle and general living conditions of his hometown, he conveys a certain universal human content and human living conditions, and transforms the general description of nostalgia into the comprehension and discovery of human "survival". In this way, Mo Yan's works transcend the narrowness and limitations of general "vernacular literature" and reach the height of the universal existence of human beings.
Mo Yan is still a pretty good lecturer<>
Okay, okay? The experiences that Mo Yan mentioned in his speech that had an impact on his creation: Mo Yan rose to prominence in the mid-1980s with a series of vernacular works, full of complex emotions of "nostalgia" and "resentment", and was classified as a writer of "root-seeking literature" by Shi Beijian.
In March 2000, Mo Yan delivered a speech at the University of California, Berkeley, "Uncle Faulkner, how are you?" "His Yoknapatawpha County, in particular, taught me that a writer can not only fictionalize characters, fictional stories, but also fictional geography.
It was inspired by Faulkner that Mo Yan wrote "Gaomi Northeast Township" on manuscript paper, Mo Yan said: "I am also determined to write about the place in my hometown where the old pants are as big as a postage stamp." So starting from "White Dog Swing Frame" in 1985, Mo Yan raised the banner of "Gaomi Northeast Township", like a reckless hero in the world, and created his own literary kingdom.
Just like Thomas Hardy's "Wessex" in southern England, or García Márquez's South American town of Macondo. Through the description of the lifestyle and general living conditions of his hometown, he conveys a certain universal human content and human living conditions, and transforms the general description of nostalgia into the comprehension and discovery of human "survival". In this way, Mo Yan's works transcend the narrowness and limitations of general "vernacular literature" and reach the height of the universal existence of human beings.
Mo Yan is still a pretty good lecturer<>
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There is no need to deal with their group of people, their group of people don't understand anything, their group of people are not meat eaters, they can't see the cruelty of reality, and they have never experienced the cruelty of society, their group of people are "flowers in the greenhouse", and their group of people can't see the cruelty of society.
Stay away from this group of people who have more than enough success and more than enough to lose, why not eat minced meat, it will help your health.
That's how it should be!
Mo Yan's works are "unit", blindly describing the "false, evil and ugly" of Chinese society and people. Objectively speaking, any society with people is "pluralistic". However, Mo Yan is paranoid about the "unit" depiction, and rarely reflects the "plurality" and complexity of society and people.
Such as in "Sandalwood Punishment".
In the opening of the book, it is written viciously that "there is no invention in China, only torture, which makes people die painfully in art." In Mo Yan's mind, "art" is associated with "death", and there is no "invention and creation" associated with "torture". These arguments are precisely in line with the needs of the anti-China forces in the West, and at the same time, they also provide them with the "first words" of "local people" to smear China.
The Nobel Prize, "under the manipulation of the West, has long had its own set of selection criteria. Anything that reflects the "false, evil, and ugly" of Chinese society and people is in line with the selection. Otherwise, it will be difficult to enter the circle.
Therefore, it is not surprising to say that Mo Yan's works are in line with Western appetites!
Take a look at Mo Yan's literary works, and then look at Mo Yan's Nobel Prize speech, and you will understand why he won the Nobel Prize.
Li Ao said: Among the Nobel Prize winners in literature, except for the Soviet Union's "The Quiet Don River", all the others are anti-state themes, and this is the only way to win the Literature Prize!
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Mo Yan's red sorghum won the Nobel Prize in Literature in 2011. I think Mo Yan's success is attributed to life, and a lot of realism in his works is in life. Therefore, if you want to write a good work, you have to go down more, especially the works on the theme of rural rental banquets, and sink down, so that you can see the agricultural disadvantages that people in the city can't see and shoot the life of Yinhe Hunger Village.
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Clause. First, it is necessary to write about the masses and be grounded;
Clause. Second, to carve the spiritual essence of the sedan car painting, there must be backbone;
Thirdly, we must be based on cultural traditions and be vigorous.
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Ancient and modern Chinese and foreign celebrities are all people with very strong self-confidence. There is a poet immortal, Li Baizhi, I am born with a talent, and I will be useful; There is our great leader, who will hit the water for 3,000 feet; There is Mo Yan, who won the Nobel Prize in Literature not long ago, and there are countless such examples!
Self-confidence comes from strength, and self-confidence produces charm. It is difficult to succeed without real strength and self-confidence. Success is God's reward for those who have strength and self-confidence.
Seiji Ozawa, an internationally renowned conductor, went to Europe to participate in a conducting competition, and found some dissonance in the music when he played, and all the composers and judges present declared that the score was selected by thousands of people, and there could be no problems. However, Seiji Ozawa thought twice and confidently adhered to his point of view, and finally won the championship.
Seiji Ozawa's success proves this – self-confidence comes from strength. But on the other hand, is it true that people who are not strong enough cannot have self-confidence? No.
Self-confidence is an affirmation of one's abilities and is not the same as pride, boasting, arrogance, or pretentiousness. The affirmation of one's own ability is to know and know one's own strength and weight better, the so-called knowing oneself and knowing one's opponent, and not being defeated in a hundred battles! Only with self-confidence can people be ambitious and energetic to learn, work, struggle and struggle!
According to relevant research, when a person is confident, his thinking ability is very active, and his spirit has always been optimistic and positive; And when you are in low self-esteem, you seem to be slow to react to your thinking, and you look sluggish, like an eggplant beaten by frost in winter, wilting all day long.
Some people say: self-confidence may not necessarily lead to success; But if you don't have self-confidence, you can't succeed. Do you want to succeed? If you want to, make yourself confident and start a business. Look, success is just around the corner!
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Here are a few points:
1. Mo Yan's literary works are connected with world literature.
2, Mo Yan's life experience.
3. The current situation of Chinese literature.
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Why do so many people ask Mo Yan's question.
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