Tianjingsha Autumn Thoughts is only 28 words, why do later generations call Ma Zhiyuan the ancest

Tianjingsha Qiusi is a small order created by Yuan song writer Ma Zhiyuan, and it is a famous loose song work. The theme of this poem is the loneliness and homesickness of wandering in late autumn, and by depicting natural scenes, the author's longing for his hometown and his feelings about life are expressed.

Although this poem is only 28 words long, it has become a classic of Chinese literature with its profound emotional expression and exquisite artistic technique. In the song, the artist uses the juxtaposition of imagery to create an emotional atmosphere of loneliness and sadness by depicting natural scenes such as "Ancient Road", "West Wind", "Thin Horse", "Sunset", and "The Broken Intestine Man at the End of the World". This kind of expression has a long history in ancient Chinese literature and is known as "Imagism".

In addition, when Ma Zhiyuan composed this small order, he not only adopted the rhythm and expressive techniques of Tang poetry, but also used some expressions that had not been used before in the song, such as depicting the "thin horse" as an independent image, rather than simply depicting it as a means of transportation. This innovative technique also provided new ideas and inspiration for the later creation of loose songs.

Therefore, although Tianjingsha Qiusi is only 28 words long, its artistic value and literary significance are extremely important. Later generations called Ma Zhiyuan "the ancestor of autumn thoughts", which is an affirmation of his outstanding contributions to literature and the deep emotions and superb artistic skills shown in this poem.

Excerpted from knowing, hope to help you.

Ma Zhiyuan's masterpiece "Tianjingsha Autumn Thought" is called "the ancestor of autumn thought" Reason:

The content of the work itself is simple and ordinary, describing the wanderers of the detention journey, at dusk, sensing the raid, feeling and feeling, thinking and sorrow, sorrow and weeping, crying and pain. The whole article is only five sentences and twenty-eight characters, neither exaggerated nor allusional, and purely uses white to outline a vivid picture.

The refinement of the text can also be said to have reached the point where it is impossible to add or subtract a single word. Just like Wang Guowei said in "Words in the World": "The beauty of the article is also covered in a word, and there is just a realm." Boutique, must read; The beauty of the text is indispensable".

In fact, this poem is very understanding, because in the process of creation, Ma Zhiyuan also experienced very sad things. He felt very helpless, so he was inspired to write words when he passed by a certain place. Therefore, in the process of writing, he also brings his own emotions into it.

In this process, you can also feel the author's mood changes. Therefore, the scene described in this poem is very close to the emotions in the author's own heart. Especially in the process of drifting, everyone's emotions will become very fragile.

Because of the words of this poem, in fact, he not only showed a certain amount of longing and emotion, but also showed some background and reactions of the society at that time, which caused a certain resonance.

This is because, first of all, the "si" in this "autumn thought" should be the fourth tone. In ancient times, it was used as a noun to refer to sadness, and it was mostly thought (four tones). Therefore, "Heavenly Sha Qiu Si" is actually about "autumn sorrow", which narrows the scope of expression of this small order by half.

Combined with Ma Zhiyuan's wandering experience, this small order actually expresses his troubles of being detained and wandering in late autumn.

Ma Zhiyuan's Tianjing Shaqiusi depicts the environmental characters who express the misery of leaving people very clearly, and the author who shows it through the contrast of white drawings has a strong lovesickness.

Ma Zhiyuan's "Tianjingsha Autumn Thoughts" uses ten images (withered vines, old trees, faint crows, small bridges, flowing water, people, ancient roads, west winds, thin horses, sunset, and broken intestines) to express the author's suffering and hatred of the autumn and autumn, so that the work is full of poetry.

The first two sentences of "withered vines and old trees are faint, small bridges and flowing waters" create a cold and gloomy atmosphere, and show a fresh and quiet realm. The small bridge and flowing water people feel elegant and leisurely.

The poet depicts a desolate and miserable artistic conception of the autumn wind, adding another layer of desolation to the secluded village.

The poet skillfully connects ten kinds of prosaic objective scenes, and through the six characters of dry, old, faint, ancient, western, and thin, the poet's infinite melancholy is naturally contained in the picture.

Broken intestines in the end of the world" is the finishing touch, at this time in the late autumn village picture, there appeared a wandering wanderer, in the desolate ancient road of the sunset, leading a thin horse, facing the miserable autumn wind, roaming, sad intestines strangled, but do not know where their destination is, revealing the poet's sad feelings that have not been encountered, properly expressed the theme, this small order is to take the technique of allegorical scenery to render the atmosphere, show the theme, and perfectly express the sorrow of the traveler who wanders the world.

This poem is a metaphor for the scene, vividly expressing the sorrow of a person who has been living in a foreign land for a long time. The first three lines are all composed of noun phrases, listing a total of nine scenes, which is concise and meaningful.

The word "broken intestine" is a poetic eye. It expresses the sad feelings of a wanderer who misses his hometown and is tired of wandering in the autumn. This poem is attached to things, and the feelings of sorrow and sorrow are vividly portrayed through the vivid images of many natural scenes and the strong late autumn colors.

Ma Zhiyuan's "Tianjingsha Autumn Thought" belongs to Yuanqu, Xiaoling.

Literary genres are divided into many kinds, poetry is one of them, and poetry is also developed with the continuous change of dynasties, from the first "Book of Songs" to "Chu Ci" to Han Yuefu poems, and then the seven sons of Jian'an represented by the folk songs of the Wei and Jin Dynasties, and then the rise of the Tang Dynasty reached the peak of Tang poetry, Song poetry, Yuan song and Ming and Qing poetry, and then to the last modern poetry, new poetry, all show the change and development of culture driven by the change of dynasties in the long history. Poetry has a great cultural heritage and status in history.

Similarly, to understand a work, we must first understand the author, the background of the author's times, personal experience, and the cultural literacy that prevails at the moment, etc., just like this "Tianjingsha Qiusi", the author Ma Zhiyuan is a famous one in the Yuan Dynasty.

Tianjingsha Qiusi" Ma Zhiyuan opera writer, essayist, essayist, has many masterpieces, in terms of literary attainments and literacy are the peak, and Guan Hanqing, Zheng Guangzu, Bai Pu and called the "four masters of Yuanqu", this title is enough to explain their achievements and status.

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Tianjingsha Autumn "Bai Pu".

The lonely village is in the sunset, the light smoke is old and the jackdaws are under the shadow of a little Feihong. Green mountains and green waters, white grass, red leaves and yellow flowers.

These two words have great similarities in both artistic conception and writing, both words are writing "autumn", but neither reflects an autumn word, but the reader can also see between the lines that the author wants to express an artistic conception, a picture of autumn scenery in a few words came into being.

Ma Zhiyuan also has a lot of masterpieces "Qinggeer December", "Four Pieces of Jade, Tian Retreat", "Four Pieces of Jade: Sighing the World", "Happy Spring, Six Arts", "Little Peach, Four Princes' Mansion", Qingjiang Yin, Yexing", Shouyang Qu, Evening Bell of Yansi, Qingdongyuan, Sighing World, etc., are all popular masterpieces.

Ma Zhiyuan's "Tianjingsha. Qiu Si is a literary genre of Yuan Qu. There are many other masterpieces of Ma Zhiyuan, such as "Autumn in the Han Palace", "Recommended Blessing Monument", "Yueyang Tower", "Tears of Green Shirts", "Chen Kuangao Lying", "Ren Fengzi" and so on.

Yuanqu. "Autumn in the Han Palace", "Yueyang Tower", "Tears of Green Shirts", "Ren Fengzi", "Recommended Blessing Tablet". A very powerful vaudeville.

Belonging to Yuan Qu, his works include "Han Palace Autumn", "Dongli Yuefu", "Han Palace Autumn", "Huangliang Dream", "Dongli Yuefu", "Recommended Blessing Tablet" and so on.

It mainly expresses: the loneliness and helplessness of the end of the world, as well as the sadness and pathos in the heart.

The small order in the song "Tianjingsha Autumn Thoughts" uses the method of allegorical scenery to depict the scene at dusk in autumn, portraying the image of a wanderer who is running around, expressing the thoughts of a wanderer in a foreign land.

This poem first writes the scene and then the love, and the scene is in the service of lyricism. The author, Ma Zhiyuan, first used the method of white drawing, using only 18 characters to depict 9 different scenes, and harmoniously and naturally incorporated them into a single drawing, thus forming a mutual contrast between movement and stillness, light and dark, background and subject. "Withered vines and old trees and crows" indicate that it is late autumn at this time, and "Ancient Road West Wind Thin Horse" indirectly portrays the image of a wanderer in a foreign land.

At the same time, the author also pinned his sad feelings on this scene, making the already very bleak scene even more sad. The author also pays great attention to the coordination of scenery and feelings, for example, "small bridge and flowing water", which is a very common ordinary scene, but when it is in the same picture as "Broken Intestine Man", it is no longer an isolated scene, but becomes the trigger of "Broken Intestine Man", so that the picture has a sad atmosphere, which can really be described as "love is shown by the scene, and the scene is born because of love".The author's description of the scenery is not only concise and catchy to read, but also pushes the emotional tone of the whole text to a higher level, which well paves the way for the lyricism that follows.

The last two sentences are straightforward, "the sun is setting", the author's melancholy and sorrow are overflowing, and "the broken intestine is at the end of the world" points out the main theme of the whole text, at this time, the author's thoughts of detention are vividly embodied.

In the whole song, the author pays attention to the before and after of the words, such as "dusk" and "sunset", "the end of the world" and "ancient road", although there is no word "thought", but the whole text is always written around this word, the author's melancholy and sorrow are everywhere, it is really "silent is better than sound at this time".This Yuanqu Xiaoling, known as the "ancestor of autumn thoughts", does have its uniqueness.

Ma Zhiyuan's "Tianjingsha Autumn Thoughts" mainly expresses the sad and sad feelings of a wanderer who misses his hometown and is tired of wandering in autumn. The juxtaposition of a variety of scenery in this song is combined to form a picture of the autumn suburbs at sunset, allowing the wanderer to ride a thin horse on a bleak background, revealing a mournful mood. Original:

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

"Tianjingsha Autumn Thought" is known as the "ancestor of autumn thought".

Tianjingsha Qiusi.

Withered vines and old trees, faint crows, small bridges and flowing water. Ancient road west wind thin horse. The sun is setting, and the heartbroken man is at the end of the world.

Translation: Withered vines, entwined around ancient trees, crows fly back to the trees at dusk to roost. Under the small bridge, the stream flows past the homes on both banks.

A traveler rode a tired thin horse, facing the harsh autumn wind, and slowly marched down the ancient and desolate road. As the evening sun was setting in the west, the traveler was in great sorrow, wandering far from his homeland.

1.The common theme of the two poems is --- homesickness.

2."Tianjingsha Autumn Thoughts": "Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses." ”

Reason: The author uses nine nouns in a row to depict nine images of "withered vines", "old trees", "faint crows", rotten chains, "small bridges", "flowing water", "people", "ancient roads", "west winds" and "thin horses", forming a desolate and lonely autumn scene, showing strong homesickness. Although the author does not have a single word of mourning, the sorrow is fully revealed in such a bleak and desolate twilight scene.

Qiu Si": "I can't say enough in a hurry, and the pedestrians are about to open the seal. ”

Reason: This sentence means that the poet was afraid that he had not finished saying what he had said in the letter, so he opened it and read it again before the messenger left. Sending a letter to a loved one is a very common thing, but the poet added an extra detail of opening the envelope before leaving, which makes the feelings of missing relatives appear more real and rich, which makes people feel greatly moved when they read it.

The poet places his affection on the plain, and misses the details, with few words, but the reading is long and charming. , 10, Ma Zhiyuan, "Tianjing Sha Shisui Autumn Thoughts".

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Translation: Looking at the crows at dusk, looking for dead vines and old trees to perch on, and up close, there are people living with small bridges and flowing water, and only a thin horse carrying a wandering wanderer in front of him is slowly moving on the ancient road of autumn wind. Seeing the afterglow of the sunset has already passed in the west, the heartbroken people who are wandering outside are wandering to the end of the world.

Zhang's "Autumn Thoughts".

Seeing the autumn breeze in Luoyang City, I want to write a book. I can't say enough to return to my grandson in a hurry, and the pedestrians are about to open the seal2, Ma Zhiyuan's "Tianjing Sha Autumn Thoughts".

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Translation: Looking at the crows at dusk, looking for dead vines and old trees to perch on, and up close, there are people living with small bridges and flowing water, and only a thin horse carrying a wandering wanderer in front of him is slowly moving on the ancient road of autumn wind. Seeing the afterglow of the sunset has already passed in the west, the heartbroken people who are wandering outside are wandering to the end of the world.

Zhang's "Autumn Thoughts".

Seeing the autumn breeze in Luoyang City, I want to write a book. I can't say enough in a hurry, and the pedestrians are about to open the seal2, "Tianjingsha Autumn Thoughts" Ma Zhiyuan "Autumn Thoughts" Zhang Ji.

1.What is the common theme of the two poems?

2.What is the scene or detail that moves you the most in both poems? Pick one place each, reason.