What is the most outstanding feature of Han Yue Fu?

Han Yuefu poems refer to the poems of the Han Dynasty that were collected and preserved by the imperial court Yuefu system or the ** management organ equivalent to the function of Yuefu. It is another magnificent landscape in the history of ancient Chinese poetry after the Book of Songs and Chu Ci, and it is another large collection of ancient folk songs. It has created a new style of poetic realism, close to life, popular language, gradually moving from miscellaneous words to five words, mostly using narrative techniques, depicting detailed characters, distinctive personalities, and relatively complete and unique storylines.

The biggest and most basic artistic feature of Han Yuefu folk songs is their narrative. This characteristic is determined by its "accidental" content. Han Yuefu expresses the character of the character through the words and actions of the characters.

Some use the form of dialogue, such as the dialogue between Luo Fu and the envoy in "Mo Shang Sang", and the dialogue between the wife and husband in "Dongmen Xing", which can show the different personalities of the characters, such as wit, bravery, and kindness. In addition to dialogue, there are also monologues, often using the first person to let the characters speak directly, such as "Orphan Walk", "White Head Yin", "Evil Spirit" and so on. Han Yuefu pays attention to the portrayal of characters' actions and details.

For example, in "Yan Ge Xing", "Oblique Ke Northwest Circle" writes about the suspicion of the "husband"; "Women's Sickness" uses "I don't know what to do with tears" to write about the maternal love of the dying sick woman, which is written vividly and vividly.

The language of Han Yuefu folk songs is generally colloquial, and the language is simple, natural and emotional. At the same time, it is also full of feelings, full of people's love and hatred, even if it is a narrative poem, it is a combination of narrative and lyricism, so it has a strong appeal. On the one hand, because most of the things narrated in Han Yuefu folk songs are the people's own affairs, the author of the poem is often the protagonist of the poem; On the other hand, because the author and the characters he describes have a common fate and common life experience, the narrative and lyricism are naturally fused together, so that they can be "shallow and deep".

For example, "Orphan's Walk" does not make empty shouts about the suffering of orphans, but focuses on specific depictions, and uses white sketches to write about the physical and mental suffering of orphans, even life is worse than death, and the taste will naturally be obtained. At the same time, it also reflects the author's sympathy for the suffering of the people's lives.

The most striking feature of Han Yue Fu is its narrative nature.

Features: Narrative Language: Simple, natural and emotional.

Han Yuefu is another peak in the history of Chinese poetry. "Yuefu" was originally the name of the ** in charge of ** in the Han Dynasty. In the Han Dynasty, the poems compiled and sung by the Yuefu organs were called "song poems".

By the Wei and Jin dynasties, people began to call these poems "Yuefu" or "Yuefu poems" and divided them into categories (Liu Xian's "Wenxin Carving Dragon" and Xiao Tong's "Wenxuan").

Characteristics of Han Yuefu Poetry Han Yuefu refers to the poems collected and preserved by the official office of Yuefu in the Han Dynasty. Some of the poems of Han Le Fu were used by the rulers to worship ancestors and gods, and are very similar to the "ode" in the Book of Songs. The other part is the popular folk **, called Yuefu folk songs.

According to the Book of Han, "The songs of the Song and Zhao dynasties of the Song Dynasty or the songs of the Song and Chu dynasties of the Qin and Chu dynasties are all inspired by the songs of the Song or the songs of the Song and Song dynasties." It can be seen that this part of the work is the essence of Han Yuefu.

According to the records of the Historical Records, the Han Dynasty Yuefu was established in the second year of Emperor Hui of the Han Dynasty (193 BC) at the latest, but it was not until the reign of Emperor Wu of the Han Dynasty that the collection of folk songs began to flourish. "Yuefu Poetry Collection", compiled by the poet Guo Maoqian in 100 volumes, is divided into ten categories of descriptions, namely, the most complete collection of books from the Western Han Dynasty to the Five Dynasties, namely, the most complete collection of books from the Western Han Dynasty to the Five Dynasties. There are more than 40 Yuefu ballads in the Han Dynasty, most of which were written in the Eastern Han Dynasty.

These works reflect the social reality and people's living conditions at that time, and use sharp language to express love and hatred, with a strong realist style.

Han Yuefu is another great collection of ancient Chinese folk songs after the Book of Songs. Different from the romanticism of "Chu Ci", it created a new style of realist poetry. Women's works occupy an important position in the folk songs of Han Yuefu, and a large number of works close to real life are constructed in popular language.

It uses narrative writing and meticulous portrayal of characters, so as to create characters with strong personalities. At the same time, the plot is relatively complete, and the ideological connotation can be highlighted in the description of typical details, which not only opens up a new stage in the development of narrative poetry, but also an important stage in the development of five-character poetry. In China.

The most striking and fundamental artistic feature of Han Yue Fu is its narrative. Han Yuefu pays attention to laying out the scene, detailing the intermediate process and omitting the beginning and the end.

The narrative nature of Han Yuefu poetry is very strong, and Han Yuefu poetry generally narrates a historical event. The characters in the poem are complex and distinct.

It has created a new style of poetic realism, mostly in the form of five characters, which is very close to life, and the characters are particularly distinct, mainly describing things in real life.

The artistic characteristics of Han Yuefu folk songs are manifested in:

1. Express the character's character through the character's language and actions.

Some use the form of dialogue, while others use monologues, paying attention to the portrayal of characters' actions and details to make the realization direct and more intimate and realistic.

2. The language is simple, natural and emotional.

The language of Han Yuefu folk songs is generally colloquial, and at the same time it is full of feelings, full of people's love and hatred, even if it is a narrative poem, it is a combination of narrative and lyricism, so it has a strong appeal.

On the one hand, because most of the things narrated in Han Yuefu folk songs are the people's own affairs, the author of the poem is often the protagonist of the poem; On the other hand, because the author and the characters he describes have a common fate and common life experience, the narrative and lyricism are naturally fused together, so that they can be "shallow and deep".

3. Freedom and diversity of forms.

Han Yuefu folk songs have no fixed rules and syntax, the length is arbitrary, the whole is scattered, and the rich and diverse forms are undoubtedly very helpful to the expression of complex ideological content.

4. The color of romanticism.

Most of the folk songs of Han Yuefu are accurate depictions of realism, but there are also some works with varying degrees of romanticism and the use of romantic expressions.

Han Le FuIt pioneered poetryRealismThe status of the new wind. Female works occupy an important position in the folk songs of Han Yuefu, which uses popular language to construct works close to life, gradually moving from miscellaneous words to five words, using narrative writing methods, portraying characters in detail, and creating characters.

It is an important stage in the development of the five-character poetry style in the history of Chinese poetry. Han Yuefu has a very high position in the history of literature, and it is related to the Book of Poetry and Chu Ci.

Can stand on its feet.

Secondly, the development of Han Yuefu poetry played a key role in the poetry of Jian Zhengtong. Yuefu was originally established in Qin, and it was an institution under the jurisdiction of "Shaofu" at that time that specialized in the management of music and dance singing and learning. At the beginning of the Han Dynasty, Yuefu did not have Cong Zhaoyou preserved.

to Emperor Wu of the Han Dynasty.

During Liu Che's time, Yuefu was rebuilt during the ceremonial music in the suburbs, and its duty was to collect folk songs or literati poems to compose music, so that they could be played at court sacrifices or banquets. The poems it collected and sorted out were later called "Yuefu poems", or simply "Yuefu".

Moreover, it played an equally influential role in the poetry of the scribes. Therefore, the tragic tendency of Han Dynasty folk songs is, on the one hand, a reflection of the endless tragedies in social reality; On the other hand, it is also due to the fashion of poetry creation and poetry appreciation in the whole society and the whole era. Let's start with one question:

The music of the Han Dynasty that is still sad.

Appreciate the wind. An era of barricades has an era of aesthetic fashion. In the early sixties of the last century, I concentrated on reading the poetry of the Han Dynasty in a period, and there was a phenomenon that surprised me very much: whether it was a poem or a folk song in the Han Dynasty, the tone was almost all pathetic.

Finally, the folk songs of Han Yuefu played a fundamental role in the healthy development of poetry in later generations. Of course, this influence is first manifested in the inheritance of the tradition of realism, which is inspired by sorrow and happiness. It was under the nourishment of the folk songs of Han Yuefu that the creation of poets of the Han Dynasty who faced life gradually became active, from the beginning of simulation to innovation, laying the foundation for the prosperity of the Jian'an poetry circle.

And the poet admired the Jian'an style.

The wind power of the Wei and Jin dynasties is Chen Ziang in the early Tang Dynasty.

A banner of the Poetry Reformation movement.

1. There are various forms of folk songs in Han Yuefu, including three words, four words, five words, six words and miscellaneous words. The most commonly used are the five-character and the gradually emerging miscellaneous poems, which have a good effect on expressing complex ideological content.

2. The language is emotional and simple and natural, most of the language in the folk songs of Han Yuefu is mainly colloquial, and it also contains the feelings of love and hatred of the people, which is also the reason why the folk songs of Han Yuefu can have a strong appeal.

3. The color song with romanticism is closed, and the folk song of Han Yuefu is an accurate depiction of realism, and the romanticism of the scattered in different works is also different, and the techniques expressed are also different.

"Mo Shang Sang" and "Peacock Flying Southeast" are both Han Yuefu folk songs, the latter is the longest narrative poem in ancient China, "Peacock Flying Southeast" and "Mulan Poem" are collectively known as "Yuefu Shuangbi".

The Han Dynasty's "Peacock Flying Southeast", the Northern Dynasty's "Mulan Poem" and the Tang Dynasty's Wei Zhuang's "Qin Women's Yin" are also known as the "Three Uniques of Yuefu".

The role of the Han Le Fu was to collect folk songs or poems of the literati to be composed to music for the court rituals or banquets. The poems it collected and sorted out were later called "Yuefu poems", or simply "Yuefu".

Classic, the double bi of Han Yuefu poems.

Mulan Ci" and "Peacock Flying Southeast".